Posted: 11 April 2014
“Marvel was pioneering new methods of comics storytelling and characterization, addressing more serious issues and in the process keeping and attracting readers in their teens and beyond” – Peter Sanderson.
Having watched Captain America: The Winter Soldier the other night which, in this case, thoroughly deserves the overused tag: “awesome,” the whole phenomenon of comicbook movies has proved its worth, and looks set to be the most bankable genre of all time. A tremendous amalgam of superhero action and the twists and intrigue of a political thriller, The Winter Soldier showcases all that should be big and spectacular about the modern blockbuster.
It cannot go unmentioned that Marvel comicbooks greatly inpiring my own writing. The standard of scripts was engrossing. Even now, skip through a certain classic and the descriptions and dialogue still look superbly crafted.
The Avengers movie (2012) not only invigorated the Marvel franchise, it practically blew every other blockbuster out of the park. Having grossed $623.4 million in the US and $1.5 billion worldwide, it has become the third highest-grossing movie of all time. Only had one Avengers comic, and that was just to get scenes with The Vision (my personal fave Avenger) the “synthozoid” who can alter his own density to walk through walls, and spoke some of the more poignant dialogue of any comicbook.
“You know, I guess one person can make a difference. Enough said” – Stan Lee.
The one aspect which Bradscribe loves about the Marvel movies is the numerous cameos by Stan Lee, the mastermind behind Marvel Comics. His best appearance must surely be in Hulk (2003) in which he appears as a security guard talking with a colleague played by Lou Ferrigno, who played the green giant in the original TV series; if only the rest of this dull movie had been as good as this charming moment…
Back in 1980/1981, the heyday of my avid comic accumulation period, whenever given the opportunity to peruse the latest copies on the newsstands, there was a tendency to select a different title every time; if the cover carried the epithet: “Stan Lee Presents” it was sure to be a winner.
It is estimated that more than 8,000 characters exist within the Marvel Universe alone. Thus, there is an unlimited trove of possibilities for Marvel Studios to dominate the multiplexes for the foreseeable future. An enlightening prospect considering that Marvel had filed for bankruptcy in 1994! Moreover, when Disney snapped up Marvel Entertainment in 2010, the former’s stock price tumbled; Sony Pictures owned the film rights for Spider-Man while Fox controlled the X-Men. When a big-budget production of Captain America was mooted, it seemed nobody believed that the success of Iron Man could be repeated…
“..Stan Lee had this huge breakthrough of two-dimensional characters. So, they dress up in costumes and do good, but they’ve got a bad heart. Or a bad leg. I actually did think for a long while that having a bad leg was an actual character trait” – Alan Moore.
The comicbook which excited me the most was The Uncanny X-Men. During 1987/1988, a friend’s overflowing comic collection spurred the second wave of my comix-fix. Classic X-Men (which began in 1986)reprinted the hard-to-obtain earlier editions from the 70s. In addition to Chris Claremont’s writing, brilliantly realised by John Byrne’s artwork, it was amazing to learn the frustrations and complications suffered by mutantkind. X2 (2003) remains my personal favourite Marvel movie, perhaps coming closest to transferring the tight script and catchy characterization from comic pages to the big screen.
Like Iron Man and the Hulk, Thor was a co-creation of Stan Lee and Jack Kirby. Just a few issues of The Mighty Thor comic inspired me to peruse Norse mythology, and expand the scope for creating my own historical fiction. Even at such a tender age, the “peculiar” way in which the Thunder God spoke enthralled me.
When news of a major movie production was finally confirmed, this fan became anxious. How would they treat the Thor-talk?! The result (2011) was agreeable; appreciated the choice of director and the presence of Anthony Hopkins as Odin, but as usual, any gravitas it could have achieved was submerged under a deluge of frenetic fights, CGI tomfoolery and… Thor just didn’t sound right.
Never mind, Captain America is turning out to be a major franchise; who knows, it might be big and cool enough to entice kids off computer games and back to comicbooks!