“Oh Globbits!”: It’s The Bradscribe Video Show!

“Where The Blazes Has That Brad Got To?!”

“He’s Stuck In An 80s Vortex!”

“What, AGAIN?!”

“Eighties – I’m living in the Eighties
Eighties – I have to push, I have to struggle
Eighties – get out of my way, I’m not for sale no murr!” – Killing Joke.

Yes, again!

Welcome to my very own neon sanctuary, which – not that surprising to all those who know an’ love Bradscribe oozes with positive 80s vibes.

A cavalcade of classic 80s pop can get me out of any daggy, uncreative mood. After a few weeks stuck in a rut – unable to make ANY of my writing dance, or fly, in my usual inimitable groovy style – various vids were activated and bingo! – it has worked! My reviews, articles – even my fiction! – are now back on track.

Instead of banging out that intense piece about dystopian SF – besides, it’s a wet and dreary Bank Holiday Monday out there – thought it best to spread this feelgood factor. In this Age of Outrage, we could certainly do with MORE FUN and nostalgia!

This is not the first time this site has delved into Neon Nostalgia and it won’t be the last!

Not only could you listen to the best pop music – on your own Sony Walkman of course! – the 80s also offered the best videos, the best movies, the best telly shows, the best candy etc. etc.

For those of you too young to remember the Golden Age of the music video (or never around then) no worries! Let this selection of some of my faves – with my blessings – be your gateway. 

No need to get your deely-bobbers in a twist! Help yourself to a Curly-Wurly!

Just pull your jacket sleeves up, stick your ghetto-blaster in the air and away we go!

“You’re too shy shy hush hush eye to eye
Too shy shy hush hush eye to eye
Too shy shy hush hush eye to eye
Too shy shy hush hush hush” – Kajagoogoo. 

One of the most distinctive synthpop groups of the 80s was Ultravox – always been fascinated by that snazzy sci-fi name!

They had several classic vids, but this was the best ‘cos it was the most exciting.

Great camaraderie among the group in this highly adventurous vid; plus, the director has even wrangled a way to include Midge Ure’s addiction to hang-gliding as well – huzzah!

You do realise that between 0:30-0:39 you will witness the Greatest Moment in Pop Video History:

“Say, we can act if we want to
If we don’t, nobody will
And you can act real rude and totally removed
And I can act like an imbecile” – Men Without Hats.

And they say that back in the day this fella was a heartthrob? Wild Boys? Too wild fer me, man…

Still, a darn sight better than the talentless cretins the “music industry” foist upon us nowadays, but hey! Promised there would be NO argy-bargy on this Post.

The only mildly offensive material you may encounter here is a very dodgy shoulder pad or two.

You really couldn’t get anyone less offensive than Kate Bush.

Despite being perceived as a tad uncool back in the day, this video has always affected me in a good way. Part of the charm here is a wonderful cameo from Donald Sutherland, and guess what!

Managed to accompany this vid with a gif from cult classic teen vamp shocker:The Lost Boys, which features Donald’s son Kiefer.

Ha, Brad amazes even himself sometimes!

“You spin me right round, baby
Right round like a record, baby
Right round, round, round” – Dead Or Alive.

Look at this!

With spiky blond hair and bum fluff, THIS is EXACTLY how Brad looked in 1987!

Seriously!

Even at college, the most common thing people in the street asked me happened to be: “Could I have your autograph, Kiefer?”

In 1985, the Sisters of Mercy were a standard dark Goth band, but with the breakthrough Floodland LP in 1987, they became a bigger and better phenomenon. With a steady stream of hit singles, each came with its own elaborate video.

Here, with Dominion, we see what 80s videos excelled at: amazing photography, exotic location shots and iconic moments. This is the most unlikely place to find a saxophone! But then again, anything and everything could work during the 80s.

Here, Andrew Eldritch never looked cooler.

And Patricia Morrison never looked hotter. 

“Karma Karma Karma Karma, Karma Chameleon
You come and go, you come and go
Loving would be easy if your colours were like my dream
Red gold and green, red gold and green” – Culture Club.

Dominating BBC TV schedules every Thursday night used to be Top Of The Pops.

If a pop group wanted to boost sales they could do no better than be featured on this show. Sure, all appearances were mimed, the presenters would sometimes bombard audiences with the most appalling puns, and the audience invariably consisted of morons who believed that hogging the cameras was the ONE aim in life, but it became – undeniably – a National Treasure.

Loved the exotic Eastern sounds of Blancmange’s Living On The Ceiling. Fondly remenber this as one of my all-tive fave TV moments, and feeling aggrieved that (being, at that time, without a VCR) there would never be another chance to watch this ever again…

“Buying bread from a man in Brussels
He was six foot four and full of muscles
I said, “Do you speak-a my language?”
He just smiled and gave me a Vegemite sandwich” – Men At Work.

Now, something to enrich your viewing pleasure!

My American friends will be unaware of this lil gem – the main reason why Brad hardly did any of his school homework! Or his chores! (Whatever they were…)

“Cthulhu for kids” as one bright spark remarked. The narrator: Willie Rushton was a talented writer/satirist and his distinctive voice worked perfectly.

Who needs CGI  when you can do wonders with plasticine?!

With the revelation that Drut spelt backwards is turd, the hilarity lasted for WEEKS – aah, happy times…

“I feel peculiar…”

“Hold a chicken in the air
Stick a deckchair up your nose
Buy a jumbo jet
And then bury all your clothes
Paint your left knee green
Then extract your wisdom teeth
Form a string quartet
And pretend your name is Keith” – Spitting Image.

With film reviews, comic round-ups, fiction, and now 80s Club Nights (WAHEY!!) you can’t deny that Brad is one groovy gaff at which to hang out!

Whatever lousy mood you may find yourself in, trust me, put on this next vid by the Thompson Twins (hey, there’s three of ’em, ha!) and a big, contented grin will always be guaranteed.

“Dance, boy; dance, boy!”

“Wake me up before you go-go
Don’t leave me hanging on like a yo-yo
Wake me up before you go-go
‘Cause I’m not plannin’ on going solo” – Wham.

 

And how could we end this Post without including Bill Murray?!

Honestly, it was either him or Molly Ringwald… 

“I ain’t afraid of no gif”

 

Well, what vids did you/do you enjoy the most from the 80s?

 

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Interface 2037 Ready For Inquiry: What’s The Story Mother?

Loving The Alien? This Time, No Means NO!

“…A story that is basically just a mixture of The Creature from the Black Lagoon and The Thing from Outer Space… [Ridley Scott’s] combination of space fiction and horror story is no great shakes as a work of art. Artifice, however, it has in profusion.” – Derek Malcolm.

“A transmission? Out here? …Human?” 

“Unknown…”

Apologies if you swung by expecting a Review of Alien Covenant.

But really – it’s a swizz of the first water; a pointless celebration of the Alien franchise’s Greatest Hits. Wasting my time in a cinema for something like this can usually incite me to rant no end, but after a particularly trying fortnight – both physically and mentally – yours truly has been unable to write anything remotely readable.

Here, on a good day, you would be able to learn how completely unnecessary this rehash really is. How it adds nothing new; judging by the lacklustre trailer, the script sounds unremarkable, and – like Prometheus, which frustrated more than frightened audiences – attempts at character development are nil, considering how expendable WE KNOW this crew are…

And to think that after enjoying the first two Alien movies, this adventurer genuinely craved more sequelsha!

How times – and attitudes – have changed. After two more dodgy sequels, the divisive Prometheus and now Alien Covenant, one of the most interesting movie franchises has become one of the most tedious…

“I did have one odd nightmare once. I dreamt I was visiting some friends in a Vermont farmhouse and the alien came out of the chimney. Suddenly I was dreaming about my own life. You would think it would only happen in space… but if you start to dream like this, it puts a whole different reality to it” –  Sigourney Weaver.

There is another anguished reason why Alien Covenant proves to be so bothersome.

Where, oh where, is Sigourney Weaver?!

Just two years ago, it all seemed fine an’ dandy. The actress most synonymous with this franchise was itching to return and wrap up Ellen Ripley’s story one last time. It would have been the Alien 3 we deserved; Michael Biehn was also lined up to reprise the role of Corporal Hicks from Aliens. The director of Chappie and District 9 was set to helm (incidentally a move not welcomed in this camp).

But by the time the Covenant trailer appeared earlier this year, the head-scratching began. We saw what looked like an inferior rehash of the 1979 masterpiece, and Katherine Waterston “playing” the female protagonist.

Okay, Waterston, but no Weaver?!

Such an intriguing movie project – allowed to languish in development-hell – is officially cancelled in favour of… this?!

In online forums, no one can hear Brad scream…

Don’t care that Covenant garnered more at the box office in its first week than Guardians Of The Galaxy Vol. 2, and retains a respectable score on Rotten Tomatoes, this is NOT the package that any of us expected.

Great Scott! What is Ridley doing?! 

Cannot believe that he is responsible for such a run-o’-the-Hollywood-mill exercise…

“We had gone through various sketches… they seemed to be of scaly bodies… or huge blobs… There was no elegance to them, no lethalness. What emerged – Giger’s designs… definitely not of this world…” – Ridley Scott.

Alien Covenant is the first Alien film since the passing of H. R. Giger.

With each new underwhelming entry to this franchise, the extraordinary terror instilled by Giger’s original chilling, biomechanoid design is gradually diminished. Moreover, in attempting – and failing! – to adequately explain the backstory surrounding such notable features as the derelict spaceship and the Space Jockey of LV426, their mystique is irreparably eroded.

Just contemplating the faults and inanities of Alien Covenant and what could have been – makes me feel more ill.

You wonder: why couldn’t they change the alien design, themes, names, et al – produce something completely different for a change?

Surely, such a fresh premise would be preferable than having yet another reboot/prequel foisted upon us? Ah! Sllly Brad; business is business, of course  jeez, how could we forget that?

Unfortunately – like other unwanted cultural dross floating around us @ the mo – we cannot exactly blow this thing out the goddamn air-lock.

So, Mother, what can we do?

INTERFACE 2037 READY FOR INQUIRY

REQUEST EVALUATION OF CURRENT PROCEDURES TO TERMINATE ALIEN COVENANT

UNABLE TO COMPUTE

AVAILABLE DATA INSUFFICIENT

Nuts…

 

Does Alien Covenant at least offer anything as sublime as this on its Soundtrack?

Thought not… 

“Final Report of the commercial starship Nostromo, Third Officer reporting.

“The other members of the crew – Kane, Lambert, Parker, Brett, Ash, and Captain Dallas – are dead.

“Cargo and ship destroyed.

“I should reach the frontier in about six weeks. With a little luck, the network will pick me up.

“This is Ripley, last survivor of the Nostromo, signing off…”

 

Fantastic Beats And Where To Find Them: Vol. 2

More Manic Music Monday!

“There are two types of beings in the universe: those who dance, and those who do not” – Drax.

Welcome back, hotsteppers!

The beats continue on Bradscribe.

Seeing as cool stuff tagged as Vol. 2 are the in-thing @ the mo (and the first edition of this innovative Post turned out to be a party that none of you wanted to leave) here we are with Fantastic Beats Vol. 2!

Now its over to my lovely assistant to activate the sooperdoopersoundsystem:

“On my planet, we have a legend about people like you. It’s called Footloose. And in it, a great hero, named Kevin Bacon, teaches an entire city full of people with sticks up their butts that, dancing, well, is the greatest thing there is” – Peter Quill.

We start with Freax aka Sascha Fox.

Another of the acts pumping through me headphones whilst living in more tropical climes a few years ago. These platters would invariably get me into the necessary creative frame of mind. Among several enjoyable floor-fillers, one could not stop playing Pum Gun Trax.

Just recently, a second version of such Trax has come to my attention. And it is more mental than the first! Presented with the choice of Vol. 1 or Vol. 2, well, be trendy and plump for Pump Vol. 2!

“I am Groot? I am Groot? I am Groot” – Baby Groot.

“NO! That is the button that will kill everyone! Try again!” – Rocket Raccoon.

Next up is Robert Gorl – once one-half of the 70s electro outfit: DAF (Deutsch Amerikanische Freundschaft) – this synth-disco rebel branched out on his experimental own during the 80s and 90s.

For me, the highlight of his lo-fi output came with The Right Side Of Reason collaboration with Karl O’Connor (aka Regis – featured in my first Fantastic Beats compilation) and the Sexdrops – oof! goodness! – LP in 1998.

Is this really the same Robert Gorl who recorded Darling Don’t Leave Me with Annie Lennox?!

Back then, this is what the future sounded like:

“THE MELODY IS PLEASANT” – Gamora.

It’s amazing to hear what some techno producers can do with other people’s compositions. It just happens that the next two stunners selected for your headphone-pleasure are remixes.

Tell you what: it’s not all doof-doof-doof! around here ya know!

Polar Inertia delve into deeper, more intriguing soundscapes, and here they formulate a more sophisticated sonic gem.

While concentrating on my more cosmic fiction, this is one of the pieces guaranteed to generate the required far-out feel.

Especially late at night; pulls me in every time…

“What are you doing?” – Ronan The Accuser.  

What we have next on today’s show is an old fave, greatly enhanced with a new version.

Luke Slater is one of the UK’s most significant Techno producers. Remember back in ’99 getting my mind blown by his Freek Funk album (on the John Peel Show – where else?).

One of his numerous side projects is Planetary Assault Systems. A group of leading producers were invited to take a PAS track and give it their own unique remix treatment. The following is by far the outstanding track on The Light Years Reworks: the subsequent compilation album.

Don’t know who Lucy is, but – whoa! – he’s got such an infectious groove going on here:

“I’m Mary Poppins, y’all!” – Yondu Udonta.

Last – but by no means least – the next great video happened to be a nifty lil number only discovered during this past week. Honestly, there is such an invigorating and feelgood vibe to this groove.

(Be careful: this vid – the only one available where you’re not staring @ the record label for six minutes – contains flashing images).

The track itself begins @ 0:25:

“You need my what?” – One Legged Prisoner.

In case you were wondering how Brad has managed to hone his own brand of distinctive awesomes on this site, it’s by being moved – and motivated – by stuff like this.

Music is – and can be – a major beneficial accompaniment to such a gruelling activity as creative writing. Music technology has progressed so remarkably. Beyond the machines though, what matters ultimately is the music.

Only in the last twenty years have digitised sounds exuded a higher form of quality and finesse.

And made this funny bunny wanna dance even more…

Roll on Vol. 3…

 

Guardians Of The Galaxy Vol. 2: The Bradscribe Review

The Difficult Second Album…? 

“It’s unlike the first movie in so many ways. It’s wild, it’s daring…” – James Gunn.

“It’s high on its own supply,” stated one discouraging early review.

But hey! That’s no bad thing, ‘cos Brad is high on believing that Guardians Of The Galaxy Vol. 2 is another veritable smash hit for Marvel! Everybody enjoyed the original – this reviewer included, especially captivated by the wisecracking hamster/monkey/puppy, as you can see here.

Rather than copy all that was awesome and entertaining from the original, this sequel attempts to expand – on the largest scale possible! Plus, just about every riotous and rambunctious scene is ram-packed with a delirious spectrum of candy colours.

Kicking off not long after the end of the first movie, our beloved bunch have to deal with a typically gooey reject from the Men In Black franchise for Ayesha, Gold Leader of the Sovereign race. Due to the uncompromising wiles (and winks!) of the unscrupulous Rocket – stealing batteries?! BAD hamster! – they escape with Sovereign remotely-piloted drones (in a wacky swipe at vintage arcade gaming!) darting after the Milano. In a bizarre twist, the Guardians are saved by the intervention of an ancient and mysterious celestial entity, who ends up providing a substantial emotional heft to these chaotic proceedings.

“Now the expectations are very high, so there’s more pressure… I still think we’re going to surpass expectations, but it’s going to be monumentally different…” – Chris Pratt.

You just gotta dig the snazzy ingredients that constitute the Guardians formula: a groovy opening credits sequence; madcap action; quirky humour; and zingin’-an’-a-pingin’ cosmic thrills presented in a whopping great fun and frenetic package!

Well done to James Gunn for creating a script exploring – within such a mainstream blockbuster – the intriguing psychodynamics of family tensions and, in addition, it’s (g)rooted in how the Guardians find the belonging they crave – developing their own adoptive family unit.

Cool to see the Ravagers again, but even better to see Kraglin – one of the first film’s underrated supporting figures! – receive a more meaty role this time around. But praise for Michael Rooker! Another terrific outing for Yondu – who knew this red-finned dude would provide some of this sequel’s funniest and most powerfully moving moments?!

Oh yes, the Stan Lee cameo is hilariousone of his best! And for this Marvel fanboy: a great surprise to see the Watchers as well!

Inevitably, the biggest scene-stealer is the smallest “Guardian”: Baby Groot, in turns a tricksy twig and soppy sapling.

We all want one! Don’t we?!

“I have the biggest fin because I’m the coolest dude. You will see, in the process of the film, how that comes about – Michael Rooker.

Sure, Vol. 2 had no hope of matching its predecessor: an unexpected smash that set the bar so enjoyably high, but it certainly did pile on lots to relish, but…

Let’s get the niggles outta the way.

One of the weakest points of the first movie is now the primary problem of the second. The only viable reason for bringing Nebula back involved developing her character, but – ho-hum, once again – all she can do is bitch and broodher presence here is even more pointless than three years ago…

Again, Zoe Saldana spent more time getting her face painted than being allowed to expand Gamora’s character…

Really wanted to like Mantis, but she came across as too fizzy and fragile. Her interactions with Drax undoubtedly came cursed with the movie’s poorest lines.

Yes! Sylvester Stallone is more unintelligible than ever…

Naturally, there is still more bickering than actual guarding going on, but hey! That just adds to the charm of the whole caboodle.

But please! Spare me the David Hasselhoff-was-Peter’s-childhood-icon crap. And that frickin’ cameo! Jeez, really wanna unsee THAT…

What, you imagined… he was your Dad?!

You got issues, Quill…

“Only someone like me could pull something like this off…” – Kurt Russell.

To think that Pratt’s own suggestion led to the one and only Kurt Russell being cast as Ego The Living Pranet – a quite formidable opponent who, back in the day, certainly kept Thor – even Galactus! “occupied”!   

Not as badass as Snake Plissken; not as cool as R.J. Macready, Russell’s Egoha! love typing that – is nevertheless an unforgettable monster. Thankfully a more substantial antagonist than Ronan The Accuser! Uff, celestials make rotten Dads, but as our awestruck gaze sweeps across that sumptuous vista, you can’t help but think: that is a handsome planet…

Kurt Russell, the star of Stargate, and doughty white-vested hero of Big Trouble In Little China, is an undeniable icon of SF cinema, and thus certainly adds the necessary style and gravitas here.

The interaction between this father and son is engrossing, until a shocking revelation leads to Peter unleashing his Pac of tricks.

In conclusion then, this movie is an absolute blast!

From the dashing 1980 Russell beaming at Meredith (and listening to Brandy), to the gargantuan finale, Guardians Of The Galaxy Vol. 2 delivers just the right level of energy and escapism to ensure the quintessential cinema experience.

Even digged that Mary Poppins gag you never knew you needed!

And the tantalising hint from the post-creds indicating the appearance of one of my Top 5 All-Time Fave Marvel Cosmic Characters in Vol. 3 sounds like the next instalment could be even bigger!

“Oh… YEAH!”

 

BRADSCRIBE RATING: 3 Ooga-Chakas outta 5

3outof5

 

“‘Rocket do this, Rocket do that…!'” – Rocket Raccoon.  

 

No raccoons or sentient trees were harmed in the making of this Post.

 

“Well It’s Plain To See You Were Meant For Me”: Song A Day Challenge – Day #5

Manic Music Monday: Welcome To The Song A Day Challenge!

Thank You To Danica For Nominating Me!

Here are the rules:

  • Post a song a day for five consecutive days (I’m posting consecutive Mondays!)
  • Post the name of the song and video
  • Post what the lyrics mean to you (optional)
  • Nominate two (or one) different blogger each day of the challenge

My Song of the Day:

T. Rex – “20th Century Boy” 

What Marc Bolan means to me:

STILL smarting from the fact that T. Rex – one of the landmark bands of the glam rock movement in the early-70s, do NOT appear on the latest Guardians Of The Galaxy Awesome Mix Vol. 2.

Anyway, they inspired me to delve back into 70s music – been immersed in it over the past few nights!

Invariably, T. Rex are among the first to fall back on, for Marc Bolan was an exuberant talent.

To think that after 150+ Posts, ONLY NOW can you discover what Brad‘s Theme Tune is.

Yeah, “20th Century Boy”  describes me perfectly (the less said about this 21st Century the better!) 😉

Never had any opportunity to load up this fab song before, so – considering this is the last Song A Day Challenge (tell me, do u weep?) – let’s (glam) rock in style.

Have a happy Monday!

*

My Nominees:

Kim

Paul