Electric Dreams: On The Crest Of A Synthwave

Radder Than Rad Retrotastic Raves!

Dr. Egon Spengler: “Try to imagine all life as you know it stopping instantaneously and every molecule in your body exploding at the speed of light.”  

Dr. Raymond Stantz: “Total protonic reversal.” 

Dr. Peter Venkman: “Right. That’s bad. Okay. All right. Important safety tip. Thanks, Egon.” 

“Rubbish!” shout the disgruntled 21st century masses, unanimously disenchanted with what is laughably termed the “music” industry, woefully bereft of originality, personality or talent…

But!

As just one of those restless peeps, you can count on Brad to sift through the monotony and find sounds that reinvigorate the soul. 

Synthwave – otherwise known as Retrowave, Futuresynth, etc. – a genre of electronic music influenced by ’80s film soundtracks, drawing heavily from such esteemed names as Froese, Carpenter, Moroder, et al does it for me.

Take this first eargasm for instance; who does it remind you of?

About half a dozen ’80s synthtastic sounds come to mind – and you know that’s no bad thing!:

“Death is a primitive concept. I prefer to think of them as battling evil in another dimension” – Grig.

Elliott: “He’s a man from outer space and we’re taking him to his spaceship.”

Greg: “Well, can’t he just beam up?

Elliott: “This is reality, Greg.”

Already, there is a snazzy nostalgic feel to this Post – hope it lasts…

It’s amazing – not to mention really gratifying – to learn that so many artists have been profoundly inspired by the ’80s.

You know that feeling when you’re writing, listening to music to spur on that creative process and then – all of a sudden – something so awesome comes on that grabs your attention, making you just stop everything and go back to search who/what is responsible for producing such a pleasant interruption? 

This is that track!: 

‘”More human than human” is our motto’ – Dr. Eldon Tyrell.

Here he is: the (reasonably cool) writer, drafting Reviews and concocting wild and wonderful scenarios in the name of science fiction. 

And yet all you end up with is the music he’s been listening to!

Oh well…

This next groovy number pulsates with such 80s flair – sounds like it has been lifted from one of those ultrahip TV shows one would settle down to on a Saturday evening back in the day. Instead, it comes with clips from a hilariously duff 80s movie. Not sure: looks like it could be American Ninja? Or American Ninja 2? Or American Ninja 3? Or who the blazes is taking notes @ this time of night anyway?! 

As you will hear from the opening scene of this vid, my propensity for causing trouble is LEGENDARY:

“Now use head for something other than target” – Mr. Miyagi. 

In order to acquire new synthwave grooves, a number of Best of Retrowave compilations – gleefully referred to as 80s Revival Mixtapes! –have positively soared through my headphones these past few weeks.

Fortunately, the variety and ingenuity of these artists, all vying to (re)capture those special 80s vibes have mostly impressed. 

The opening track of one such compilation ensured its place here on this Post.

Lo! This is the stellar song that Brad does his aerobics to at the crack o’ dawn!

Ya gotta burn it ta earn it, lov…

“On the other side of the screen, it all looks so easy” – Kevin Flynn. 

Having fun? 

That’s what matters in this sector of the blogosphere.

One of the more prominent Retrowave artists to leap promisingly into my Daily Playlist is Timecop1983. 

Nice tag – one of my all-time fave years as well!

On the most recent album: Journeys, the opening track just happens to be Dreams. You know you’re onto a Winner when you can’t get further than the opening track!

This is gorgeous: 

“Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it” – Ferris Bueller.

Modern pop culture should not have to be so turgid!

In order to find a “way forward,” we must settle for a distinctly “retro” solution. That’ll do for the moment! 

Hope you’ve enjoyed listening (dancing?!) to these Electric Dreams as much as my time was joyously spent compiling this Post. There will certainly be plenty more forays into Retro/Synthwave playlists this Summer as my writing sessions – that novel and a few short stories! –intensify. And you can trust me to share the best tracks with you!  

More than anything, these retrotastic grooves offer a warm and cosy reassurance that truly talented souls ARE out there. 

And producing lots of good stuff!

Build neon portals, NOT walls, etc. etc. 

And you know what they say: the sequel promises to be even better… 😉

Hey! Here’s one for the road: 

Keep your eyes on the WHEELS!

“Well always be together
However far it seems
(Love never ends)
Well always be together
Together in Electric Dreams” – Phil Oakey.

Mind Your Head

 

The Good, The Brad And The Spoiler

Brad Day @ Black Rock – How To Deal With The One Who Gave It All Away…

continued from: The White Lion And The Dessert Rats

“Every gun makes its own tune” – Blondie.

Spoiler, ALERT!” cried Touche Turtleneck as the security breach signal rang out.

Damnation and blast!” raged Major Spoiler“He’s here!”

The disgraced Galactic Defence Militia officer stared intensely out of his office window on the 14th floor of Black Rock Block. Here, in one of the more seedy districts of Duggan’s Run Spaceport on Beta Lugosi, torrential rain lashed down relentlessly.

Touche and his gang of hoodlums – who had been hanging around in the office most of the day, just for this moment – drew their blasters and rushed to the door.

JarJar Kushner, the Major’s twisted right-hand man, sitting languidly at the desk, his heavy, ultrawornout boots perched impudently on the blotter, snapped at them:

“Watch it, idiots! This is no ordinary cake-scoffin’ bum we’re dealing with here! He’s good… even by my standards… And for pity’s sake, watch yer backs, he could be anywhere!”

They nodded and piled out, marching off down the hallway.

The two remaining villains listened to the monotonous clatter outside until Spoiler spluttered:

“Do you think he will catch me…?”

“Oh yes, most definitely…”

“How can you be so sure?”

“I am… ‘cos I already ‘ave…”

“Wha-?!”

With one deft flick, the henchman tugged off his black ponytail to reveal a beautifulbut rapidly thinning – mess of blond hair; a device behind one ear was deactivated, and a holographic mask removed to reveal far more agreeable cheekbones. 

“Stone the bloody crows…! YOU!” the Major barked.

Yeah, me…” the Commander growled. “Told ya ‘e could be… ANY… where…”

“You smell like a pig already. Let’s try not to make things any worse” – Corporal Wallace.

“Spoiler… sheesh, you gave away too many Militia plans to the Empire, and now ya- ‘EY! Move away from that cabinet, Major… Disaster… Ah ah! ‘Ands where I can see ’em, fella…

Brad sprang to his feet and glared at the disgraced officer.

“Patheticlong ago, you had potential… Now, Brad, you’re nothingJust a dumbass with a blaster…”

“Quite a dumbass thin’ ta spout, seein’ as the blaster is trained right on ya…”

“Doesn’t matter. C’mon, Fartlighter, you’re kidding nobody – you’re too much of a wholesome hero to just blast me away… like that. No, it doesn’t matter what prison barge you send me to, I can enjoy the last laugh, watching… what unfolds… What does it feel like to be the Most Wanted Man In The Galaxy?”

“Fine an’ dandy, baby. Comes with the territory… o’ bein’ a galactic ‘ero. ‘Ad ta split Bitumen ‘cos the belly dancers couldn’t queue up in an orderly manner…” 

“No. Not that. Do you realise that the Empire has slapped a bounty on your “really ridiculously good looking” head? They were offering 20,000 creds-“

“Why, that’s despicable! A measly 20,000 creds?! Me pecs alone are worth a lot more than that-“

“Shut it. I said they were. Obviously, you’ve been too busy “saving the galaxy” to check your Notifications – they’ve shanked the bounty up to 50,000 creds-“

“Goody gumdrops! Sounds abaht right…”

Brad wiped the smirk off his face; his abrupt ashen-face seemed to take the officer aback.

“How much did it cost ya?” the Commander snarled, “…To direct those Zandokan cruisers ta intercept us?!”

“Oh, that was… free of charge! It was a futile move, anyway! You’re the “good guys”despite impossible odds, you always, insufferably, inconceivably, get through unharmed-“

“MITCH DIDN’T! He wuz wounded during the surprise attack. Me Company managed ta get ‘im to a med-unit on Epsilon, but he-”

“Hmm? I don’t recall- Which one is Mitch?” the Major frowned.

“Mitch Quintana, our newest… and youngest member-“

“Ha, yet another cocky young whelp, no doubt! Never heard of him – how young?”  

“Jeez! As sensitive as an earthquake, ain’tcha, fella?! Damn you… he was only 19-“

“Ah…! Same age as you when I took you under my wing twenty years ago-“

“No… NO! Don’t go there…” 

“…And made you into the leading man you are today. No worries! The boy will pull through – it’s in the script, right?! He will, most likely, turn out to be just as annoying and indestructible as you – ha!”

“Nah… we just got back in time… to watch ‘im pass away…”

“Aww! Where did he die…?”

The Commander held up his arms, and croaked dejectedly:

“In these…”

“Hey, amigo! You know you got a face beautiful enough to be worth $2000?” – Mexican Bounty Hunter.  

“Heh, are you the golden-haired angel sent to watch over me?” Major Spoiler remarked in disbelief.

“Nah… no such luck. There ain’t no songs o’ praise reserved fer… moofmilkuz like you…”

“Ha, cute… What did u do with Kushner?”

“‘Oo…? Oh, that useless scrote. Flung ‘im in the basement, din’I? Funnily enough, I don’t think ‘e belongs anywhere else. Blimey, ‘e’s a waste o’ space even dahn there…”

“Uff, hilarious… You know, in a strange way, I’m actually proud of the way you assembled that pathetic bunch of losers…”

“Me Company, ya mean…? Twen’y years ago, ya used to be a good mansomeone ta look oop ta – jeez, what the blazes ‘appened?!”

“I got wise! Listen to me for once, Brad! You, your Company; the Militia; Rajendra’s Free Fighters – you’re ALL finished. The last remaining Federation Planets WILL fall to Zan Doka and the Empire will prevail – the one true light in a moribund galaxy! Let me take you to the Emperor; he will grant you anything, and you can savour the fruits of the Zandokan Empire, as well as I! At last, your miserable existence will have a sense of purpose…! Just think of the immeasurable power we shall wield… Come with me. It is the only way!”

“Uff, spare me… I’ve just about ‘ad enough of yer insuff’rable monologin’…”

Spoiler spat sarcastically: “Aww, I hate to see you suffer… so much, Commander!”

“Fine,” Brad snapped back, levelling his blaster between the startled officer’s eyes. “Then lemme put ya outta yer misery…”

“No, wait! It’s-!”

“Waitin’s over. Adios, pret’y boy…”

.

When you have to shoot, shoot. Don’t talk” – Tuco.  

KERR-RAAAAASH!!

The shards of the shattered plexi-screen mingled with the shower as the ex-Militia officer’s body hurtled to the street below. The Zandokan sentries stood aside and simply averted their gaze away from the sickening impact. Upon reaching the foyer, Brad had just readjusted the wig and realigned the mask. He stumbled out of the elevator, desperate to erase from his fevered mind that hard day in the office…

Spoiler’s gang congregated by the revolving doors, adding the mess on the street to their Instagram accounts.

Touche came running up, all-flustered.

“Mr. Kushner! The Battleforce Commander-turned-blogger is still in the building?!”

“Aye affirmative, that ‘e is, dipwit! If ya ‘urry, ya might jus’ catch ‘im!”

The hoodlums dashed back up the stairs.

Two of the Zandokan guards marched towards Brad, but, in character, he managed to keep composed.

“Secure the area!” he barked, putting on his nastiest authoritative voice. “Make sure the Earthling does NOT leave the building!”

The guards nodded in their usual, slavishly obedient way.

And – just like thatthe Earthling left the building…

“I think his idea was that I kill you. But you know the pity is when I’m paid, I always follow my job through. You know that” – Angel Eyes.

Around the corner, Brad tore off his accessories for the last time and chucked them furiously into a bin.

Over the deafening din of the monsoon, he opened his earpiece and hailed the Calista.

“‘Ey, whassup, mate?!” the Chief chirped.

“Uff, stow it, ‘Arris – I’m not in the mood.”

“Did ya do it…?”

“Yeah, wha’s done is done-“

“‘Eyyy, attaboy, Commander! The ‘ero strikes again, eh?!”

“Nah, far from, Chief… this ain’t NUTHIN’ to celebrate. This… this wuz bang out’a order…”

“Ne’er mind, eh? Got gateau fer ya an’-”

“NAH… dahn’ wan’ any cake…”

“WHA-?! Is that Brad?! ‘Ere, Kushner ya div! Givvuz our Commander back NAHW, ha ha ha!”

“…This ain’t no laffin’ mat’er, Chief… I’ve gone ta this vile dive ta terminate me ol’ superior officer…! Not only that… he wuz a fellow Englishman… This ‘ole thing… ugh… Jeez, it stinks to ‘igh bleedin’ ‘Eaven… This is NOT wha’ savin’ the galaxy wuz supposed ta be abahtTough ‘ero?! It’s really tough tryin’ ta be one… Gawd, this is pants…”

“…’Ey, Brad, ‘e ‘ad ta go, mate… ‘E doublecrossed uz all… nah one coulda done wha’ you jus’ done…  Kudos to ya, fella… Some good hasta come from this – it’s jus’ gotta… I-I know whatcha goin’ through right nahw-“

“Tha’s jus’ it, fella, ya dahn’t. ‘Ope ya nevah havta, an’ all…  Gotta bit’er taste in me mahf that ain’t gonna shift, an’ a lump in me soul that ain’t NEVAH gonna lift… …

“‘E wuz… dammit – ‘e wuz the one who made me Battleforce Commander in the first place…! Rot ‘im… … …”

 

“Sooo… … … ya wanna come back nahw?”

“Nah… thinkin’ o’ openin’ a resort dahn ‘ere…”

“Wha-?! Really?”

“O’ course, bleedin’ ‘o course I wanna come back!! An’ I’m gonna be one ‘elluva soggy moggy if I stay aht ‘ere much longer! Beam me oop now, ya donut…”

BRAD FARTLIGHTER WILL RETURN

 

“Oh Globbits!”: It’s The Bradscribe Video Show!

“Where The Blazes Has That Brad Got To?!”

“He’s Stuck In An 80s Vortex!”

“What, AGAIN?!”

“Eighties – I’m living in the Eighties
Eighties – I have to push, I have to struggle
Eighties – get out of my way, I’m not for sale no murr!” – Killing Joke.

Yes, again!

Welcome to my very own neon sanctuary, which – not that surprising to all those who know an’ love Bradscribe oozes with positive 80s vibes.

A cavalcade of classic 80s pop can get me out of any daggy, uncreative mood. After a few weeks stuck in a rut – unable to make ANY of my writing dance, or fly, in my usual inimitable groovy style – various vids were activated and bingo! – it has worked! My reviews, articles – even my fiction! – are now back on track.

Instead of banging out that intense piece about dystopian SF – besides, it’s a wet and dreary Bank Holiday Monday out there – thought it best to spread this feelgood factor. In this Age of Outrage, we could certainly do with MORE FUN and nostalgia!

This is not the first time this site has delved into Neon Nostalgia and it won’t be the last!

Not only could you listen to the best pop music – on your own Sony Walkman of course! – the 80s also offered the best videos, the best movies, the best telly shows, the best candy etc. etc.

For those of you too young to remember the Golden Age of the music video (or never around then) no worries! Let this selection of some of my faves – with my blessings – be your gateway. 

No need to get your deely-bobbers in a twist! Help yourself to a Curly-Wurly!

Just pull your jacket sleeves up, stick your ghetto-blaster in the air and away we go!

“You’re too shy shy hush hush eye to eye
Too shy shy hush hush eye to eye
Too shy shy hush hush eye to eye
Too shy shy hush hush hush” – Kajagoogoo. 

One of the most distinctive synthpop groups of the 80s was Ultravox – always been fascinated by that snazzy sci-fi name!

They had several classic vids, but this was the best ‘cos it was the most exciting.

Great camaraderie among the group in this highly adventurous vid; plus, the director has even wrangled a way to include Midge Ure’s addiction to hang-gliding as well – huzzah!

You do realise that between 0:30-0:39 you will witness the Greatest Moment in Pop Video History:

“Say, we can act if we want to
If we don’t, nobody will
And you can act real rude and totally removed
And I can act like an imbecile” – Men Without Hats.

And they say that back in the day this fella was a heartthrob? Wild Boys? Too wild fer me, man…

Still, a darn sight better than the talentless cretins the “music industry” foist upon us nowadays, but hey! Promised there would be NO argy-bargy on this Post.

The only mildly offensive material you may encounter here is a very dodgy shoulder pad or two.

You really couldn’t get anyone less offensive than Kate Bush.

Despite being perceived as a tad uncool back in the day, this video has always affected me in a good way. Part of the charm here is a wonderful cameo from Donald Sutherland, and guess what!

Managed to accompany this vid with a gif from cult classic teen vamp shocker:The Lost Boys, which features Donald’s son Kiefer.

Ha, Brad amazes even himself sometimes!

“You spin me right round, baby
Right round like a record, baby
Right round, round, round” – Dead Or Alive.

Look at this!

With spiky blond hair and bum fluff, THIS is EXACTLY how Brad looked in 1987!

Seriously!

Even at college, the most common thing people in the street asked me happened to be: “Could I have your autograph, Kiefer?”

In 1985, the Sisters of Mercy were a standard dark Goth band, but with the breakthrough Floodland LP in 1987, they became a bigger and better phenomenon. With a steady stream of hit singles, each came with its own elaborate video.

Here, with Dominion, we see what 80s videos excelled at: amazing photography, exotic location shots and iconic moments. This is the most unlikely place to find a saxophone! But then again, anything and everything could work during the 80s.

Here, Andrew Eldritch never looked cooler.

And Patricia Morrison never looked hotter. 

“Karma Karma Karma Karma, Karma Chameleon
You come and go, you come and go
Loving would be easy if your colours were like my dream
Red gold and green, red gold and green” – Culture Club.

Dominating BBC TV schedules every Thursday night used to be Top Of The Pops.

If a pop group wanted to boost sales they could do no better than be featured on this show. Sure, all appearances were mimed, the presenters would sometimes bombard audiences with the most appalling puns, and the audience invariably consisted of morons who believed that hogging the cameras was the ONE aim in life, but it became – undeniably – a National Treasure.

Loved the exotic Eastern sounds of Blancmange’s Living On The Ceiling. Fondly remenber this as one of my all-tive fave TV moments, and feeling aggrieved that (being, at that time, without a VCR) there would never be another chance to watch this ever again…

“Buying bread from a man in Brussels
He was six foot four and full of muscles
I said, “Do you speak-a my language?”
He just smiled and gave me a Vegemite sandwich” – Men At Work.

Now, something to enrich your viewing pleasure!

My American friends will be unaware of this lil gem – the main reason why Brad hardly did any of his school homework! Or his chores! (Whatever they were…)

“Cthulhu for kids” as one bright spark remarked. The narrator: Willie Rushton was a talented writer/satirist and his distinctive voice worked perfectly.

Who needs CGI  when you can do wonders with plasticine?!

With the revelation that Drut spelt backwards is turd, the hilarity lasted for WEEKS – aah, happy times…

“I feel peculiar…”

“Hold a chicken in the air
Stick a deckchair up your nose
Buy a jumbo jet
And then bury all your clothes
Paint your left knee green
Then extract your wisdom teeth
Form a string quartet
And pretend your name is Keith” – Spitting Image.

With film reviews, comic round-ups, fiction, and now 80s Club Nights (WAHEY!!) you can’t deny that Brad is one groovy gaff at which to hang out!

Whatever lousy mood you may find yourself in, trust me, put on this next vid by the Thompson Twins (hey, there’s three of ’em, ha!) and a big, contented grin will always be guaranteed.

“Dance, boy; dance, boy!”

“Wake me up before you go-go
Don’t leave me hanging on like a yo-yo
Wake me up before you go-go
‘Cause I’m not plannin’ on going solo” – Wham.

 

And how could we end this Post without including Bill Murray?!

Honestly, it was either him or Molly Ringwald… 

“I ain’t afraid of no gif”

 

Well, what vids did you/do you enjoy the most from the 80s?

 

Interface 2037 Ready For Inquiry: What’s The Story Mother?

Loving The Alien? This Time, No Means NO!

“…A story that is basically just a mixture of The Creature from the Black Lagoon and The Thing from Outer Space… [Ridley Scott’s] combination of space fiction and horror story is no great shakes as a work of art. Artifice, however, it has in profusion.” – Derek Malcolm.

“A transmission? Out here? …Human?” 

“Unknown…”

Apologies if you swung by expecting a Review of Alien Covenant.

But really – it’s a swizz of the first water; a pointless celebration of the Alien franchise’s Greatest Hits. Wasting my time in a cinema for something like this can usually incite me to rant no end, but after a particularly trying fortnight – both physically and mentally – yours truly has been unable to write anything remotely readable.

Here, on a good day, you would be able to learn how completely unnecessary this rehash really is. How it adds nothing new; judging by the lacklustre trailer, the script sounds unremarkable, and – like Prometheus, which frustrated more than frightened audiences – attempts at character development are nil, considering how expendable WE KNOW this crew are…

And to think that after enjoying the first two Alien movies, this adventurer genuinely craved more sequelsha!

How times – and attitudes – have changed. After two more dodgy sequels, the divisive Prometheus and now Alien Covenant, one of the most interesting movie franchises has become one of the most tedious…

“I did have one odd nightmare once. I dreamt I was visiting some friends in a Vermont farmhouse and the alien came out of the chimney. Suddenly I was dreaming about my own life. You would think it would only happen in space… but if you start to dream like this, it puts a whole different reality to it” –  Sigourney Weaver.

There is another anguished reason why Alien Covenant proves to be so bothersome.

Where, oh where, is Sigourney Weaver?!

Just two years ago, it all seemed fine an’ dandy. The actress most synonymous with this franchise was itching to return and wrap up Ellen Ripley’s story one last time. It would have been the Alien 3 we deserved; Michael Biehn was also lined up to reprise the role of Corporal Hicks from Aliens. The director of Chappie and District 9 was set to helm (incidentally a move not welcomed in this camp).

But by the time the Covenant trailer appeared earlier this year, the head-scratching began. We saw what looked like an inferior rehash of the 1979 masterpiece, and Katherine Waterston “playing” the female protagonist.

Okay, Waterston, but no Weaver?!

Such an intriguing movie project – allowed to languish in development-hell – is officially cancelled in favour of… this?!

In online forums, no one can hear Brad scream…

Don’t care that Covenant garnered more at the box office in its first week than Guardians Of The Galaxy Vol. 2, and retains a respectable score on Rotten Tomatoes, this is NOT the package that any of us expected.

Great Scott! What is Ridley doing?! 

Cannot believe that he is responsible for such a run-o’-the-Hollywood-mill exercise…

“We had gone through various sketches… they seemed to be of scaly bodies… or huge blobs… There was no elegance to them, no lethalness. What emerged – Giger’s designs… definitely not of this world…” – Ridley Scott.

Alien Covenant is the first Alien film since the passing of H. R. Giger.

With each new underwhelming entry to this franchise, the extraordinary terror instilled by Giger’s original chilling, biomechanoid design is gradually diminished. Moreover, in attempting – and failing! – to adequately explain the backstory surrounding such notable features as the derelict spaceship and the Space Jockey of LV426, their mystique is irreparably eroded.

Just contemplating the faults and inanities of Alien Covenant and what could have been – makes me feel more ill.

You wonder: why couldn’t they change the alien design, themes, names, et al – produce something completely different for a change?

Surely, such a fresh premise would be preferable than having yet another reboot/prequel foisted upon us? Ah! Sllly Brad; business is business, of course  jeez, how could we forget that?

Unfortunately – like other unwanted cultural dross floating around us @ the mo – we cannot exactly blow this thing out the goddamn air-lock.

So, Mother, what can we do?

INTERFACE 2037 READY FOR INQUIRY

REQUEST EVALUATION OF CURRENT PROCEDURES TO TERMINATE ALIEN COVENANT

UNABLE TO COMPUTE

AVAILABLE DATA INSUFFICIENT

Nuts…

 

Does Alien Covenant at least offer anything as sublime as this on its Soundtrack?

Thought not… 

“Final Report of the commercial starship Nostromo, Third Officer reporting.

“The other members of the crew – Kane, Lambert, Parker, Brett, Ash, and Captain Dallas – are dead.

“Cargo and ship destroyed.

“I should reach the frontier in about six weeks. With a little luck, the network will pick me up.

“This is Ripley, last survivor of the Nostromo, signing off…”

 

Logan: The Bradscribe Review

A “Superhero Movie” Like No Other…

xcast1

“You must be Wolverine! That remarkable metal doesn’t run through your entire body, does it?” – Magneto. 

“I feel relieved I’ve exorcised my gnawing frustration,” Hugh Jackman said in a recent interview, promoting his last screen venture as the popular mutant: Wolverine. “I always felt we’d never really got to the bottom of this character.”

It is – yet again – that most common of premises: the near future, but for Logan, a future too near for his liking. How did the wise-crackin’, cigar-chompin’, adamantium-clawed, reluctant chocolate milk slurper get reduced to driving limos for hen parties?

What’s more: how the blazes did Brad get roped in to watch this third solo instalment, when the first was barely watchable, enough to dissuade him from sitting through the second?! As a HUGE fan of the X-men comics, this series personally felt like an unfilmable venture, with nobody capable of bringing these extarordinary characters – especially Wolverine and Professor X – to life, but since their stunning debut way back in 2000, they have exceeded my lowest X-pectations – ha!

Well, after preview screenings of ts opening 40 mins back in December, the unanimous praise tweeted as frenetic as fudge, piqued my interest. 

But, of course, this is Patrick Stewart’s swansong as the professor as well as Jackman’s final outing in his most famous role. For old times’ sake, this just had to be watched. 

Just two cinemas in the next town, and only one of those was showing Logan – built in 1911 and restored to its original style (two screens only), complete with a dinky wooden ticket booth (smaller than a phone booth!) plush carpets and ornate banisters, such a gritty, gory and – dare one say it, X-rated – drama seemed quite incongruous lurking within this most handsome and venerable little establishment.

Armed with his torn-ticket and chocolate milk, your correspondent ventured tentatively upstairs to check out the Screen’s drapes.

Oh my, methinks, hope this motion picture is equally as impressive as the decor… 

logan2

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“People don’t change, Wolverine. You were an animal then and you’re an animal now. I just gave you claws” – William Stryker. 

The year is 2029, but this is a science-fantasy scenario. If there is any technology, you have to nab it, and the Mex border eerily reflects the desolate and hopeless circumstances of desperate and world-weary people. Charles Xavier is now an elderly shell of his former self. The world’s most powerful brain is deteriorating due to degenerative disease – a very dangerous state witnessed at least twice to chilling effect.

Logan has – rather shockingly – visibly aged since the last time we saw him. His claws bedevil his temperament with Arthritis. And those lacerations don’t heal so effectively like they used to; then again, his most painful wounds cut into him deeper than just his flesh…   

What happened? 

Both Logan and Charles have fallen so far – it’s a looong way from the pristine hi-tech chamber of Cerebro…

Be warned: this Wolverine cuts, slices and skewers in full graphic detail – there are absolutely NO holds barred. Director James Mangold has deliberately set out to show the brutal, ugly and washed-up world of aging “superheroes.”

When you are just about to give this miasmic misanthropy a miss (not to mention these grisly sights makes that choco milk taste really bitter), these adult X-ways are enriched with one of the finest junior performances in recent times – Dafne Keen is sensational as Laura; she is full of surprises and wants to get ahead…

But what really freaked me out – the real milk-spiller – came in the excellent performance of Boyd Holbrook as cybernut Pierce: Good Lord! Honestly, it’s like watching a 17 year old Brad strutting around up there! The resemblance and mannerisms: uncanny! Jeez…!

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Cyclops: “He’s not one of us. There’s no way he’s going to take orders.”

Prof. Charles Xavier: “Give him an order worth following. He’ll take it.”

Logan is far removed from the puerile tomfoolery of Suicide Squad, the underwhelming CG blandness of X-Men: Apocalyse and the hilarious irreverence of Deadpool, although the latter’s unexpected success showed that there is a demand for such R-rated material. Interestingly, this film looks more like a mutant road-trip movie, with two irascible old gits constantly barking at each other. No wonder Laura stays mute, and stares out of the window…

This is my first trip to the cinema since Rogue One – so obviously the next would have to be quite a formidable one. Watching a foul-mouthed Professor X and Logan deriding X-Men comics is worth the ticket price alone.

“There’s no living… with a killing.”

Too damn right.

Perhaps too much for us to view here; perhaps the brutality outweighs the drama too x-plicitly – it will be some time before my second viewing is made.

But it cannot be denied: 

From Wolverine’s opening drink-addled expletive to Laura’s final symbolic gesture, Logan is a powerful piece of movie-making. Jackman’s Logan brought out the cheers, while Stewart’s Charles brought out the tears. 

Logan’s run may be over, but he finishes as the first clear Winner of 2017. 

Well, what would you prefer, yellow spandex?

“Hugh, you were at the National Theatre with Sir Trevor Nunn, you cannot have claws coming out of your hands – this is ridiculous” – Deborra-Lee Furness (aka Mrs. Jackman). 

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“Got anything other than chocolate milk?” – Wolverine. 

BRADSCRIBE VERDICT: Claw-some

4-out-of-5

A Zarjaz 40 Years!: A Celebration Of 2000AD

Borag Thungg, Earthlets!

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“Welcome to the galaxy’s greatest comic: a subtle blend of thrills, some old, some new, all of them zarjaz. 2000AD: thrills from the future at an old-fashioned price!” – Tharg The Mighty. 

“It’s wild! It’s sensational! It’s your future!”

In the last week of February 1977, the first zarjaz issue of 2000AD was unleashed on an unsuspecting planet. It contained three stories and a free gift – a ghafflebette Space Spinner! – attached to the front cover.

Nobody had any idea that it would not only become a sensational hit, but dramatically transform the British comics industy. Back then, you see, the average life expectancy of new comics lasted no more than “a few issues.” Up until that point, there had been no market for SF in the UK comics market, so – oddly enough – it was automatically assumed that 2000AD would fare no better…

Each issue – or Prog as it is affectionately known – came adorned with the legend: “In Orbit Every Monday.” But more intriguingly, the Editor happened to be Tharg The Mighty: a green-skinned Betelgeusian responsible for delivering these weekly doses of “thrill-power,” and regarded plastic cups as his fave delicacy; Betelgeusian phrases made regular appearances in each Prog.

Published by IPC Magazines, it was aimed at young boys who craved something other than the usual “war and football fare”. Studying it’s awesomeness down the years, what is most striking is its formidable – and consistent – array of writing and artistic talent – cheekily referred to as “the droids” – who would garner international acclaim and go on to develop projects for Marvel and DC Comics.

In the beginning, it looked rather tame: Dan Dare – the Pilot of the Future – was more commonly associated with Eagle comic, while Mach 1 was a direct copy of the Six Million Dollar Man

Ironically, another sci-fi comic released in 1978: Starlord – produced on better quality paper – enjoyed higher sales figures. However, production costs meant that 2000AD survived, and Starlord disappered after only 22 issues. Strangely enough, Strontium Dog and Ro-Busters were transferred from Starlord and became some of 2000AD’s most popular stars.

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“Dredd to Control! Some kind of ruckus going on, Hank Wangford Underblock! Better get me a Catch Wagon!” – Judge Dredd. 

Can remember reading the comic at school – 1984 was a classic year for 2000 AD. Not sure who brought the copies in, but they were widely circulated around the classroom.

Although the comic’s most popular character was Judge Dredd, who made his debut patrolling the ultra-mean streets of Mega-City Onein Prog 2 – my Vinglop Hudsock (reading enjoyment) always concentrated on the exploits of the A.B.C (Atomic*Bacterial*Chemical) Warriors such as Hammerstein, Deadlock – and perhaps the COOLEST comic book character EVER – Joe PineapplesRogue Trooperthe GI (genetic infantryman) roaming the Morokk desert of Nu-Earth, in the eternal future war between Norts and Southers with his helmet, backpack and gun containing bio-chips of his three fallen buddies, brilliantly illustrated by Cam Kennedy.

And DON’T exclude the extraordinary awesomeness in the form of Nemesis The Warlock, wonderfully created by Brother Mills and Brother O’Neill and extolled the virtues:

“Be pure, be vigilant, behave!”

At a time when sci-fi was still considered as Boy’s Own fare, it is amazing to reflect that part of its innovation lay in its impressive range of strong, female characters including: Halo Jones, Venus Bluegenes, Durham Red, Tiffany Rex and of course Judge Anderson: Head of Mega-City One’s Psi-Division. 

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“Military fuzz, dammit. Gotta move. I ain’t gonna be shot by my own side… Sorry to disappoint you, fuzzballs!” – Rogue Trooper.  

Also that year, in London, just round the corner from Grandma’s gaff, a newsagent had a half-price box. Therein lay Progs: 365 and 370 – my very first purchases of thrill-power!

Having just retrieved them from my files – the covers have inevitably yellowed and the edges are crumpled – they now sit in pride of place on the desk beside me.

Bizarrely, one of the comic’s most ensuring characters was Slaine: a Celtic barbarian – with its delirious mix of dragons and sorcery this strip looked so incongruous, but was well-received all the same. Another script-hit from Pat Mills – does it come as a surprise to learn that he is one of my all-time favourite writers (in any medium)?

Both these Progs were graced by one of my very favourite characters: Strontium Dog: the adventures of Johnny Alpha, the mutie bounty hunter and his “norm” partner: Wulf Sternhammer. Featuring the terrific artwork of Carlos Ezquerra, it was honoured in this Post: 

And – grok! Had almost forgotten D.R. & Quinch. My most immediate memory to flood back from Prog 365 was this hilarious pastiche of Hollywood written by Alan Moore – yes! That Alan Moore.

“Man, this was a problem of mind-liquefying majorness. The script had about fifty-eleven-hundred pages. Of this, eight words were completely readable. These were ‘Oranges’ in the title, and ‘Close the curtains, Geoffrey, I’m amphibious,’ which was right at the end. To be perfectly frank, man, I wasn’t even 100% sure about ‘amphibious'” – D.R. Dobbs. 

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Torquemada: “Only I stand for order! And discipline! Especially discipline!”

Nemesis: “Basically I stand for having a good time…”

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“Some day soon we’ll all be feeding the worms… so why waste time playing heroes when we could be killing for kicks and riches?” – Thrax. 

And then there was Bad Company: a weird, but wonderful, future-war tale created by Pete Milligan, Brett Ewins and Jim McCarthy. Rather than focus predictably, and monotonously, on the horrors of war, this irresistible classic centered on its absurdities.

It offered a truly bizarre roster of characters, including the young wide-eyed narrator: Danny Franks; the mad, monocled mutant Frankenstein’s Monster-like Kano; and my personal fave: the ghoulish dude with the over-sized overcoat: Thrax, distinctive with his long, supercool fringe, and his amusing tendency to call everyone: “turnipheads”.

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“I want to feel alive again. That’s why I keep a heart in my chest locker” – Joe Pineapples.

My days as a Nonscrot (someone who does NOT read it regularly) were numbered. At the end of June 1988, a bolt of unavoidable thrill-power hit me in one newsagent at the end of June 1988 in the form of 2000AD Prog 581 (above). Who doesn’t dig large-taloned dudes with even cooler swords? One excited flick through: and it was immediately purchased.

There then followed a really scrotnig Summer, hunting local comics emporia for the most recent back issues. Having designed a major facelift – new format, new logo – for Prog 555, Tharg The Innovative reinvented the entire package with Prog: 650, adorned with the slogan: “New Thrills! More Colour!”   

With two stints at university, leading eventually to an overseas job, following the galaxy’s greatest comic became virtually impossible. In the last two years whilst working on this blog, re-energizing my taste for SF, my thoughts inevitably slide back to those golden years of 2000ADcan still smell that grotty classroom even now… 

But memories of that classic thrill-power lingers much longer…

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“Don’t want to hurt other Strontium Dogs unless we have to – electro-flare!” – Johnny Alpha.

Months ago, rummaging through the basement of a secondhand bookstore, looking – as is always the way – for something else, my heart leapt as a pile of 2000 AD back issues (from the classic years of 1983 and 1986) emerged at the back of the bottom shelf! 

The biggest problem is: how does one catch up with a quarter-century of Progs? So much thrill-power – so little time…

It is absolutely staggering to think that 2000AD still thrives to this day; it’s constant formula of experimental characters and witty cultural/political refs is hopefully winning new converts. The magic Prog 2000 came out last September, but all the drokks have been reserved especially for this week’s Anniversary Special. It is heartening to see the return of personal fave: Strontium Dog.

And of course, Joe Dredd just had to make a special appearance: shutting down the Prog’s birthday bash, disapproving of such a “seditious freak-out weirdo trashzine.” Hey Joe, what’s wrong with that? Don’t be a Grexnix, old man! This Squaxx Dek Thargo used to create and edit his own trashzines back in his juve-days, y’know! If anything, you should complain that today’s droids have failed to offer a Space Spinner or suchlike with this Prog…

Quaequam Blag!

As Tharg himself said: “2000AD: it’s not a comic… it’s an attitude!” 

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Splundig Vur Thrigg!

Lingua Extraterrestria: What Would First Contact Entail?

When We DO make Alien Contact, What Will We Have To Say? And How…? 

And By What Means Can We Begin To Comprehend What THEY Want?

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“What the hell are we supposed to use, man, harsh language?” – Private Frost. 

“Thousands have taken to the streets amid growing unrest at the perceived “alien invasion,” reads the Breaking News banner.

“Governments across the globe have declared a state of emergency urging residents to remain in their homes until meaningful contact can be made.”

What do they mean by “meaningful contact”?

The exciting, yet cautious, notion of first contact with (intelligent) extraterrestrial life has often popped up in movies, books and essays, but they all – frustratingly – fall short of supposing how such a landmark event could be achieved.

The most prominent SF extravaganza to tackle this premise (refraining from military antagonism) and emphasize attempts at establishing connections with alien visitors happened to be Steven Spielberg’s Close Encounters Of The Third Kind (1977), in which initial connection transpired through exchanges of musical motes. 

Groovy – fortunately, variable tones possess the same harmonics elsewhere in our galaxy!

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“I really misunderstood that linguistics was closer to being a translator… When you’re approaching language, you look at structure, anthropological, sociological… how it exists inside of that. It’s got very complicated” – Amy Adams.  

Just opened in cinemas this week is Arrival, a most-welcome package that dares to offer something more cerebral rather than just aiming to be visually spectacular. 

After twelve ovular smooth and shell-like spacecraft appear in skies at various locations around the world, answers – rather that action – is called for. The military (led by Forest Whitakerenlist the services of leading academic linguist Dr. Louise Banks (played by Amy Adams) to try and work out why they are here, and what do they want. 

Curiously, every eighteen hours, a section of the craft suspended above the plains of Montana opens up, allowing Banks and physicist Ian Donnelly (Jeremy Renner) to try and facilitate a basic exchange of communication.

The new Arrivals are revealed as seven-pronged starfish-like creatures dubbed “heptapods.” Intriguingly, these visitors do participate in contact, but only by emitting a highly sophisticated form of non-linear orthography – rings of swirling black “ink.”

How can Dr. Banks hope to suss out something like this?:

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“Some supporters of linguistic relativity think that the cognitive benefits of language helped spur its evolution. This is relevant to the movie, as the fate of humanity depends on us understanding their language” – newscientist.com

Among the earliest systems of writing, wedge-shaped cuneiform tablets were produced by the Sumerians in the Ancient Near East five thousand years ago. 

Having had the privilege of studying this bewildering civilization at university, one could not help but observe that they seemed so incongruous to World History – the notion of extraterrestrial origins should not sound so fantastical.

Incidentally, their religious texts quite categorically describe “the Ancient Gods who descended from the Heavens…”

Since the Phoenicians developed the first alphabet, scripts for Indo-European languages – of which English is just one member of that family – generally run horizontally from left to right, but with the observation that Arabic runs from right to left, should the heptapod circular “language” be read clockwise or anti-clockwise? 

Moreover, at what point on each billowing ring should Dr. Banks begin to decipher these messages? So many syntactic and semantic aspects to consider in such a fascinating and – considering what is at stake – frightening voyage of discovery!

As Dr. Banks wonders:

“They use non-linear orthography. Do they think like that too?” 

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“Are you dreaming in their language?” – Ian Donnelly.

Having already notched up five-star reviews and an encouraging string of superlatives from a wide range of film magazines and websites, Arrival looks set to be the phenomenal, thought-provoking classic that gives SF a good name.

Ultimately, this movie sets out to be more about human understanding, memory, love and fortitude than just delivering yet another tiresome alien invasion CGIfest far beyond the sensationalist reach of such dumb, inconsequential fare as Independence Day: Resurgence (which we were so kindly subjected to earlier in the year).

To find out how “distinctly original” and “truly exceptional” Denis Villeneuve’s Arrival really is, Brad will be checking it out this weekend. Therefore, a Review is sure to follow!

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Keep watching the skies…