Blade Runner 2049: The Bradscribe Review

Future Perfect? More Sequel Than Sequel…?

“This is not some clunky franchise-farmed cash-in… With all the art and craft of the original, Denis Villeneuve has… gotten down and dirty in the gene pool, marinated in its enzymes, slept in its bed and dreamt its dreams. And then he’s gone to work” – The Sunday Times.  

“I want more life!” demanded Roy Batty, the peculiar, but poetic, doomed replicant from the classic original Blade Runner. 

Well – after all this time – should that masterpiece, one of the greatest – and self-contained – SF classics reviewed here: have been granted an extension of its existence?

Remarkably, these past few weeks, some critics have argued that Blade Runner 2049 has surpassed the original, taking the issues of humanity, genetics and identity to whole new astounding levels. 

Now, considering how this blogger included himself as one of those teeming masses baulking at a “new” Blade Runner movie, it is a revelation – not to mention a relief – to report that Blade Runner 2(049) has turned out to be a surprisingly engrossing visual and emotional experience.

“Despite all the overlaps, this is not a simulacrum of a Ridley Scott film. It is unmistakably a Denis Villeneuve film, inviting us to tumble, tense with anticipation, into his doomy clutches” – The New Yorker.

The plot of Blade Runner 2049 begins with Ryan Gosling, turning in an appropriately vacant and artificial presence as a new Runner: K (as in Philip K. Dick?), paying a visit to the isolated warehouse/abode of Dave Bautista’s Sapper Morton – retired from the rumble-tumble world of WWF to a barren sector of the Californian wasteland to Grow Green Stuff, Man. What the officer’s surveillance equipment discovers onsite leads to the main plot development: K questioning the nature of his own existence – “basically Pinocchio with more eco-pollution” as one reviewer rather facetiously described it.

When we eventually get to see the Main Man/Replicant/? Himself, it’s nice to see Villeneuve honour that traditional sci-fi dystopian trope of the protagonist wandering into somebody else’s gaff without even a knock or a “Yoohoo!”

As tired and drawn as the world he now (barely) inhabits, Deckard cuts a haggard, whiskey-slugging figure, with only a dog and a holographic Elvis to keep him company. Perhaps Ford’s finest performance in years. 

That wasn’t a real dog… was it? 

Shame it wasn’t a sheep – that would’ve been neat. No, seriously, in the novel, Rick Deckard keeps an artificial sheep on his roof, and only takes the job to retire those wayward  Nexus-6 replicants so that he can afford to buy a real domesticated ruminant mammal with a thick woolly coat…  

“The question at Blade Runner 2049’s pulsating heart has no glib answer… With dazzling adroitness, [Villeneuve] has built on Scott’s legacy to create something grander in scope and emotional range” – London Evening Standard. 

What about the Soundtrack? 

There are no exceptional tracks here – nothing to compare to Vangelis’ sumptuous Blade Runner Blues, the sensuality of the Love Theme, the achingly beautiful Memories Of Green, or the sweeping grandeur of Harps Of The Ancient Temples – regrettably, the score is just as equally soulless as its artificial antagonists…

There is another unsettling observation concerning Blade Runner 2049 that has largely gone unmentioned in other reviews. In this post post-feminist “society” women can look forward – ha! – to not much in the way of beneficial or progressive roles. There are some strong female characters – who can forget Sylvia Hoeks’ “Luv”? Robin Wright is enjoying a promising upturn in her career – here she plays K’s superior: Lieutenant Joshi, in an interesting, but underused, performance.

Apparently, Blade Runner 2049 fails the Bechdel Test i.e. can two female characters share the screen and NOT have a conversation about a man? Morover, this movie just falls short of the Bradscribe Test, specifically: are there 3-4 lines cool or snazzy enough to be quoted herein? When you consider how the original movie positively brims with terrific lines and conversations, sill fondly remembered and quoted 35 years later…

The virtual love interest is brought to you by Joi (Ana de Armas), a hypnotic beauty, but then, she would need to be a top-of-the-range model distracting enough to make any man (or woman?) forget that they exist in a murky dystopia beset with biospheric collapse, child labour camps, distracting neon billboards and Jared Leto – blind, bearded and as bonkers as a bat – ruling the roost from his ambient asylum, inflicting poor, unsuspecting souls with his unintelligible pseudobabble. His (mis)casting as Niander Wallace is perhaps my biggest grumble with this otherwise captivating movie.

Tell you what: going for a spin in his spinner, tha last thing Brad (hopefully not looking as old and thoroughly dischuffed as Harrison Ford does here) will want is to be distracted by a 50 foot holographic ballerina pirouetting past the bally windscreen, thank you very much…

“Blade Runner 2049 has been made with impeccable craftsmanship and taste, yet the film is so terrified of disreputability that it renders itself dead from the waist down, unable to derive pleasure even from a theoretically kinky robot three-way” – Slant Magazine.

Will 2049 end up matching – or even surpassing – its predecessor’s revered status in the pantheon of SF greats? 

Well, no. 

Look at its core components: more bleak, more brutal, less memorable and less inspiring – can these really be considered to be superior traits…?

Certainly not. 

Those folks who reckon this movie supersedes the original are merely revelling (somewhat prematurely) in hype. Nevertheless, during all the time we were suppressing the prospect of a sequel, little did we know that such a wondrous filmmaker as Denis Villeneuve could even exist…

“You’ve never seen a miracle,” Sapper Morton mumbles before being wiped off the cast list. Considering how much the audience were fidgeting, yawning and groaning throughout 2049’s 2hrs, 44 mins (unlike the spinners, time doesn’t fly in this hazy, amber-tinted future), it looked like they were being hard-pushed to find anything exceptional in this languid concoction. 

Always keen to watch more sophisticated, less action-stuffed film fare, my patience, however, was awarded with incredible visuals, an extraordinary narrative atmosphere, and the golden opp of seeing – no matter how grumpy he looks these days – the Ford Legend grace the big screen once more…

In answer to the question: “would you recommend it?” it strikes me as being one of those movies absolutely magnificent to watch once, but fails to incite the urge to pay it numerous viewings. Guess one misses that rain-soaked Chinatown and those fire-spewing ziggurats of good ol’ 2019 a tad too much… 

Brad doesn’t know how long it will take to get round to watching Blade Runner 2049 a second time.

Who does…?

 

BRADSCRIBE VERDICT: 

4 out of 5 glittering C-beams, but ooooh, only just…

 

“I was quit when I come in here, Bryant, I’m twice as quit now” – Rick Deckard.

 

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Voight-Kampff Test Retaken: Blade Runner: The Bradscribe Rereview

Is This To Be An Empathy Test?

“Memories. You’re talking about memories…” – Rick Deckard.  

“Blade Runner is such an amazing movie. A mesmerising mix of sci-fi, action and film noir, it is quite unlike anything you have seen before…” were my words used to describe this seminal SF masterpiece, back in 1986. That school project required us to produce our own magazine. At last! Something to really engage my interests and talents.

The result: Film File – twenty pages, crammed with reviews and profiles written in different coloured ink – was awarded A+ by my gobsmacked English teacher. Blade Runner had had its TV premiere that year, and my VHS copy was swiftly getting worn out at an exponential rate. Naturally, consumed by Ridley Scott’s scintillating verve and vision – over and over again – when it came to compile this rag, Blade Runner took centre stage.

“Harrison Ford makes a fascinating lead character here,” my write-up continued. “The performances are particularly memorable, but it is the spectacular “visual futurism” created by Syd Mead that is sure to become the template in which all subsequent dystopian thrillers will thrive…”

“I’m impressed. How many questions does it usually take to spot them?” – Dr. Eldon Tyrell. 

Even now – with just two years to go before we reach the timeframe created therein – what can Brad write about a movie that holds a reserved place in his All-Time Top 5: honestly, one does not just watch this movie – you experience it…

But then, remember that yours truly is a Professional Wordsmith – it’s my job to find the right words, ma’am. 

What better way to begin than from the beginning: the opening shot of the imposing Tyrell Corp pyramid dominating the cityscape is sumptuous enough, but a seemingly mundane scene involving Holden testing a subject called Leon ends in such an unexpected, dramatic way, my attention was drawn in from that moment – still get goosebumps marvelling at its intricate editing – and the exceptional sights and sounds that unfolded  kept me hooked right up to its melancholy conclusion.

One of the quintessential elements to enhance the classic status of this sophisticated replicant-busting package is the synthtastic score by Vangelis. As the movie has fuelled its fanatical fan-base to ask numerous questions over the years, there is one particular poser that always fascinates my speculative faculties:  

Who – or what – else could have evoked better mood and enhanced the drama? 

Choosing just ONE track from the classic Soundtrack is challenging enough, but this one gets me every time:

 

My very own unique arbiter of good taste: my father, loved the movie as well – ’twas he who had to stay up (extra late) that weekday night in ’86 and record it, editing out the commercials (bless ‘im!)

The “Boy, have you got a treat in store!” look on his face the next morning is one of those priceless moments @ Brad Manor… 

Leon Kowalski (played viciously-cool by Brion James) had more of a profound effect on The Original Brad than on me. He really enjoyed quoting Leon’s lines non-stop:

“Wake up, time to die!” 

“Okay, OKAY, I WILL tidy my room already…” 

“What do you mean, I’m not helping?” – Leon Kowalski. 

And then of course, the main female character became equally iconic.

The fashion sense and hairstyle of eternally-lovely Rachel (Sean Young) added a distinctive 1940s vibe to these “futuristic” proceedings -enhancing that elaborate noir touch in amidst all that neon…

“Have you ever retired a human by mistake?” – Rachel. 

“It’s too bad she won’t live! But then again, who does?” – Gaff.  

“Personally, the added unicorn dream sequence looks more incongruous than the original drive-away ending that consisted of outtakes from The Shining! If anything, this unwelcome addition looks like a shoddy outtake from Scott’s 1985 movie: Legend – an even more absurd anomaly…” so argued my write-up prepared for a local newspaper to coincide with the cinematic release of Blade Runner: The Director’s Cut in 1992. The then-Editor didn’t seem all that impressed as my Reviewlike most of my best material – never saw publication.

Thankfully, my opinion towards this sequence has mellowed over time.

“To me, it’s entirely logical,” Ridley Scott explained in a 1982 interview. “Particularly when you are doing a film noir, you might as well go through with that theme, and the central character could in fact be what he is chasing. You could say it is corny or not corny. Something is usually only corny according to execution. It was cut into the picture, and I think it worked wonderfully.”

Although filmed for the original theatrical cut, there again, meddling studio execs advised him to extricate the scene because it complicated the narrative even furtherWithout it, of course, the later appearance of the origami unicorn makes no sense. 

Part of the initial appeal was Ford’s droll narration. Never had a problem with it myself – was unaware that it was an explanatory device reluctantly added later. As a writer, it is understandable now: how the endless revisions and rewrites it had to go through became a source of irritation for the makers.  

Actually, what about that other question: was Ford miscast? 

Many of his fans thought so, and the negative word-of-mouth contributed to Blade Runner‘s surprisingly dismal run during its initial release.

On the other hand, his presence primarily influenced my decision to sit down, watch and have my life changed forever…

“Are you for real?” – Zhora.

 Gaff: “Monsieur, azonnal kövessen engem, bitte! 

Sushi Master: “He say you under arrest, Mister Deckard.” 

Deckard: “Got the wrong guy, pal.” 

Gaff:Lófaszt! Nehogy már! Te vagy a Blade, Blade Runner!” 

Sushi Master: “He say you Blade Runner.”

Deckard:Tell him I’m eating.”

To celebrate its 25th Anniversary, in 2007, Blade Runner: The Final Cut was released. Working abroad where it received no theatrical release, it was just a matter of time before finally seeing what Ridley Scott had originally intended.

Strangely enough, it has taken another ten years before getting round to renting a copy of Blade Runner: The Final Cut! Just last month, in fact, intricate rituals had to be undertaken to prepare me for this superior sensory sensation. Yes, that same tingling feeling throughout is still there…

Future perfect? Perhaps… 

The most perplexing question: “Is Deckard a replicant?” has been argued to almost monotonous degrees among critics and fans alike.

For aeons…

Scott insists that he is; Ford has always denied this aspect of his character. Actually, look at it this way: it’s an aspect best left open and UNanswered; let viewers decide for themselves – very few movies possess the capacity to allow audiences to react in such a way. The point that people are still arguing over this issue 35 years later is a testament to the power and intrigue that Blade Runner has – and continues – to generate.

“We need you, Sebastian. You’re our best and only friend” – Pris.

“Quite an experience to live in fear, isn’t it? That’s what it is to be a slave” – Roy Batty.

That other oherwhelming question: “Should this classic have a sequel?” has always been answered from this quarter with a stern:

NO, A Thousand Times No. 

When news finally broke confirming the go-ahead of the dreaded Blade Runner 2, it seemed like such an abysmal admit-defeat scenario had unfolded.

However…

In the promising hands of Denis Villeneuve, who lavished the extraordinarily impressive Arrival upon us all last year, prospects suddenly don’t look so dire. Plus, unexpectedly glowing initial Reviews have trickled in. Some critics have even had the nerve to comment how Blade Runner 2049 not only complements the original, but supersedes it in terms of depth and quality. 

Uff, we’ll have to see about THAT…

So, always up for a challenge, your correspondent will give 2049 a go, and report back to you later in the week… 

Let it be said: Villeneuve  will have to go SOME WAY to try and produce anything to equal the original’s Final Act: still cited by many as the Greatest Scene in SF Cinema History – it is certainly one of the leading contenders. 

Honestly, how could we finish This Post without it? 

Tears in rain? Tears on my keyboard, more like.

Every time…

 

BRADSCRIBE VERDICT: 

“Reaction time is a factor in this so please pay attention. Answer as quickly as you can.”

 

The Merchant Of Menace: Rebel Without A Code Clearance

Twin Suns, Ray Guns And Puerile Puns About Brad’s Buns…

 

This is Episode II in the Firm And Shapely Trilogy you can find Episode I ‘ere:

“What chance do we have? The question is “what choice.” Run, hide, plead for mercy, scatter your forces. You give way to an enemy this evil with this much power and you condemn the galaxy to an eternity of submission. The time to fight is now!” – Jyn Erso.  

 

Well, that escalated quickly!

Despite fighting off Tenko Tash’vaa’s monologues as well as his goons,

Brad and Lexi remain holed up inside the villain’s headquarters on Wotsit IV in the Midlanoware System. 

Time is running out, and there is little hope of ever finding that reckless young spy: Bagel Looney…

But now, across the street, out of the clouds with a deafening drone

descends the most feared and infamous cruiser in the entire Imperial fleet: 

the Zoulzukker!

Kriegzlide Killzquad have arrived… 

 

“Getcha lousy biochemech mitts offa me!” Lexi protested as two giant Killzquad gooms seized her and began dragging her out.

Another two grappled with her companion.

“NAH!! Leave ‘er alone!” yelled the Battleforce Commander-turned-blogger. “She’s gonna beat the stuffin’ outta yas!” 

“Hush urp, Urfmairn!” grumbled Zoltan Zovran – the Kriegzlide psychonaut too deranged even for a regular Shokk Trooper division to manage. The ruffian suddenly raised his Particle Accelerator Lance and jabbed it into the back of the Battleforce Commander’s head.

The squad, and their hostages, emerged onto the hot, crowded street. As half of those milling about – or just hanging around, wasting their Imperial time – consisted of the occupying Zandokan garrison, so Zubizmaar’s lunatics could avoid the hassle of gawping bystanders for a change.

As delirium seeped over him, Brad’s groggy eyes could just about discern a lone, armed Shokk Trooper emerge from the bustling throng and approach the group. With some urgency.

“A chenge uv ordairs, yo lot!” it barked. “Ze Emprah hez infairmed ze Wotzeet Proveencial Offizer zat zeez preeznair be brurt to ze Zentient Towair, een ze Men Zquare, fer ferzair eentairrogation!” 

And with that, he forcefully snatched the Earthling. The Killzquad stared uneasily among themselves.

Commander Zmutti Zubizmaar looked the most disbelieving. 

“Hmm… Zoundz laike a lurda covfefe to me, Troopair…” he snarked. “Ve vere zent ‘ere pairzonally by ze Emprah! OUR uddairz come STRET frurm ZAN DOKA IZZELF! Shur me YER uddairz, Troopair!”

“Directeev: Zero-seex-zero-ett – yo ken doneludd eet frum ze men Empeerial Moaneetor…” 

As they started to depart, Zubizmaar signalled them to halt: “Troopair! Vot eez yer urpairateenk numbair?”

“ZX2187…” 

He raised his blaster at them as they trudged away, crying out: “Two-wun-ett-zeven! Ze Urfzcurm ztayz weev uz! BREENK HEEM BECK ur-” 

“Ur whut?!” ZX2187 barked, not stopping, not looking back… “Yo vood shoot en Empeerial Troopair een ze beck…?!”

“‘Twood NUT be ze firzt tem, fool… Geev our preeznair beck, KNOW!” 

“C-come urn, Earthman, murve!” the Trooper muttered nervously as he nudged your hero in the back.

As this unlikely pair wandered off down the street, the Killzquad watched in bewilderment. 

“Vell, ZEEZ wuz NUT een ze zcripp…” Commander Zmutti Zubizmaar stood akimbo, shaking his repulsive head: “Yo ‘ombrez! Tek ze gell ta ze sheep – Zoreen! Follair zem! Ve durn’t dare lewz NEIZAIR uv zeez deepweetz!”  

Zoreen Zeegazeeg – a ruthless spy/assassin in his own right – stepped forth.

“‘Tweel be may genueen pleazure, zah!” 

And before anyone could cue some suitably dramatic music, he had vanished into the crowd…

Strangely, Trooper ZX2187 looked anxious, glancing every which way before nudging Brad into a narrow alley.

Your hero frowned in confusion: “…’Ere, ‘ang abaht… yer goin’ the wrong way…” 

“No, we’re not! In ‘ere, quick!”

At that moment, they barged into an empty hovel halfway down one side. Brad spun round to watch the Trooper remove his helmet and reveal not a green-skinned Imperial grunt, but:  

“Bless me blueberry muffins! BAGEL!”

“Shoosh, Commander! Ya wanna let everybody know where we are…?!”

“The longer we’re here, the less luck we’re gonna have…” – Han Solo.

“Too short for a Shokk Trooper?” Brad Fartlighter muttered cynically, massaging his sore bonce.

“Huh? Shucks, man, done pret’y well up until now…”

“‘Ave ya really, kid? Jeez, wanna know the reason why I didn’ pounce on ya jus’ now? Ya said: “Earthman,” instead o’ “Urfmairn”…!”

“Did I…?! Fudge… ‘Sfunny, there may ‘ave been some slip-ups earlier; it’s gettin’ well dodgy – I reckon some o’ the Shokk Troopers’ve kinda sussed me aht… Ya gotta ship? I’m itchin’ ta get offa this rock!” 

“Not so fast, Lil Itch – we ain’t goin’ nowhere jus’ yet! Those Kriegzlide goons ‘ave snatched me Second Officer – ya’d bet’er polish yer accent ‘cos we’re gonna break inta the Zoulzukker an’ get ‘er th blazes aht before they can get ta the muvvaship!”

“‘Er?! Yer Second Officer’s a woman?!”

“Whoa, a gold star fer keepin’ oop, Bright Eyes! She came all this way ta getcha back – an’ now both of us ‘ave ta get ‘er back!”

“You came ‘ere ta get me an’ all?”

“Nah, I came ta keep me eye on ‘er-“

“Well, you’re doin’ a fine an’ dandy job o’ THAT!” 

“An’ whose fault wuz that then, fella?! Cos o’ you, dipwit, I’m further from Lexi than I’d like! I’m gonna need me own Shokk Trooper’s togs ta pull this ruse orf – we’ll ‘ave ta coax one of ’em in ‘ere…!”

“Easy peasy, Commander be back in a jiffy…”

“BAGEL…?!”

And with that, the reckless Rebel wandered off up to the main street; just two minutes later, in burst a suitably perplexed Shokk Trooper. 

Brad waved and chirped: “‘Iya, amigo! ‘Ow ya doin’? Got any Doritos on ya…?”

The next minute, Bagel wandered in to see Brad standing over the fallen felon, extracting its armour. 

“I shudder ta think, kid: what did ya say ta this nerk?”

“Simple: ‘If ya wanna catch the Wanted cake-lovin’ Brad Fartlightercome wi’ me’…!”

“You…!” Brad gasped, then chortled: “You’re a crafty lil nerk, Bagel, I’ll givya tha’… sheesh!” 

Suddenly, he grabbed said crafty lil nerk by the collar, and retorted: “JEEZ, kid! Ya’ve REALLY dropped me buns in the fire NOW! Outta ORL’A goons ya coulda brought in ‘ere, ya HADTA pick aht ol’ Zeeg? One of the most demented bunnies I’ve EVAH run inta! DAHN’T need this – ya KNOW I’ve ALREADY got an ‘eadache…”

“SOZ, Commander, but- but ‘ow wuz I supposed ta know…?!”

The Commander loosened his grip, and replied gently: “Yeah… ‘ow… were ya supposed ta know… Too late, we’re in deep, now – ‘elp me wiv these boots, will ya? (This is the part abaht bein’ an ‘ero I detest the most: takin’ other fellas’ clobber orf). C’mon, kid, we’ve got an appointment wiv da Killzquad ta keep!”

While Brad nonchalantly scanned up and down the street, counting Imperial sentries, working out their next plan of action, Bagel stared in such a befuddled state at the Battleforce Commander-turned-blogger.

“Are we really doing this?!” whispered Bagel.

“We’re gonna do this!” whispered Brad. 

“Congratulations. You are being rescued. Please do not resist” – K-2SO. 

“How’d ya end up ‘ere, Bagel?!”

“Bah! Got shot dahn by a Zkorpion – thought it best ta infiltrate the Shokk ranks – tha’s ‘ow I’ve managed ta stay undetected fer so long-“

“Too darn roight ya were undetected, ya dozy donut! We all thought we’d lost ya altagevvah…!”

“Soz, Commanderme transmit-piece got busted when I bailed outta me crate. An’ I aven’t ‘ad the opp ta fangle a way ta send any signal back ta the Resistance. Reckoned I oughtta… take on the Empire all by meself-“

“An’ worsen the situation fer th rest ovuz?! If – IF – I can getcha back ta base in one piece, the General’s probly gonna rip ya ta shreds ‘imself anyway!” 

“What, Rajendra…?! ‘E wouldn’t! Get ‘is first name: “Ajaan”: tha’s the Yanduri word for ‘teacher.’ From what I’ve ‘eard, ‘e’s a mild-mannered… placid fella… … in’e…?”

Brad clasped the lad’s shoulder and jigged it a lil.

“Lissen oop: so ya got away wivvit… but sheesh, man! That wuz more reckless than anythin’ I got upta when I wuz yer age! An’ tha’s sayin’ some’t…! Be cool, Bagel – when we get back… when I meet Raj, I’ll tell ‘im tha’-“

“You DAHN’T know ‘im eivver?! What chance do I ‘ave?!”

“Shoosh, Bagel. COOLIO. Nah mat’er ‘ow it turns aht, I’ll  stick up fer ya. Trust me…”

“Cheers, Commander… but ‘ow the blazes are we gonna bust inta the Kriegzlide crate an’ get yer Officer back, Mr. ‘Ligh’er, if ya please? An’… an’ what if they take off before we can reach ’em?!” 

“Na worries, kid! That Zkorpion I nabbed in order ta get ‘ere – wipe me cake crumbs offa the passenger seat an’ we’ll be jus’ fine an’ dandy.” 

“Yeah, but…! But wha’ abaht the Clearance Code?! ‘Ow can we gain our own access to the muvvaship wivaht one?! ‘Ow – where – are we gonna get THAT?!”

“Uff, cobblers ta the Code, kid! Seems like the only reason why these Imperial dipwits ‘ave rules is so that Brad can break ’em… We’ll find a way – I always do… …”

“Well, somebody has to save our skins. Into the garbage, fly-boy!” – Princess Leia Organa.

“…Ya ougtta know the most important thing I’ve picked up while ‘angin’ aht dahn ‘ere – but I dunno ‘ow ta break it to ya,” Bagel huffed indignantly as they marched back into the main street, their Imperial togs gleaming in the intense rays of the twin suns. “…The Empire ‘ave upgraded their biochemech armour, so ‘elp us. Notice ‘ow these new bods wear slightly darker suits… ligh’er, but thicker… Pret’y soon, blasters are gonna ‘ave little to NAH effect on ’em…”

“Blazes…” the Battleforce Commander-turned-blogger muttered, dreading how all this cosmic gubbins was escalating. “…An’ it’s only Imperial blasters that we can find ta arm the Resistance. Tha’s some’t else we’ll ‘ave ta deal wiv- Gah, dash it all!”

The vicinity of the Zoulzukker positively crawled with Shokk Troopers as they peered round the cornerBagel threw his hands in the air with despair:

“Whoa! We’re in a tight spot-“

“Oh really? You’re tight?! Shame ol’ Zeegazeeg wuz a wimpy sprat ‘is armour ain’ ‘arf pressin’ me buns! An’- OOF! Me pecs are posi’ively ‘EAVIN’ in this blasted breastplate!”

“Aow, quit whinin’, Commander. It- say! Guess that physique’s why the girls back at base keep talkin’ abou’cha…”

“Do they? Groovy…”

“Everybod’ don’ call ya a groovy galactic ‘ero fer nuthin’, eh…? D’ya work aht?”

“Nah. No need, kid. Got bit’en by a radioactive chipmunk…”

“Did ya…?!”

“Course, bleedin’ o’ course I work aht! Whatcha think?! Fer goodness sake, flamin’ Nora… Don’t wanna be mistaken fer a donut like Zeeg in these dark times-“

“Yeah yeah…” the younger fella drawled sarcastically.

Brad leaned across and rapped his knuckles against Bagel’s helmet: “No, seriously: be STRONG: that means MENTAL, as well as physical, fella! So, if ya got some’t inside there, WORK IT! Blimey, if ya’d used yer wits before an’ ‘ADN’T carried aht that dumbass raid on the Ztodgeztonker, we WOULDN’T be in this mess NOW…!” 

Suddenly, a typically rasping Zandokan voice from across the street blared out:

“ZHERE ZEY AIR! Shoot ze zhirt wun, but ze ‘unky wun eez NUT to be ‘armed!”

Shokk Troopers dashed in from all sides, blasters blazing.

“‘Ere, tha’s bang OUT’A order! Frickin’ charmin’, THAT is!” the short one protested, blasting back, but the hunky one grabbed his reckless companion and dragged him away from the action. 

“Quit whinin’, Bagel! Ya see… ya SEE?! These tosspots are seriously dischuffed at what YOU did…”

After a few frantic yards of scarpering as fast as their biochemech-clad legs could carry them, the spy scowled at your hero: “‘Ere… ‘old on! I wuz only copyin’ what YOU did… Commander‘Ow is it tha’ YOU get ac’olades, an’ I just get grief?!” 

“‘Cos I’m a PERFESSIONAL idiot! Cut the chat’er, kid – we got’a split!” 

And these blast points, too accurate for Sand People. Only Imperial Stormtroopers are so precise…” – Ben Kenobi.

“AHA! Ze Burrito end Bagel!” Zoltan Zovran cried as he crept up behind the two leads, wielding THAT particularly nasty Particle Accelerator Lance. “Ze two murzt repreehenzible Oomanz in ze galaxy een may clutchez!” 

“Now now, nerk!” Brad waved a steady hand at the Kriegzlide madman, and protested: “Ya already bopped me over th ‘ead wiv that bloomin’ thing – ta do it twice would be careless…”

“Votzamattair, Urfmairn, expect mercy…? Kriegzlide Killzquad durn’t knur ze meaning uv ze verd…  heh heh heh!” he snarled, aiming his weapon right at Brad.

“‘Old on jus’ a finger-lickin’ minute, ‘ere! I’m the ‘ero – ya can’t bamp me orf, not like that!” 

“Uv courze…! Egen, Bred, yo air ebzolutely raight. Ze Emprah weejez to zee yo…”

Zoltan gradually swung the weapon at Bagel

“‘EE eez ze eccurzed ZPY! ‘Ee’ll do!”

Out of a piercingly-loud, deadly flash, Bagel yelped and fell limp into the Battleforce Commander-turned-blogger’s arms.

“Ah, Jeez…! Stay wiv me, kid… …”

As your forlorn hero collapsed to the ground, clutching the lad in his trembling arms, a brood of Zandokan guards ran over to encircle him. Without warning, they proceeded to pummel the poor dude viciously with their lances and rifles.

“WETT! DOLTZ! Zat eez ze gret Zan Doka’z prize! ‘E muzt NUT – Ay reppit: NUT – be ‘armed! BECK URF!”  

Commander Zmutti Zubizmaar strode nonchalantly in, and – seeing Zoltan posing triumphantly, and the prize captive hunched dejectedly on the ground – couldn’t resist wandering over to have a quick gloat. He squatted, and squeezed the crestfallen Earthman’s throat.

“Heh heh,  wunce murr, yo aire BEATEN, “galacteec heeeruh”! Aah… Bred, Bred, Bred….”

Having stared too long at the still-crackling blast point on the young Rebel’s right pec, the Cakecharmer looked up with teary eyes, shaking the Kriegzlide Commander’s hand away, and defiantly muttered:

“I’m the one in da middle, ya drunken ‘obo!” 

“HA…! Zteel curzed wiv zat eenfairnal “Oomarn zpeeret.” Zad…” 

“Whut aboat zeez wun…?” Zoltan chirped, prodding Bagel’s still body with his boot.

“Nur, leaf eet – zeez planet payz foolz ta remurve feelth frurm ze ztreetz… Ve hef ze wun ve need – yez… Bred, ve hef yo exactly vhere yo jhood be: URN YER KNEEEZ! Broken, helplezz, hopelezz…  UZELEZZ…! Bred ta ze burne – NUR MURR! Vot duzzeet feeeel laike to be a LEWZAH, tweetfez…?”

“They say it’s difficult at first, but I’m sure a big, Imperial jackass like you will soon get the ‘ang of it-“

“Uff…” the Commander grumbled, and shot back onto his feet. “Yo ‘ombrez! Poot zeez comedien aburd ze Zoulzukker… 

“Ve VEEL tek heem ZTRET TA ZE EMPRAH KNOW!!… …” 

 

Luke Skywalker: “I’m endangering the mission, I shouldn’t have come…”

 

“The Female Man”: Issues Of Gender And Feminism In SF

Hey Man, The Future Is Female…

“After reading Ursula K. Le Guin’s work, I began to think about how women could explore alternate biologies and societies for their benefit. That’s the sign of good science fiction” – Marge Piercy.  

“The enormous appeal of science fiction is the ability to change just one or two small variables and see what could happen,” says writer Marge Piercy, whose 1976 novel: Woman On The Edge Of Time has become a feminist SF classic. “Up until [The Left Hand Of Darkness (1969)] most science fiction had assumed binary gender throughout the universe. She writes of a world where gender is irrelevant and sexuality completely fluid…” 

Aeons ago, when Brad was… oh, about that high, there was an easy peasy way to tell the difference between boys and girls: 

boys loved sci-fi –girls did not = it was that simple.

Nowadays, of course, such a statement sounds so trite and patronising… not to mention simple-minded. Encouragingly, more than ever before, there is active female participation in science fiction, whether it be reading novels or comics, or – better still – producing a new wave of critically-and-commercially-acclaimed material. 

As this Post will show, not only has the number of female SF writers grown, but the genre has always had a healthy history of influential female involvement.

Recalling those longlost schooldays, it would now appear that those attempts by girls to run off with our Star Wars figures signified concerted efforts to break barriers and expectations and try to infiltrate this exotic-looking Boy’s Club. Back then, of course, the very notion of ACTUALLY TALKING TO GIRLS about comics, spaceships, transdimensional engineering and the inner workings of

Mennotor 430 Neural Inhibitors seemed so… far out – as unlikely as…

as BBC’s Doctor Who ever changing into a woman…

“I wish my successor, whoever he or she might be, the best of luck… I think it might be quite nice to have a woman…” – Tom Baker.

Having established that the Doctors could transmogrify into another aspect of this particular character, then there was no real limit to the number of Doctors or the sex of the Doctors,” remarked Patrick Troughton, the second actor to play this particular character (between 1966-69).

In July, the biggest SF news happened to be the announcement of the next regen(d)eration of Gallifrey’s most famous Time Lord; this year’s Christmas special will mark the debut of Jodie Whittaker – the first woman to portray the Doctor since the series began in 1963. There came a point during the most recent season in which the current Doctor (played by lifelong-Whovian Peter Capaldi) explains – to his gobsmacked companion – how his race long ago transcended the whole gender-thing, and you think – aha! – better prepare for something pretty unprecedented here… 

When avidly watching the series back in the early ’80s, this boy – who constructed his own sonic screwdriver, used his own wardrobe as his TARDIS, and brought Teddy Edwards along as his own companion (aah bless!) – would have baulked at the prospect of having an actress in the titular role; now, of course, that prospect is in keeping with the fresh and innovative nature of the show and should be warmly welcomed.     

But Jodie will need a truly exceptional writer to make her tenure work…

On the threshold of making SF TV history, Whittaker said she felt “beyond excited to begin” reinvigorating the BBC’s longest-running SF series. Certainly, Verity Lambert – the producer responsible for bringing Doctor Who to television screens in 1963, would have been absolutely delighted with this news…

“[The Female Man is] a wonderfully inventive novel – this interplanetary exploration of feminist inner space, this sophisticated, playful fantasy book is, of course, all about reality” – Phyllis Chester.   

“You simply can’t underplay how ground-breaking it was,” remarked Yasmin Khan – advisor to the “Into the Unknown: A Journey Thro Science Fiction,” a major exhibition held in London this past summer – referring to Sultana’s Dream, written as early as 1905, in Bengal, by Rokeya Sakhawat Hossain (then aged just 25). “Raised in an upper-class Muslim family, she was denied a social education, like many women at that time.” 

Appalled by the social injustice inflicted on women, she created “Ladyland”: a technologically advanced matriarchy where women monopolize all freedoms, while men are secluded in the “madana,” a play on the Urdu word zenana (women’s quarters).

Imagined futures, and speculative concepts – the very styff on which science fiction has always thrived – should be enhanced and enriched by adding female perspectives.

The Female Man by Joanna Russ is a principal go-to game-changer in feminist SF, conducting a powerful and uncompromising critique, both of society and the patriarchal framework of sci-fi itself. Her writing offers “strong, witty female protagonists whose understanding supersedes the status games and repressive obsessions that occupy the other characters, often representatives of far-future societies that parody our own.”

Apart from confronting issues of genger and sexuality, as far as publishers were concerned, the matter of the author’s sex – and her sexual orientation – were considered a hindrance at that time. Nevertheless, the novel helped to begin tear down boundaries not just in SF, but in women’s literature in general. 

Its status as an all-time masterpiece has been recognised by Gollancz who fortunately included in their SF Masterworks series. Thus, unlike the other titles mentioned here, The Female Man CAN be found in my local library… 

“Traditionally, people turn to science fiction in times of political crisis.”

Cue The Handmaid’s Tale (1986) by Margaret Atwood, a dystopian noveland now Emmy-award-winning TV serialso timely and monumental, it deserves its own blog post…

“I’m a pessimist if I’m not careful, a feminist, a Black… an oil-and-water combination of ambition, laziness, insecurity, certainty, and drive” – Octavia Butler.

“Considered one of the most creative, unique, and innovative science fiction writers of her generation,” is how feminist scholar Professor Rebecca Hankins describes Octavia Butler (1947-2006) – one of a scant number of African-American writers working in this genre. “Never one to sugar coat our existence, Butler’s writing always centres on women as independent, fierce, and unapologetic heroines.”

Her work also helped eradicate the genre’s entrenched science fiction image as “male, pale and stale.” She created a shape-shifting, gender-fluid creature in Wild Seed; a post-apocalyptic mute in Dawn; and the determined daughter in the Patternist series.

Therefore (one abhors having to admit this), because she does not fit the white male norm expected in the genre, this explains precisely why this SF “aficionado” has been deprived of all knowledge pertaining to this marvellous talent for so long. Moreover, it is a crying shame that her gender and ethnicity have proved a hindrance to her seemingly-deserved exalted status among the SF hierarchy. 

As for actually getting round to reading her masterworks? 

Well, not yet… 

It comes as no shock to learn that her books are unavailable in the half-dozen public libraries near me…

You want Arthur C. Clarke? 

He’s right here. 

Itching for Philip K. Dick? 

He’s over there. 

Do they have Isaac Asimov?

Are you kidding me? A whole shelf is devoted to his sizeable back catalogue…

Dread to ask the librarians if they stock ANY Octavia Butler:

“Oh, I’m sorry, we don’t have him…”

“Her works are an ongoing inspiration,” Professor Hankins continued: “…not only to black women writers, but to all of us to push the boundaries and imagine new fairer worlds.”

“Science fiction has monsters and spaceships; speculative fiction could really happen” – Margaret Atwood.

And while we’re on the subject of gender, you may be delighted to learn that – in the spirit of these enlightened fluid and flexible times – Brad will be changing gender as well. Henceforth, address all e-mails/Comments to Angelina.

Seriously though, an increasing number of media work is geared towards women writing exclusively for an all-female readership. Look at the subjects requested: history, psychology, sociologynothing gender normative about them. Nonetheless, in order to get more work in the online 21st century environment, this is the measure one must take to ensure a steady supply of cake in one’s larder…

*

Finally, let’s finish on an amusing – and thoroughly English – note.

That legend of prime-time evening entertainment: Kenny Everett provided the very first time this bunny saw any man in drag. They must have had a marvellous time making these shows – the production crew couldn’t help but laugh.

There are no SF-related vids here, but there may never come a more appropriate opportunity to show this classic sketch.

While compiling this Post, it was heartening to learn that Billy Connolly is due to receive a knighthood. 

Well, huzzah! Arise, Sir Billy!

Or should that be Dame…?

 

Electric Dreams II: The Return Of Retrowave

New Ways, New Ways, I Dream Of Wires

“My only exposure to electronic music before this had been Kraftwerk, but they were always trying to be machine-like… Then The Human League came along and their music had a human feel to it. It worked for me” – Gary Numan.

“One of my friends told me how genius it was that at the start of Cars [1979] there is just one note that stays and stays and stays,” recalled affable high-flying Electro Overlord Gary NumanI had to break it to them that when I was in the studio I started playing the first note and couldn’t think what to do next. I wasn’t a genius at all, just bereft of ideas.”

Ha! Such a self-effacing Overlord.

He paved the way for the innovative New Wave electronic pop outfits of the ’80s, who, in turn, have helped influence the current music genre guaranteed to lift my spirits: Retrowave, aka Synthwave.

Can’t go wrong wth a roster of retro vibes.

Thus, this selection includes just some of the audio pleasures to have sustained me during the last few weeks of alternating levels of creativity. Compiling the first instalment of this series turned out to be such a blast so this further indulgence was in order. Would like to think that you can find some gems in this collection that can inspire your writing too.

What better way to begin than with Miami Vice: the epitome of class ’80s TV.

Crockett is a consistently good Retrowave artist – and knows how to set the right mood when my writing kicks in – in fact, one or two of his tracks have single-handedly inspired pieces of my fiction!

With this vid, all me groovy ’80s small screen memories come flooding back; you’re watching and all of a sudden – @ 00:38: BAM! there they are: Crockett and Tubbs – woo-hoo!! The boys are back in town! Together in Electric Dreams…?

“…I was always convinced that electronic music wasn’t just another genre; it was a different way of approaching the composition and production of music. It was about the idea that music is not only made up of notes and harmonies, but could be made with sound…” – Jean Michel Jarre.  

There are a least three YouTube channels constantly loading new material on a daily base; the quality and diversity on increasing offer  is simply breathtaking – a mighty fine accompaniment to my working and creative sessions.

Such a gem starts off sounding akin to one of John Carpenter’s more creepy movie scores before transmogrifyng into something by Gary Numan.

Surely, that is high praise, indeed? 

This is glorious: 

I have heard the music of the future – don’t look for anything else” – Brian Eno. 

Cosmic!

Not only one of the most scrumptious words in the English language, it always presents mighty fine and dandy excuse to explore the good stuff – and escape from the bad. 

Synthwave is the only genre producing the kind of spacebound sounds that help Brad achieve just that.

From Turboslash to Turbo Knight – let’s face it: it’s these ecstatic moments of beautiful symmetry that keep bringing you back to Bradscribe.

Isn’t it? 

This track is accompanied by some Japanese anime – always expect the unexpected on this site!

LOVE the deeeep intro to this – far out, man…

“…I went back to the big, original Moog and did everything electronicallyIn a computer. In ’77… I suppose I helped modernise the sound of pop…” – Giorgio Moroder. 

“I get credit for being a pioneer,” Numan continued. “But you open a door and it allows other people who have got great ideas to come through and take it even further. You hear other people doing things and you think: That’s great!’”

Well, what an amazing door.

Even better – heartening, even – to know that a considerable range otalented auteurs of audio awesomeness have seized the opp to not only revive ’80s’ pop vibes, but draw upon that decade’s eclectic mix of SF movies (and their soundtracks!), videos and other media to create these retro-wonders. 

This week, one of my more intelligible spam Comments (for one of my comic reviews, of all things) read: 

“Built-in grooves to connect numerous units together.”

Yes, that is all it said…

Would like to think that some really snazzy built-in grooves have been assembled here for your enjoyment this evening.

This is another Synthwave artist who can do no wrong @ th mo – there’s no ace like HOME: 

Something new was in the air with electronic sounds. We were a younger generation. We came up with different textures” – Ralf Hutter (Kraftwerk). 

“It all began, appropriately enough, in science fiction,” wrote Jon Savage, in a blisteringly compelling exploration – published five years ago – of the development of electronic music. 

He went on to confirm a personal belief held for some time that: “…the possibility of other worlds – and the transformation achieved of leaving this one – is a sure-fire way of abstracting from any problems that one has on this Earth…”

At this point my text rambles into something utterly profound – but hey! – it’s getting late, and everyone just wants to party.

Don’t they…? 

“…Annnd it’s half past groovy – you’re listening to Bradscribe FM, beaming LIVE from the Cosmic Cakery across the Outer Rim Territories – playing the platters that matter on the station where the fun never stops!

“Get on the good foot, pop-pickers!”

“…On the wall back there is a black panel. Blinky yellow light. You see it? There’s a quarnex battery behind it. Purplish box. Green wires. To get into that watch tower, I definitely need it…

“I got one plan, and that plan requires this frickin’ quarnex battery, so FIGURE IT OUT!” – Rocket Raccoon. 

And if this Third Rock From The Sun is all too much, you can always escape with Brad into some right snazzy realms of the imagination.

Where else in the blogosphere can you jump at such a chance?

As far as the universe is concerned, we are but fleeting and randomly assembled collections of energy and matter, forever foraging for greater meaning in our lives…

(Aha! Told you he was going to slip something hi-brow in…)

The cute but courageousScribe may NOT hold all the unswers ye seek, but what DOES matter is that we don’t waste what precious little energy we have.

Sweet dreams…

“Keep your ‘lectric eye on me, babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream, oh yeah!”
David Bowie. 

“Mind Your Head, Sleepy Chicken”: Mishaps With Creativity In The Age Of Outrage

The Daze In The “Life” Of A Flustered Writer 

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The Ancient One – “Arrogance and fear still keep you from learning the simplest and most significant lesson of all. ”

Dr. Stephen Strange – “Which is?”

The Ancient One – “It’s not about you.”

“We don’t care. We don’t really care,” retorted the script editor (whose name shall remain undisclosed to protect MY innocence). “The amount of money we’re going to make globally, I mean, 70 percent of our audience is not going to be seeing this in English. And it doesn’t really matter.”

This – one of umpteen rejections foisted upon me over the years – just confirms what has been niggling my noddle lately. Such a rebuke – stern but to be expected – is, essentially, cancelling out my worth as a wordsmith. On a major motion picture. 

The prospect of movies limping along with next to no script does not exactly come as a great shock to me. My intentions of making it in the movie industry appear to be growing thinner by the day. Sure, it’s a classic case of not what you know, but who you know. Believe me, rejections here, ignorance there, and my resilience well and truly wrung – Brad would prefer not to mingle with such types…

Anyway…

Apologies for not publishing a Post sooner. But you would not believe the ridiculous setbacks encountered on my travails! While my concentration gets lost amidst the daily hustle and bustle of 21st century strife, too many people around me are losing their tempers all too easily – upon offering to help, their only rebuke comes in the disagreeable form of “Get lost.” Or (coarse) words to that effect…

Why, oh why, so much unrestrained hostility? Don’t tell me: this is the Age Of Outrage. 

My problems are probably ten times worst than theirs, but you don’t see me blowing my stack. However, considering what your correspondent Has Had To Go Through This Past Two Weeks it’s a mystery he hasn’t blown it several times already! Thankfully – between you and me – years in a Southeast Asian temple Being At One with my Inner Cha-Cha, closely supervised by a half-human half-pangolin guru have mentally prepared me for my nonchalant return to what they laughably call Western “Civilization.”

Apart from the obligatory technical glitches, trying to carry out research in the Public Library: someone has lost/misplaced a required book; then, someone else broke wind in the Self-Help Section forcing the whole bally building to be evacuated… 

At my former Alma Mater, my luck fares no better; due to the heightened security around the City, my status as Alumnus does nothing to persuade the bouncers @ Reception. Handsome? By jove, always! But “suspicious”? Do me a favour…  

In other news: my novel has stalled, primarily after studying the latest book survey revealing that two-thirds of novel readers are women. Set in a 12th century abbey, the most horrifying aspect of this medieval sci-fi adventure is the head-scratching realization that it has NO female characters! This needs to be readdressed, of course, but after a disconcerting fall in the Stats from this site, this makes me seriously ponder: will anyone want my novel…? Perhaps the answer lies in converting it into a graphic novel – but then again, my artwork (normally quite therapeutic) has not gone as snazzy as hoped…

The case continues…

scn_0004

“For, in their savage ignorance, they feel only hatred for any among them who may seem… different! They long for peace, yet gird for war! They search for love, yet harbour hate!” – The Silver Surfer. 

“By living life for itself, don’t you see? Deriving pleasure from the gift of pure being,” remarked the nameless Martian, last custodian of his long-vanished civilization. 

Following the sickening terrorism act a few months ago in Manchester (where my degree was gained!), and again as the appalling news from Virginia broke over this past weekend, this beautiful sequence of dialogue (from The Martian Chronicles 1979 TV adaptation, written by Richard Matheson) returned to my fevered mind.

All too easily, these sage Martian words are simply ignored. Hate, regrettably, has become far too common and rampant. Rather than wallow in the throes of despair, these atrocities invigorate me to produce a unique brand of positive, entertaining and thoroughly wholesome fare at a more exponential rate.

Out of the multifarious dark and evil acts committed around this Pale Blue Dot, projects of ever-increasing worth and vitality have prevailed. Consider this impressive history: disillusioned by the collapse of the short-lived New Republic in 17th century England, James Milton wrote Paradise Lost; disturbed by the horrors he experienced at the Western Front, John Ronald Reuel Tolkien fought off the nightmares by “escaping” to Middle-Earth and creating an epic fantasy saga called The Lord Of The Rings. 

In turn, yours truly has had to stem an incessant surge in personal, social and economic problems by summoning the last vestiges of his resilience to produce evermore entertaining reams of writing (that you will enjoy here shortly!). 

With nine out of ten of my applications, enquiries and job pitches “lost” or ignored, this blogging platform remains the only means by which anyone and everyone Can See What Brad Can Do…

Keep Calm and Carry On Writing…

“The Destiny of Man is to unite, not to divide. If you keep on dividing you end up as a collection of monkeys throwing nuts at each other out of separate trees” – T.H. White.  

“You don’t want [readers] to read your story, you want them to feel your story.”

This writers’ tip has held particular resonance these past few months. Having vowed to pay more attention to my levels of description, injecting all the right feels into my fiction no longer pose any problems. Considering what we have had to endure over the past eighteen difficult months, my work can now exude a heavier, more personal, more loaded edge. 

Whenever a piece of my fiction fails, (and too many pieces have floundered by the wayside recently) one quote from Confucius instantly comes to mind: Our greatest glory is not in never falling, but in rising every time we fall.”

To me, if my “path of creation” is hindered, an alternative route is taken… but my physical and mental batteries are now so depleted that finding the energy and enthusiasm to concoct something as ridiculously easy-peasy as a comics review devolved into an unnecessary struggle. But do not fret, my friends! 

It’s official: Brad is on the rebound!

HUZZAH!!

And: TOP tip for this month?!: “Write rubbish!”

Bingo, fella, whaddya think this writer has been doin’?! ‘Tis the only skill @ th mo at which he excels… bah!

Seriously though: the key is to settle into the right room as well as the right frame of mind. You’ll be delighted to learn that a number of intriguing new projects have emerged on my Dashboard! Granted, the first few drafts looked messy and confused – understandable, bearing in mind what woes and worries hung heavy on my mind – but, as all exterior tensions faded (meditation, plus mocha and blueberry muffins, usually help) and my senses gradually immersed into blissful concentration, my compositions evolved into something more groovy and coherent. 

And as this ramblin’ ram-packed Post comes to a merciful close – don’t want to rant, but let me say just this: 

Cultures shape values, and those values shape history; therefore, our values shape our future. However, repugnant values have brought on these antipathetic and violent times; they have been allowed to fester by the very same factions of ignorance directly responsible for denying me my vocational and socio-economic progress.  

Politicians talk loud, but never say anything positive or progressive to help me. 

Instead, the rise of negative hypernationalist movements (regrettably a global outbreak) MUST be counteracted by RATIONAL thinkers and campaigners willing to offer a progressive values-based world vision – a different path based on UNITY across racial, gender, ethnic, and religious lines… 

Now you know: this past fortnight, Brad has been too busy freedom-fighting to blog…

Quite frankly, this evening, my head feels like an ex-Communications Director is locked inside it, yelling expletives…

Still, this migraine is worth the effort. 

In this life, it is ALWAYS PREFERABLE to create than hate…

“…Live as well as possible, expect no more. Destroy nothing, humble nothing, look for fault in nothing, leave unsullied and untouched all that is beautiful.

“Hold that which lives in all reverence, for life is given by the Sovereign Of Our Universe, given to be savoured, to be luxuriated in, to be… respected…” – The Martian.

Wheresoever you go, go with all your heart” – Confucius. 

 

 

Spider-Man: Homecoming: The Bradscribe Review

Watch Out! The Amazing Spoiler-Man Can Do Whatever A Spoiler Can!

Let’s Face It: Brad Is The Last In The Universe To See (And Review) This Blockbuster –

Let’s Discuss This (OK, Geek-Out) Like Sensible MCU Fans… WOO-HOO! LET’S DO THIS!

“One of the reasons it’s called Homecoming is because it feels right that Spider-Man can finally inhabit the full Marvel world from which he came” – Kevin Feige. 

“Can’t you just be a friendly neighbourhood Spider-Man?” Tony Stark remarks to our boy blunder: Peter Parker during Spider-Man: Homecoming – the latest entry in the phenomenal MCU franchise. By the time that underwhelming Spider-Man 3 appeared ten years ago, the franchise had become less-than-friendly, and that significantly less-than-Amazing Andrew Garfield double-ill was certainly not welcome in my neighbourhood…

Although Tom Holland (the British stage actor who excelled on London’s West End in the Billy Elliott musical) proved to be a brilliant – albeit brief – success in last year’s Captain America: Civil War, when news broke of yet another Spidey-flick it regrettably triggered my Reboot Allergy. So, not surprisingly, my reaction to Homecoming was not exactly welcoming…

However(!), the first Reviews turned out to be overwhelmingly positive; moreover, the premise of “Ferris Bueller with added webbing” clinched it for me. Besides, Marvel Studio’s uncanny knack of blowing our socks off in the wildest, most unexpected ways looks unstoppable right now.

Glad to see a Spidey movie not bogged down by any of that “with-great-power-comes-great-pretzels” malarkey from the Raimi/McGuire era. It is with tremendous joy – and relief! – that Director Jon Watts and his crew have succeeded at putting together a FUN and marvel(KABOOM!)ous time at your local popcorn parlour.

Quite simply, THIS is how a really Amazing Spider-Man movie should look like!

“You need to stop carrying the weight of the world on your shoulders” – May Parker.

“You got to get better at this part of the job…”

One factor that will be unanimously agreed is the casting of Tom Holland. Having hoofed it on the West End, he brings the required agility to do all (well, most) of his Spider-stunts. Yep, he operates in that “little grey area” pretty well!

Also, Tom Holland is – quite easily – the best big screen Peter Parker, portraying the awkward, mixed-up teen slouching along the corridors of Diversity High so well, but fairly early on, it becomes apparent that he gabbles too fast. When he gets together with best buddy Ned (Jacob Batalon), their exchanges, consisting of frantic whispering at some points, almost become unintelligible. Really liked his Extreme Interrogation voice – part of me wanted that through all the suited-up scenes! Seriously though, Holland has such a distinctive voice – surely anyone who comes into contact with Spider-Man would suss that it’s that doofus Peter Parker…? 

Apparently, it has been a long-touted aim of Head Honcho Kevin Feige to one day cross a MCU movie with a John Hughes comedy. And here it is! See Michelle (Zendaya)? That’s Ally Sheedy right there! A team of SIX writers is enough to doom any movie, but they managed to produce an entertaining package. However, the 80s vibe is not as fully realised as it could be; extra high school scenes should have been developed, especially with Michelle: an instantly endearing quirky gal who deserved additional funny lines; the script is not as sophisticated as Ferris Bueller’s Day Off or The Breakfast Club. 

Peter Parker: “But I’m nothing without this suit.”
Tony Stark: “If you’re nothing without this suit, then you shouldn’t have it.”

The rich, the powerful, like Stark, they don’t care about us! The world’s changed boys – time we changed too!” – Adrian Toomes. 

There is another awesome reason that helped push me into watching this, and that is the Vulture, played by Michael Keaton. “Fuck! They put him in a cape too?!” 😉

Rightfully enjoying a renaissance in his onscreen career, it’s a wonder that Keaton agreed to be in this at all: his third stint as a winged comic book character. Immediately, he instils a sense of menace that has otherwise been lacking from MCU villainy recently. The most extraordinary aspect regarding Adrian Toomes is how ordinary he is – an everyday guy just as frustrated and put-upon like the best of us; not only does Keaton convince, Toomes is so relatable. When Peter comes to pick up his date, you could feel a huge shudder of shock from fellow moviegoers as her father answered the door…

In his short and tender life, Brad has endured some very trying struggles, but… please, NEVER leave me alone in a car with Michael Keaton. EVER…

Not only has the “world changed,” but one quintessential element is curiously absent. Although we are mercifully spared the (exhausted) origins story, there are NO spider-senses(!) on display neither. Admittedly, this True Believer was never a big fan of that red and blue Spider-suit (it chafes me nipples), and my access to Spidey’s original comic books proved somewhat limited, but ask me to offer just one of the webhead’s defining traits and it would have to be those spider-senses.

Did the writers discard this trait intentionally?! With great reboots come great alterations? Not convinced. And certainly not chuffed that we were denied even a single tingle…

Watching Peter failing to come to terms with his new suit (voiced by Jennifer Connelly?!) is fairly amusing, and may be appreciated by this hi-tech generation (who probably ordered/paid for their popcorn via smartphone) but just shows how contentious the wilful tampering with a well-established character can be – it just doesn’t make (spider) sense. Honestly, Homecoming could have ended up with only 3 stars because of this…

Anyway, to emphasise what a shared Universe this is, having Tony Stark as the coolest – and richest – mentor an enhanced juve could have added such a groovy touch. Undeniably, the scenes that Holland and Downey Jr – ha ha, yes! – share together are among this film’s highlights.

And, oh yes, “Garry” 😉 is a blast as ever!

There is something else that would make required viewing: As prep for the role – to get a feel for American high school life – Tom (who is now 21!) posed as a student for three days – the teachers and fellow students had NO IDEA. Would love to see their faces as they watch this in the cinema and realise that that kid (soon to be a mega-star – and deservedly so!) had mingled amongst them that week…!

There were a number of LOL scenesperhaps not as many as this reviewer would have preferred; Ned, obviously, got a few chuckles (is there any other reason for his part in this?), but Aunt Hottie got the biggest roar in the auditorium during that instant-classic closing shot. In a single frame, Tom Holland’s startled expression here encapsulates the sheer entertainment value of this latest MCU triumph – it’s priceless.

 

BRADSCRIBE VERDICT: How many more of these? 😉

Tom Holland: “That’s amazing! I thought he would take a huge amount of persuading… but Rob [Downey Jr.] said yes. He loved being here – he was like a happy little kid on set.”

Tony Stark: “I’m going to pretend you didn’t say that…”