The Journey Of Bradskald: My Reimmersion In Norse Mythology

 The Realm Eternal: Asgard – The Beacon Of Hope, Shining Out Across The Stars

And A Source Of Limitless Possibilities For My Fiction…

“Once, mankind accepted a simple truth: that they were not alone in this universe. Some worlds Man believed home to their Gods. Others they knew to fear…” – Odin All-Father. 

There was a great noise of shouting and fury in the Palace of Jotunheim where the great Norse Giants lived.

“What have you done, Rungnir?” some of the Giants were shouting at one of their number. “You have agreed to fight the great god Thor! You are mad, quite mad!”

“Thor is our greatest enemy, Rungnir,” other Giants cried in alarm. “…You have brought disaster upon us! Not even a Giant can resist Thor with his mighty thunder and his deadly hammer Mjolnir!”

Aye!

And no one can resist the God of Thunder as his latest adventure: Thor: Ragnarok has conquered the box office (and deservedly so) on Midgard (Earth) this past fortnight. Having thrilled me with its wholesome cosmic fun, Thor: Ragnarok slings me back along the Bifrost of nostalgia to a time when all-things-Norse were craved. The more scintillating aspects of that mythology seeped – wholeheartedly or inadvertently – into my own otherworldly works.

So, away from the hassle, tech difficulties and trolls of the 21st century, and let’s return to the great beards, moody Giants (and Trolls) of the Nine Realms.

Pre-Christian Vikings shared a common view of the universe. The one insurmountable truth held that the Norse pantheon of gods, known as the Æsir, made their home at Asgard. This is a compound name, whose first part As- refers to the Æsir, while the second part gard means an ‘enclosure.’ Hence Asgard is ‘the enclosed region where the Æsir live.’

In order to understand the rudiments of Norse mythology, one must refer to The Prose Edda – the most renowned of all works of Scandinavian literature and our most extensive source for Norse mythology – written by the 13th century Icelandic chieftain: Snorri Sturluson (1178-1241). Mayhap ’twas the un-Viking way in which he met his own violent end against the King of Norway’s assassins – cowering in his own cellar – helps explain why his name is not hailed among other historical literary giants.

However, through his seminal work, numerous Old Norse words crept into the English language; for one, it is from Sturluson that we get the word: ‘saga.’

“The Prose Edda… summarizes the pagan Germanic myths and reviews the rules of skaldic rhetoric. The mythology documented in these texts reveals an earlier, peasant stratum (associated with the thunderer, Thor)…” – Joseph Campbell. 

“I came up with Thor. I know all about Thor, and Mjolnir, the hammer. Nobody ever bothered with that stuff except me. It was the thing that kept my mind off the general poverty in the area. When I went to school that’s what kept me in school. It wasn’t mathematics and it wasn’t geography – it was history…” – Jack Kirby.

“…Thor is the foremost among them. Called Thor of the Æsir [Asa-Thor] and Thor the Charioteer [Oku-Thor], he is the strongest of all gods and men. He rules at the place called Thrudvangar [Plains of Strength], and his hall is called Bilskirnir…” –

Gylfaginning 21.

Before the Viking Age, in a time known as the Migration Period (from the fifth to the seventh centuries CE), when various tribes laid siege to the last remnants of the Roman Empire, numerous heroic stories originated, formulating a tremendous Scandinavian oral tradition.

The most substantial section of The Prose Edda, is known as Gylfaginning, in which the characters we have become accustomed to via Marvel’s comics and movies – the Æsir, namely Thor, Odin, Loki, Heimdall, et al. – were originally introduced.

Of equal intrigue in the Eddas is the portion called Skaldskaparmal. Skald is the Old Norse word for ‘poet,’ or ‘scribe’; skapr means ‘creation’ or ‘craft’; mal is ‘language’ or ‘diction’ – thus Skaldskaparmal means the ‘language of poetry.’ This section in particular – a combination of dialogue and third-person storytelling – collects those oral traditions that arose from this Migration Period. 

The most celebrated hero of Skaldskaparmal is Sigurd the dragon-slayer. He and his treasure: the Rhine Gold, not only formed the basis for the Saga of the Volsungs and Thidrek’s Saga, but the epic poem of South Germany: the Nibelungenlied, wherein Sigurd is known as Siegfried. Classical composer Richard Wagner made Siegfried the hero of his epic Ring Cycle opera: Der Ring des Nibelungen. 

Thus, the epic prose of Norse mythology converted into epic music.

As you may have gathered, music has always played a decisive, inspirational role in my creative writing. Whenever epic storytelling had to be undertaken, nothing like Wagner could set the right mood, tone and atmosphere for conjuring the right words. Admittedly, my jaw-dropping introduction to the wonders of Wagner‘s music came through watching Excalibur, John Boorman’s lavish 1981 depiction of the Celtic legend of King Arthur and his Grail knights. 

Interestingly, incorporated into Skaldskaparmal is the story of the ancient Danish warrior King Hrolf Kraki, who – much like King Arthur’s Knights of the Round Table – was accompanied on his multifarious exploits by a dozen champions.  

“The universe hasn’t seen this marvel since before my watch began. Few can sense it, even fewer can see it. But while its effects can be dangerous, it is truly beautiful” – Heimdall.  

If a Ragnarok would burn all the slums and gas-works… I’d go back to trees…” – J.R.R. Tolkien. 

“The gods seated themselves on their thrones and held counsel, and remembered how dwarfs had quickened in the earth…

By the decree of the gods they acquired human understanding and the appearance of men, although they lived in the earth…” 

There is clear evidence that John Ronald Reuel Tolkien – Oxford Professor of Old English/Anglo-Saxon and Middle English language and literature – used the Edda as inspiration for his literature. Many of the names he used in his most celebrated works: The Hobbit and The Lord of the Rings were taken from this source material. 

Like the One Ring of Sauron, an all-powerful ring: Andvarinaut, forms the basis of Der Ring des Nibelungen. 

“Both rings were round, and there the resemblance ceases,” Tolkien insisted, keen to assuage his critics. Nevertheless, the figure of Gandalf – named after one of the dwarves mentioned in The Edda – was particularly influenced by Odin in his incarnation as “The Wanderer”: an old man with one eye, a long white beard, a wide brimmed hat, and a staff.

Tolkien’s depiction of Giants, Elves and Dwarves are very much drawn from the Old Norse originals. And – oh yes – an extra slice of cake for those of you who spotted that the Balrog of Moria and the collapse of the Bridge of Khazad-dûm was an exact rendering of fire-giant Surt[ur]’s destruction of Asgard’s Bifrost [the Rainbow Bridge]!

And so, you enquire – cleaving this rambling prose in twain like the fabled blade of Andúril isself! – how did Norse mythology inspire me?

Ah yes – just like King Kirby – bored senseless by Geography homework, my impatient, cartographic mind escaped, instead, into creating my own fantasy world, fuelled by Fighting Fantasy gamebooks – “where YOU are the hero!” – which became all the rage for much of the 80s. 

Aeons ago – almost lost in the mists of time – at the dawn of the Teen Age 😉 Bradskald created Atlansia. 

In the accompanying “Atlansian Manual,” maps of both West and East Atlansia – plus the islands of Thalios and Kalonth – were meticulously drafted. As for the fantasy epic that threatened to come to fruition, in true Tolkien style, long ago (of course), along the northeast coast of Atlansia, Sentinels from the Ion Hills constructed the Great Wall of Mithris, to deter the advancing evil-most-foul hordes of Doragar (a sorcerous crossbreed of Orcs and Trolls).

Scouring my yellowed and crumpled pages again after all these years, the Norse inspiration still shines through: Frost Giants reigned in the Icypeak Mountains to the far north; Dwarfs kept themselves to themselves high in the rocky citadels of the Moonstone Hills; while down to the southeast, Elves dwelt deep within the Silver Forest… 

Amazing to think how this exotic – yet extraordinary – Bradworld has lain dormant and unexplored for over three decades… 

Ha, if those brazen berserkers – the Doragar – should decide, once more, to raid and plunder the hamlets to the east, then doughty Bradskald will sally forth – trusty broadsword: Fopslayer slung across his back – to smite the unholy threat. 

Or maybe he will just remain atop the ancient Book Tower in ye olde village of Crickhaven and simply write off said hordes with a (hopefully deft) flick of his mighty quill

 

“Bradskald…?! I thought he was a myth…” 😉

“This book is called Edda. Snorri Sturluson compiled it in the way that it is arranged here. First it tells about the Æsir [the gods] and Ymir [the primordial giant], then comes the poetic diction section with the poetic names of many things…” – Codex Upsaliensis. 

 

“From Ymir’s flesh 
was the earth created,
from the bloody sweat, the sea,
cliffs from bones,
trees frow hair,
and from the head, the heavuns;

And from his eyelashes 
the gentle gods made
Midgard for the sons of men;
and from his brains
all the oppressive
clouds were formed” – The Lay of Grimnir 40-41. 

 

Með krafti Bradskald! Borðuðu köku og vertu glaður!

By The Power Of Bradskald!  🙂

 

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Here’s To Hela: The Girl With The Awesome Antlers

A Dance With The Goddess Of The Underworld 

“I thought you’d be glad to see me!” – Hela.  

In this unpredictable universe, Norse mythology first came to my attention in the most unlikeliest form… a comic book. Out of all the ishs that could have introduced me to the God of Thunder, so glad ’twas The Mighty Thor #314 (December 1981). As explained in this Post: the bonus feature: Tales Of Asgard: Judgment… And Lament just blew me away.

Who in the Hel could that tall, elegant, yet deadly, lady, clad in a green and black one-piece, be? Wielding such an elaborate headdress, she had single-handedly slain ALL NINE of Odin’s Valkyries, and recast Valhalla in the same grim and mist-beset manner as her own dread-realm of Niffleheim.

Our eyes met across a crowded comic book…

So accustomed to the dreary Western European concept of Death as a hooded skeleton wielding a scythe, Hela turned out to be quite a life-changing revelation. 

What was the significance of the green colour system? Moreover, what was it with those bizarre, yet impressive, horns?! To me, my tomes of esoteric knowledge!

“You look like a smart boy…” 

My quest to find out more concerning this dark enchantress began with the most reliable option: The Prose Edda – the renowned of all works of Scandinavian literature – written by the 13th century Icelandic chieftain: Snorri Sturluson.

Daughter of Loki (in both the original mythological tales and The Mighty Thor comic) and Angrboda [Sorrow Bringer] – an ogress who lived in Jotunheim (Giant Land) – Hel is the sister of Fenris (aka Fenrir) the giant wolf and Jormungand the Midgard serpent – NOT Thor and Loki as depicted in the latest movie!

In The Prose Edda, the passage known as Gylfaginning 34 states:

“When the gods discovered that these three siblings were being brought up in Giant Land – they learned through prophecies that misfortune and evil were to be expected from these children…

“Hel Odin threw down into Niflheim and made her ruler over nine worlds…”

“Her hall is called Eljudnir, [Sprayed With Snowstorms] her dish is Hunger, her knife is Famine, her slave is Lazy…

“The threshold over which people enter is a pitfall called Fallandaforad [Falling To Peril], her bed is named Kor [Sick Bed], and her bed curtains are named Blikjandabol [Gleaming Disaster]. She is half black and half a lighter flesh colour and is easily recognised. Mostly she is gloomy and cruel.” 

It is important to note that half her body (and half her face) is corpse-like, although this point was never accentuated in the comic books. 

Hela’s billowing green cloak somehow ensures that her metabolism is kept stable – take her cloak away and she would, theoretically, wither away into nothingness but then, she is far too strong and powerful to allow anyone near her…

Thor: “Mine enchanted hammer shall lead thee far from Earth… as only Mjolnir can. Then when I have lost her… Thor shall strike once more. But Hela shall not know the where or when…”

Hela: “Flight is useless. To Hela all of time and space are one. There is no time – there is no place – where death does not hold sway.”  

Hela made her debut in the Marvel Comics Universe in Journey Into Mystery #102 Death Comes to Thor (1964) adapted from Norse mythology by the masters themselves: Stan Lee and Jack Kirby. 

Hela possesses attributes common to Asgardian gods: superhuman strength, speed, stamina, agility and durability – and vast mystical powers which she can use for various effects like limitless astral projection while retaining many of her powers and abilities, firing deadly bolts of energy from her hands, levitation and the creation of illusions. Her most powerful ability is her Hand of Glory, a technique that uses mystical energy to enhance the strength of her punch to kill even an Asgardian.

Intriguingly, during her very first Marvel appearance, the Goddess Of Death is instrumental in Thor gaining Mjolnir. How ironic then, that Thor: Ragnarok contains that now-iconic scene in which she shatters that very same hammer!

That’s Hela for you – as unpredictable as death isself…

Stand thee back, Asgardians! Hela must now gather all of the awesome enchanted power at her command! Gaze in unheralded wonder as she doth conjure a monumental spell which shall seal yonder pit into its own accursed dimension forevermore!”  

Only last month did the sensational #190 (July 1971) come into my disbelieving grasp. Paid twice as much as usual for this. But no matter – …And So To Die! is an EPIC – and one of THE most moving – stories of the Bronze Age. Odin is prepared to eliminate Hera once and for all, but how can Order be maintained if ’tis bereft of Death?

And so Thor agrees to forfeit his life. But his beloved Lady Sif – shocked to learn of this ploy – pleads with Hela to save the God of Thunder’s life:

Sif: “Hela! Though thou be the Queen of Death, thou art a woman, too – surely, love hath touched thine heart?”

Hela: “Why speakest thou to me of love?”

Feelings wert awakened within me… feelings of compassion… desire… and love. At long last, Hela knew what it meant to be a woman, but I be Goddess of Death, as well… and can ne’er consummate these longings… for all I touch turns to dust, a tragedy ne’er to be resolved…”

If my Top 10 Fave Comics In The Bradscribe Collection were compiled now, expect to find this ish riding high in that chart. 

Loki: “Hela, time and again have I striven to become Ruler of Asgard only to be blocked at every turn by Odin and Thor… ‘Tis my wish to cause the fall of the realm – aye, no less than Ragnarok – the Twilight of the Gods!” 

Hela“Long hath Hela waited to hear thee say those words, God of Evil! Thou hast come to one who can help thee… one who profits greatly by the deaths of gods or mortals…”  

In #278 Time of the Trolls (November 1978)Hela plotted with Loki to bring about Ragnarök by slaying the god Balder then attacking Asgard. She summoned Volla’s spirit before this to tell her and Loki about Ragnarok, after which she prepared an army of monsters to attack Asgard. However, Odin used his powers to prevent Balder dying.

Although her role in this story is too brief for my liking, the panels she does get to own are suitably formidable. 

‘Twas a time when Roy Thomas and John Buscema were at the peak of their respective powers… 

Hvað varstu guðin aftur?” 

And a portrait of Hela by the great Charles Vess – this just gets better and better! 

“Now… tell us more than thou didst tell Odin! Draw aside the veil – further than ’twas drawn before!” 

Well, it never seemed possible that a character as remarkable as Hela could ever reach the big screen. After disappointing interpretations of certain members of the X-Men – and Drax The Destroyer – there were nothing but misgivings regarding her cinematic debut in Thor: Ragnarok.

Fortunately, with some memorable badass lines and a phenomenal performance by Cate Blanchett, her onscreen presence is a triumph, even if it barely scratches the surface of this tantalising – yet tragic – character.

Recently in the comics, Hela has, apparently, begun hanging out with the death-worshipping Thanos. Can we, therefore, expect to see this formidable couple together in Avengers: Infinity War?!

The case continues… 

 

More Thorsomeness Next Thorsday!

“Cate Blanchett is just brilliant as Hela. She is one of the greatest actors… I was so excited to see what she was going to do with Hela… I was completely blindsided by the outcome. She just has this insane off-kilter attitude or look or kind of movement to her character” – Chris Hemsworth. 

 

“Asgardians… farewell.

When next I come,

not all thy tears… 

not all thy pleas… 

shall stay me…

Till then, rejoice!

Ye have each other

while Hela endures… alone…” 

 

“Don’t Delay, Book Today!”: The Entertainer Is Back in Town!

2ooth Post!!

The Entertainer Blogger Award comes to me from the talented and entertaining

Danica @ Living A Beautiful Life Thank You, Danica!

“You mean old books?”

“Stories written before space travel but about space travel.”

“How could there have been stories about space travel before-“

“The writers,” Pris said, “made it up…” – Philip K. Dick.

Having succumbed to a particularly debilitating bout of Scribe’s Fever a few months ago, it was truly a delightnay, a blessing – to be presented with this particular Award. 

The Entertainer Blogger Award recognizes bloggers who are funny, inspiring and most of all, entertaining. This special Post – also marking my 4th Blogiversary! – happens to appear in the same week that this blog hit the 30,000 views mark. 

Yes, yes, this is a BIG brouhaha for me – it makes me want to dance on the beach; shout in the local library. Feel so high, wanna touch the sky etc. etc. 

One of the questions asked as part of this Award intrigued me:

What is your favourite book?

Thus, these last few evenings have been spent, deep within the cosy and cushty confines of the Sanctum Sanctorum @ Brad Manor, perchance to pour over the VAST array of books that one has accumulated across four decades and determineonce and for all – which of them proved to be The Life-Changers… 

“A room without books is like a body without a soul” – Marcus Tullius Cicero.

The most amazing SF novels to inspire me will – no doubt – feature here @ some point. Probably in two parts. Or even three… 

For this Post, we will – whole-heartedly – concentrate on the NON-fiction cabinet of my book collection. Selecting just FIVE titles proved to be quite a perplexing beard-scratcher in itself.

Without further ado, welcome to Brad’s Books 

Hmm, sounds like a vintage secondhand tome emporium, lost down some leafy English lane. No doubt such an establishment would look very much like the inside of his head: small, cramped, and full of dust and good reads. 

Aah, can see it now:  rather surly-looking fat Persian cat sits in the window, nestled on a comfy, leather-bound edition of How To Spot A Creep From A Distance.

A sign on the door reads: Come In, We Are Awesome!

“I don’t believe in astrology; I’m a Sagittarius and we’re sceptical” – Arthur C. Clarke. 

The first book that springs to mind is the tome that helped get me mixed up in SF in the first place – the joy of The Space Warriors has already been praised elsewhere, but then, it IS fiction, so instead, let me draw your attention to that other hefty tome snapped up around 1979/80: Alien Creatures, by Richard Siegel and J-C Suares. 

It is one of those books that could appeal at once to a moppet like me and an intellectual like my father. Its in-depth history of SF cinema came with such an incredibly stuffy, hi-brow text for such a small boy to ingest, (read it and appreciated it only fairly recently, in fact) – my immediate attention was especially drawn to the rare stills from the Flash Gordon RKO serials (repeated every morning during the school holidays back then) and Ray Harryhausen filmography then my main obsession.

In addition, it contained conceptual art by Ralph McQuarrie and “exclusive stills” of a space opera – from the director of American Grafitti – that had only appeared in cinemas that past Summer…

While that unexpected smash went on to transform big-budget moviemaking – and the whole course of science fiction (for the better?), Alien Creatures set the standard for what my bookshelves – back then: clean, sturdy and reputable keepers of knowledge – should come to expect… 

“Enticing, imaginative, readable, iridescent” – New York Times.

What’s that?

Want to read a book telling the story of how fifteen billion years of cosmic evolution transformed matter and life into consciousness?

Ha! Got just the thing – Cosmos by Carl Sagan admittedly, we were hooked by the ground-breaking TV series in 1980. In such a rare moment, the medium of television actually fulfilled its remit of offering an educational and entertaining programme.

In this bold project, here was someone – Dr. Carl Sagan – prepared to discuss the mysteries of the universe in a captivating and uncomplicated way. Not only did his book instil in me a wonder of science and a zest for all-things-cosmic, it taught me the value of questioning anything and everything (much to my teachers’ annoyance)…

And there are half a dozen groovy quotes accompanying each chapter, so when my blog came to fruition, one automatically assumed that quotes were obligatory – ha!

“The Cosmos is all that is or ever was or ever will be” – Carl Sagan.   

“Sh! We hear a rustling in the greenery and a soft sound of running feet. This is Procompsognathus, an early meat-eating dinosaur. But how small it is!”  

Every boy should have a book on dinosaurs, so Dinosaurs And Other Prehistoric Reptiles by Jane Werner Watson became my go-to – published in 1978, and it shows. The sauropods had to “stay in swamps to keep their massive bulk upright.” Moreover, the advances and discoveries made in palaeontology since this book’s publication are quite considerable. 

However, what sets this tome apart from all the rest is the INCREDIBLE artwork by Rudolph F. Zallinger. 

The wonder of this book lies in its staggering timeline. Along the bottom of each page, a yellow, numbered box represents a million yrs; a tiny illo shows which major type of dinosaur roamed Pangaea at that time. While each chapter describes the (pre)history of these palaeontological marvels – from the emergence of fish onto land to the final members of the Cretaceous Period – that timeline works in reverse. 

To put this gargantuan chronology into perspective, we homo sapiens barely make it halfway across the first page, while the dinosaurs hold sway throughout the majority of the book’s fifty pages…

Interestingly, the last (first?) beast to be featured is the fish-like Eusthenopteron that swam around 290 million years ago. The otherwise empty timeline terminates at 293 million years BC… 

“Down along the sunny shore, Tyrant Lizard finds the hunting better. He can walk fairly fast on his two legs on dry land. But he does not like to get too close to the water…”

“Science Fiction: still for some of us the most marvellous subject – or at least the second most marvellous subject. ‘The glory, jest and riddle of the world’ – at once abominable and abysmal in so many of its manifestations, and yet, in its best, the voice nearest to our inner voice” – Brian W. Aldiss (1925 – 2017). 

Now, where would this blog be without The Science Fiction Source Book?! 

Acquired during a Withdrawn Stock sale @ the local library, this veritable encyclopaedia of science fiction, first published in 1984 – edited by David Wingrove, with a Foreword by Brian W. Aldiss – represents, arguably, the best thirty-five pence ever spent. 

Following an introductory decade by decade Brief History of SF, there are sections discussing the sub-genres of SF; various small features describing the Art of Writing contributed by a whole host of leading writers; and a considerable A-Z Consumers’ Guide: listing authors from Edwin A. Abbott to Roger Zelazny.  

It has flown with me between three countries, in my travel bag, nestled next to both my writing journals, a copy of either Scientific Enquirer or The Economist, and whatever novel piqued my interest at that time. 

Even now, as this Post is prepared on my Dashboard, the Source Book lies in easy reach…

“The strength of Maisel’s approach to his grand theme lies precisely in its breadth… it is generously illustrated with diagrams, maps and graphs… both scholarly and accessible to non-specialists; indeed it is a tour de force” – David R. Harris, Director, Institute of Archaeology, London. 

Twenty years ago this quarter, mu Ancient History abd Archaeology degree @ The University Of Manchester began.

When the Unconditional Offer arrived through the post, my parents were so delighted. And relieved. My freelance journalism career had come to an abrupt, unforeseen halt the year before so my life needed a dramatic upturn. The next letter to come from Manchester felt like a dream – it contained a READING LIST!! 

Deep joy. 

Thus ensued a (mostly) satisfying book-hunt. At the Top Of The List – and deservedly so when recalling it in hindsight – was: The Emergence Of Civilization by Charles Keith Maisels.

Integrating Archaeology, Ecology and Textual History to produce a new Anthropological perspective, it charts the rise from hunter/gathering – through farming and advances in social complexity – to the rise of city-states in the ancient Near East.

Now, you’d think that a textbook with such chapters as:

“The relationship of demography and technology to social structure,”

“Is agriculture the outcome of technological discoveries?” 

and – whisper it – “The ecology of the Zagrosian Arc,”

would make for trying and tiresome studying, but no!

Far from it!

It proved to be endlessly fascinating, responsible for helping me to produce some of my most successful essays. My interest was, however, not all it managed to absorb…

One day, somebody accidentally sat on my backpack (don’t ask), thereby squashing my daily banana onto this academic behemoth. All three page edges remain cursed by dark, frightful – but fruity – stains. But for months the sweet essence of banana lingered.

Lo, every book tells its own story… 

“Good friends, good books, and a sleepy conscience: this is the ideal life” – Mark Twain. 

THANK YOU SO MUCH to each, and everyone of you, who have Liked and Commented on my various movies, comics, books, science and fiction gubbins.

Brad is a humble wordsmith, but is nothing without YOUR appreciation.

CHEERS!!

There is a lot more cool stuff yet to come. Promise!

And who does Brad Nominate for this Award?

Well, automatically, YOU who are reading this! (If you want to do an Entertainer Blogger post let me know and you will receive the full set of questions!)

By the way, this Post could not finish without a special shout-out to the Best Book Blogger In The Blogosphere, who can read a novel AND post its review faster than Brad can eat a burritothat’s some considerable talent right there…

Think she might be absolutely thrilled to see this: 🙂

“A book is a fragile creature, it suffers the wear of time, it fears rodents, the elements and clumsy hands. So the librarian protects the books not only against mankind but also against nature and devotes his/her life to this war with the forces of oblivion” – Umberto Eco.

As soon as this Post goes out, no doubt another half-dozen life-changing titles will spring to mind.

Ah well…

For the moment, this insightful, perhaps interesting dare one say it – entertaining – Post looks groovy enough.

Doesn’t it?

As for the Book With The Greatest Title Of All Time – it didn’t take long at all to work that one out: 😉

“Books are a uniquely portable magic” – Stephen King.

keep-calm-and-read-a-book

“You don’t have to burn books to destroy a culture. Just get people to stop reading them” – Ray Bradbury.

 

Thor: Ragnarok: The Bradscribe Review

HERE WE GO! [SPOILER-FREE]

Thor: “It’s… not possible…” 

Hela: “Darling, you have no idea what’s possible.” 

“This’ll be such fun!” Loki purrs during one typically delirious scene in the fizzy and frenetic funfair that is Thor: Ragnarok.

For once, we can trust the word of the God of Mischief. 

Anxious not to repeat Thor: The Dark World’s lacklustre response, the powers-that-be have gone out of their way to pile a whole Hemsworth of great stuff into this Chapter 5 of the MCU’s Phase 3. Gone is The Dark World’s pompous and plodding tone – now it’s The Thor The Merrier! 

Obviously, the real test here was all about how impressive Cate Blanchett could be in the role of Hera, Goddess of Death – one of my All-Time Fave Comic Book Characters. Huzzah, this is a mighty-fine-antlers-and-all performance. Cate looks and sounds stunning, and when Hela decimates each and every warrior in sight she does get pretty breathtaking. 

More wonderful than “Wonder Woman” that’s for sure!  

And that awesome shot of the Odinson Brothers taking up their laser cannons and blasting their way to freedom is certainly one that you will be seeing plenty more times on this site! 

“This is madness…” – Loki. 

What a delicious pitch: Lord Of The Rings meets Guardians Of The Galaxy. With a dash of Krull. And Gladiator.

Thor: Ragnarok’s non-stop action does not take place merely on Asgard: Thor finds himself transported from New York to Norway before falling onto the candy-colour junkworld of Sakaar, controlled – appropriately enough – by the incomparable Jeff Goldblum as the delightfully daffy Grandmaster. When his involvement was first announced, it seemed certain that Jeff would not disappoint in this role, and our faith has been rewarded. And then some. 

Shame that the Grandmaster’s Champion had already been revealed to us through the Trailers. Mark Ruffalo was great in both Avengers movies, but never as entertaining as this. Both Hulk and Banner are a joy to watch, especially when interacting with Thor. Chris Hemsworth is as impeccable as ever, his comedy chops have vastly improved as the MCU has evolved.

At first, Tessa Thompson’s casting as Valkyrie was bewildering, but she is allowed to put in a surprisingly groovyalbeit groggy – turn. A valuable addition to The Revengers, Valkyrie can down hefty bottles of alien alcohol in seconds AND defy the laws of physics in a single leap! Speaking of things unnatural, it was so good to see Dr Strange again, even if his teleporting seems to outnumber his lines… 

Taika Waititi has become the Main Man around here this week. Watched the hilarious What We Do In The Shadows this Halloween week to get acquainted with this visionary director from New Zealand. It’s amazing what an effervescent feel Taika has added to these comical-cosmic ripping-retro proceedings. 

The director’s own motion capture performance as Korg the Kronan is suitably endearing, and received plenty of laughs around the auditorium during both of my viewings. But watch some of the interviews he’s done and you will find that Taika can be a Hela-va lot more hilarious. (And you know Brad hates to brag, but that Stan Lee cameo turned out just as predicted! 🙂 )

Guardians Of The Galaxy Vol. 2 should have been as enjoyable as this. 

“Listen! He’s threatening me! Hey, Sparkles! Here’s the deal…” – The Grandmaster.

Thor: “Hey, let’s do ‘Get Help’… Come on, you love it.”

Loki: “I hate it.”

Thor: “It’s great; it works every time.”

Loki: “It’s humiliating.”

Thor: “Do you have a better plan?”

Loki: “No.” 

Thor: “We’re doing it.”

Loki: “We are not doing ‘Get Help’.”

With a film as warm and welcome as this, Thor: Ragnarok’s niggles are thankfully few and far between. Perhaps the main annoyance for me centres on Hela’s insufficient screen-time. Both the character and performance deserved far more attention. Sources say that as much as 30 minutes were trimmed from this Final Cut; it will be very interesting to find out what those Extras entail. Personally, this film could go on for many hours more and it would be impossible to become bored!  

From Thor hanging around with Surtur, to the “Lord” 😉 of Thunder leading his own Asgardians of the Galaxy off into the technicolour cosmos, these scintillating 130 minutes easily provide the Most Entertaining Cinema Experience of 2017.

With the only challenge to its supremacy coming from Disney’s delightful little adventure romp: Porgs In Space finally coming out of hyperspace NEXT MONTH, this third (and final?) solo trip to Asgard looks set to become the Bradscribe Movie Of The Year. 

Honestly, Thor: Ragnarok is precisely the sort of pure escapist sci-fi/fantasy rental that would have fed my VCR for weeks thirty years ago – the praise doesn’t get any higher than that…

Who would have thought that Ragnarok could be this much FUN? Heimdall’s Eyes! This IS SUCH FUN!!

 

BRADSCRIBE VERDICT: 

TOTALLY THORSOME!

 

“To be honest, I expected more” – Hela.