Do The Wampa Stomp!: Dancing To Another Liebster Award

Was Ist Das? Ein Weiterer Liebster?! Ausgezeichnet!

“The world is never the same once a good blog has been added to it” – Dylan Thomas.  

A BIG THANK YOU to Danica @ Living A Beautiful Life for nominating me for another Liebster Award!

This honour is particularly special to me as Danica is truly one of the blogosphere’s exceptional treasures; her collection of “Short Stories, Flights of Fancy and Everyday Anecdotes” are a delight. 

What is the Liebster Award?

The word “liebster” (originating in German) has several definitions — dearest, sweetest, kindest, nicest, beloved, lovely, kind, pleasant, valued. 

This award recognizes bloggers who offer amazing content and can connect with their readers in ways that are truly awesome. For me, it is an opportunity to show my appreciation for the finest blogs to illuminate my Reader (and let you know that my visits would be far more frequent if poss!)

Acknowledge the blog that nominated you and display the award.
Answer the 11 questions the blogger gives you.
Give 11 random facts about yourself.
Nominate 11 blogs.
Notify those blogs of the nomination.
Give them 11 questions to answer.

 

11 QUESTIONS Answered

Coffee or tea or mocha/hot chocolate?

Tea all day every day while writing. Mocha whenever in town.

Why do you blog?

To show editors/employers what Brad can do; without anything published (yet) my blogs are the only proof that BRAD LIVES. And has created. 

How would you describe your sense of humor?

Good to flimsy!

What would you do in your ideal day?

Anything with Mrs. B!

Summer or winter?

Summer boy, definitely! English Winters always got the better of me…

Beach or mountains?

Love both! Nothing like walking along a beach. Or biking in the mountains.

Could you live without your smartphone? 

Interesting question!

A more pertinent query would be to ask most people why they feel the need to live WITH one! It has become such a monotonous, time-wasting addiction. Nobody calls/texts me; my laptop offers any data/news updates anyway – would much rather prefer a sardine sandwich than a smartphone, thanks. 

Do you like sardines?

Aha! Now you’re talkin’…

How do you like your eggs?

Preferably on me table, not in me face, cheers!

Does the weather affect the way you see the day?

The best time to write is when a storm is howling outside – gratifying to know you’re not stuck out there in it! 

Can you dance well?

Blimey Charley, CAN Brad dance! Woo-hoo!! Gets on the good foot whenever he can… 

“The true alchemists do not change lead into gold; they change the world into words” – William H. Gass.

 

11 Random Facts About Brad:

1 THERE’S BEEN NO BLOGGING this past weekend, because my artwork is taking up all my creative time/effort @ th mo! It is another therapeutic way for me to unwind.

2 NEVER EATEN in McDonalds – as an “active” member of the Friends Of The Earth group at college, we voted to boycott all branches (then suffering from a reputation of unhygienic practices) – a principle this freedom fighter has faithfully adhered to ever since…

3 CAN’T STOP playing this:

4 NEVER MET any of my current group of friends. Seeing as you are all bloggers – based predominantly Stateside, (presumably reading this right NOW!) – have wondered how great it would be to have a mocha and a chat with you!

5 MOST OF THE BEST IDEAS for my fiction come to me when out walking.  

6 THE ONLY STAR WARS ACTOR that Brad met was Dave Prowse.

The Green Cross Code was a national campaign during the 1970s to educate UK children road safety issues. Dave Prowse magically appeared in a number of TV commercials as the Green Cross Code Man to instruct kids to: Stop! Look! Listen!  before they dared to venture out into the road. Went to a local funfair to meet him; he took one look @ pint-size Brad and slapped a Green Cross Code badge on me. Will never forget it – was like being punched in the chest! Top bloke.  

7 BELIEVE that Lawrence of Arabia (1962) is the GREATEST Movie Ever Made. It excels in every department: direction, cinematography, the acting, etc. It has the best entrance of any character in cinema history; that score by Maurice Jarre! And the screenplay by Robert Bolt remains truly inspirational and unmatched. There are enough fantastic quotes to fill at least THREE of my Posts! Choosing just ONE clip for this Post is gruelling enough, but Anthony Quinn’s first scene is both dynamic and amusing.

(see Question #7)

Auda Abu Tayi: “Who told you that?”

T.E. Lawrence: “I have long ears.”

Auda Abu Tayi: “And a long tongue between them…”

8 THE NAME of my record shop would have been “Al Gore Rythms.” (Would he have approved? Probably not – can’t spell rythms).

9 STILL TYPE ‘s’ instead of ‘a’, and ‘r’ instead of ‘e’!

10 HAD COMPLETELY FORGOTTEN that Bradscribe has its own Facebook page! (Doesn’t matter – NOBODY looks @ it anyway – ha!) 

11 THIS IS THE ONLY BLOG to have LOST Followers in the last six months!  

 

So, now we come to the exciting part!:

My 11 Nominees:

boxofficebuzz

byhookorbybook

cinemaparrotdisco

mycomicrelief

mysideofthelaundryroom

onthescreenreviews

recoverytowellness

sci-fijubilee

stephenliddell

thetelltalemind

wordsforeverything

 

My Questions:

1 What is the best aspect about blogging? 

2 Thor: Ragnarok or Justice League?  

3 Who is your favourite fictional character?  

4 What music have you enjoyed listening to this week?

5 What was the last line of movie dialogue that made you ROFL?

6 Should one writer be allowed to change the background story or ethnicity of another writer’s character?

7 What do YOU consider to be the GREATEST Movie Ever Made?

8 Can you dance well?

9 What should be done to improve Bradscribe?

10 Could you live without chocolate? 

11 We’ve analyzed their attack and there is a danger. Should I have your ship standing by?

 

And finally, here – by popular demand – is the key to how the Official Bradscribe Ratings System works:

 

DJANGO MEETS SARTANA!

DJANGO FANDANGO

DJANGO BELLS

JINGO DJANGO BANJO

STOP! OR DJANGO’S MOM WILL SHOOT 

 

Of course, all my Nominees – hey! and Danica, of course! – excel in a Django Meets Sartana stylee!

Please Don’t Change A Thing…

 

“We gotta go. Come on, move with me. We got a plan, and we’re going to stick to it” – Tony Stark.

 

“Of Star-Gods And Sales Figures”: The Short-Lived Comic Books That Live Long In The Memory

Another Frenetic Excursion Through Bronze Age Awesomeness. 

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“Easy with that pig-sticker! You and your buddy ought to be more discreet about where you have spats…” – E. Hammond Preiss.

“Not quite a year ago, I composed a brief text feature on the letters page as an introduction and I’m writing what amounts to an epilogue.”

So wrote David Kraft, in an Editorial, snazzily titled: “Of Star-Gods And Sales Figures,” effectively announcing that this: Creatures On The Loose Featuring Man-Wolf #37 (June 1975), would be the final ish.

He explained how: “Sales, of course, are generally the deciding factor. But not totally.”

Apparently, despite “doing well on the newsstands,” it hadn’t been doing well enough. Kraft explained that granting J. Jonah Jameson’s hairy star-cursed son his own book was given “very serious consideration,” but at that time, Marvel had already laid extensive plans to launch a variety of new series.

Wonder if any of them reached the heights of Man-Wolf?

With Kraft‘s script and George Perez’s art, the final ish of Creatures On The Loose is a rip-roaring yarn.

It’s only fault?

Who knows if the savage progeny of the moon managed to land the spacecraft and save his friends on the last page…?

And now, we take a rare venture into DC territory – from Man-Wolf to Ironwolf – hey, get that symmetry!

“You’re no better than the Empress – you’re worse! At least she doesn’t hide her evil behind fine words and gracious hospitality!” – Ironwolf.

The tenth and final ish of DC’s Weird Worlds: Ironwolf #10 (November 1974), features an Editorial called: “Weird Words.” It states that despite being both a critical and commercial success, this title has to close – why?

“In a word: Ecology.

“For years, we’ve been publishing stories in the comics, warning of impending shortages of vital materials… The problem is real. One proof is that there will me no more Weird Worlds. We can’t get enough paper to publish it. Simple as that.”

Hmm… your correspondent is NOT convinced.

This “serious paper shortage” does not appear to have affected all the poor and underwhelming titles churned out – by both DC and Marvel, not to mention other indie publishing houses – during the intervening four decades (thus justifying my love and belief in Bronze Age books).

This particular ish – featuring Ironwolf: a sword-wielding adventurer in the John Carter of Mars mould – has lots to commend it, especially lively art by Howard Chaykin. The story is pleasing galactic fun, enticing enough to make me hunt down further ishs – there are only nine of them, so it shouldn’t be an extensve hunt…

“Fool! My defensive screens can easily neutralize your pathetic attack. Can you do as well against my ionic sword?” – Salia Petrie.

“She’s forcing me into a corner and if her sword punctures the copper foil skinsuit under my costume, I’ll age a thousand years in a second!” – Vance Astro.

The third selection in this eclectic mix also happens to be the final ish of a classic title unfairly terminated much too soon.

Three reasons drew me to Ms. Marvel: a woman as the central character; news of her own forthcoming movie; and perhaps the most obvious excuse: it was written by Chris Claremont – the same auteur responsible for making The Uncanny X-Men such a stupendous – and enduring – series.

After acquiring both impressive and disappointing mags in this series, this ish: #23 (April 1979) is one of the best in the series. Abducted by The Faceless One and taken to the space station known as Drydock, she finds Salia Petrie – a fellow NASA colleague whose mind is being controlled by the cosmic villain.

And there is a cameo appearance by Vance Astro, leader of the Guardians of the Galaxywho will be all the rage in cinemas again next month!

Actually, it is not that difficult to see why the fate of this particular series was sealed: apart from the constant change of artist – always not a good sign Carol Danvers’ drastic change in costume appears to have been a desperate misjudgment. Moreover, being terminated in 1979, alas, meant that female-led series still had a long way to go before achieving mainstream acceptance…

“You people kidnapped me, you seek to destroy our planet… Do you expect me to show you mercy? If so, forget it, fiends. There’s nothing I won’t do to stop you. Nothing!” – Dejah Thoris.

“I have never been one write letters to the editor. However, something has come up that I cannot let pass. Simply put, the termination of John Carter of Mars, Warlord of Mars is an injustice,” stated one disgruntled reader, printed in #26 (August 1979) – the penultimate ish.

On the strength of this exciting – and yet moving – mag, other copies have been sought this past few months. It was truly a great expedition when #7 (Decemper 1977) came into my possession, and at a reduced sale price too. A keen John Carter fan for most of my life, Marvel did a fine job on this series.

This particular ish just happens to be blessed with the pulsating pencils of Gil Kane. And its title: Dejah Thoris Lives promises a suitably feisty appearance by one of science-fantasy’s most iconic princesses. In the hands of that other exceptional Wolf: Marv Wolfman, this ish does not disappoint!

Again, it is such a shame that this brand of awesomeness was ultimately defeated by the crass excuse of “poor sales.”

1979 was one of my favourite years; and yet it seems to have been less than favourable as far as comic books are concerned…

“Awwright, ya flap-eared yahoos! Everybody git your tails inside an’ git them fishbowls off!” – Nick Fury.

Know you this: Nick Fury is one of my all-time fave Marvel characters. It has been an absolute pleasure tracking down the work of the legendary Jim Steranko, arguably the greatest artist to bring this deadly Director of S.H.I.E.L.D. to bold and wise-crackin’ life. You’d think that he would have no trouble saving an experimental title like What If? from the dreaded sales figures curse, but no…

Stan Lee presents: A Stunning Saga Of An Alternate Reality, indeed!

#14 (April 1979) boasts the incredible question: What If Sgt. Fury Had Fought WWII In Outer Space? On the morning of 7 December 1941, the Pearl space station is attacked by a squadron of “crummy Betan lizards.” Such a bizarre premise proved too irresistible; plotted by Gary Friedrich, drawn by Herb Trimpe – and narrated by The Watcher of course! – this special bumper-sized edition is certainly unputdownable stuff!

All the ishs featured here hold reserved places in my ever-expanding Bronze Age collection, although it is a shame that that it is their ephemeral nature that link them together. Ironically, the discontinuation of these titles has bolstered their value – not to mention made them more difficult to come by.

At the end of the day, sales figures proved to be far more effective at crushing heroes than any nefarious plan concocted by the most devious costumed supervillains.

Thankfully, David Kraft and George Perez were allowed to produce the two concluding episodes of the Star-God Saga in a couple of ishs of Marvel Premiere four years later.

Kraft ended that editorial in 1975 by stating: “Doing this series has been a lot of fun for all of us here, especially George and myself, and we hope that you’ve gotten some entertainment out of it along the way.

“We’re only sorry it had to end so soon.”

“I knew one of you super-creeps was responsible for this! Good or bad – you’re all the same…! You’ve got to be stamped out – no matter what the cost! And if J. Jonah Jameson has anything to say about it, you will be!” – J. Jonah Jameson.

 

“Valhalla Be Mine!”: Could Hela Be The MCU’s Greatest Villain?

It’s Main Event Time…

“‘Tis Hela who is the power here – Hela whose word is Law! I be Death incarnate, Whitebeard, and Death dares all” – Hela.

“I know what you’re thinking…”

How wicked is this?!

Ever since all of us were treated to the suitably awesome Teaser Trailer for Thor: Ragnarok at the start of this week, Brad has been mesmerized by Cate Blanchett’s devilish grin.

Odin’s blood, methinks – this movie be not upon us for another seven months yet, but already anticipation for one of my all-time fave Marvel characters grows.

Foolishly, ’twas thot that a Preview of Guardians of the Galaxy Volume 2 could be battered out this weekend – ha!

And nay! 

Not e’en the giddy delights of a Star Wars teaser trailer wert enow to dissuade me from the fiendish allure of the Queen of Niffleheim – the Goddess of Death.

This teaser sets up what appears to be a very promising outing for Odinson.

As a huge fan of The Mighty Thor comic – thus sparking a lifelong fascination with Norse mythology – and reasonably satisfied with both solo movie ventures for the God of Thunder, a main drawback however (especially in Dark World) was the preponderance of scenes on Midgard (Earth). It appears that Grandmaster Feige and his merrie MCU band realised this and upped the ante accordingly to devise the gobsmacking cosmic adventure we deserve.

Look ye here: the triumphant spectacle of the HULK in battle armour(!); Jeff Goldblum as the Grandmaster(!) AND Chris Hemsworth’s haircut(!) are all irresistible ingredients in their own right, but Galadriel in her elaborate headgear surely tops them all… 

So, be on your Asgard, as ’twere:

“You who now come claiming my father’s spirit as though the soul of Odin were some bauble that you had won!” – Thor.

“Asgard is dead…”

My introduction to Hela could not have come in a finer form; the main story in The Mighty Thor #314 (which takes pride of place on my desk this evening as these words are frantically typed) stands as a personal uplifting favourite, but it is the additional Tales Of Asgard bonus story: Judgement – And Lament! in which Hela has usurped radiant Valhalla, and – with her icy touch – remade it in the imge of her own cold, cruel and foreboding kingdom of Niffleheim.

And all because – deeply moved by Sif’s love for Thor – she could ne’er, as a woman, consummate longings for compassion – desire – love…

Tending to his fallen Valkyries, Odin – ruler of the gods – comes to set things a’right.

And part soothing words to the Bringer of Death, enow to quell the anger and hurt within her.

Whene’er she made a cameo in the Thor comic book, she stole every panel with her menace and vile intent. In my quest for Bronze Age comics, those back ishs of Mighty Thor featuring her have proved elusivemayhap ’tis not a surprise to learn that those ishs are among the most valuable…

“Can you believe we’re having this conversation? It’s 2017 and we’re talking about the first female villain? It’s ridiculous. There’s so much untapped potential villainy in women. It’s really exciting. I think finally it’s beginning to be acknowledged that women and men want to see a diverse array of characters, and that’s race, gender across the sexual spectrum” – Cate Blanchett.

“Hi there!”

What is it – for me – that sets the Queen of Niffleheim apart from other female characters in the Marvel canon?

Her steely looks and the devious design of her outlandish garb are startling enow, but it is her macabre headgear that strikes thee the most. Naturally, most – if not all – her appearances have been brilliantly written…

“She’s been locked away for millennia getting more and more cross,” as Blanchett explained in a recent interview, and she is bent on exacting her vengeance against Thor. And Odin.

By not only holding Mjolnir, but destroying it(!), Hela makes quite an impact; her intentions of unleashing Ragnarok – the fabled destruction of the gods – are machinations not to be taken lightly!

Verily, from what we’ve learnt this week, she is shaping up to be quite a formidable antagonist indeed. And to think that, up until this year, Loki has stood as the MCU’s most dangerous evil presence. With barely any competition. Ant-Man’s Yellowjacket was underwhelming, and Guardians of the Galaxy’s Ronan The Accuser merely spent his screen-time sulking rather than exuding adequate menace.

And – although promising to “bathe the star-ways with your blood” – we have yet to realise the full extent of Thanos’ power. But surely, without terrifying headgear, can he muster the right modicum of imposing threat…?

“Hela’s able to manifest weapons,” Blanchett added. “Her headdress can be weapons. She can manifest weapons out of different parts of her body. I won’t tell you which — I’ll leave that hanging…”

“Hope doth blossom in the presence of life… and thou art the Queen of Death. But I may grant thee enlightenment. Open thy mind… Let my wisdom flow into thee…

“And thou wilt understand the way of the world” – Odin All-Father.

 

Origins Of An Ace Oddity: The Blogger Recognition Award!

Yay, Let The Word Go Forth! Bradscribe Is Officially Awesome! 

korath

“Omnium rerum principia parva sunt [Everything has small beginnings]” – Cicero.

Thanks to Michael J Miller @ mycomicrelief for nominating me for the Blogger Recognition Award!

Michael not only writes consistently brilliant reviews of comic books, but is a superhero ‘imself, having decided to take a stand on the side of Truth and Justice and SPEAK OUT about what is happening to his country. His site is well worth a visit or three! It’s ram-packed with goodies and he’ll be pleased to see you!

It’s always a thrill, and a great honour, to be recognised – and highly regarded – by your fellow bloggers; and it only seems like yesterday when I nominated him for the Mystery Blogger Award!

Personally, February is always the most trying month for me – this year’s has brought its own extraordinary events (best left unmentioned); writing usually pulls me through hard times, but considering how substandard the drafts produced during this past frenzied fortnight are, well… (best left unpublished! – most unlike me, innit?!)

Michael’s unexpected – and uplifting – congrats message this week could not have come at a better time.

Bless yer heart, amigo!

Anyway, here are the rules for the Blogger Recognition Award:

1) Thank the blogger who nominated you and provide a link to their blog.
2) Write a post to show your award.
3) Give a brief story of how your blog started.
4) Give two pieces of advice to new bloggers.
5) Select other bloggers you want to give this award to.
6) Comment on each blog and let them know you have nominated them and provide the link to the post you created.

Right, how in blazes did all this madness begin?

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“A beginning is a very delicate time” – Princess Irulan. 

Know then that it is the year 2555.

Living in a predominantly Buddhist country, that was what it said on our Buddhist calendar.

You knew it better as 2012. 

Early in that year, after yet another dispiriting reply from a prospective editor – more of a “better luck next time,” rather than an outright rejection – he wanted to see “my blog.” Such a platform had frittered away @ the back of my mind for a few months, but that provided the impetus to get it started. 

Every good writer needs a portfolio of work; without anything in print/online – it was imperative to sort something out. And PRONTO.

But how?

This involved swottin’ up on specific technical gubbins from scratch. Having downloaded the necessary How To files, well…. sheesh, it might as well have been in Lithuanian – none of it made any sense. Weeks – then months – passed and the stalemate had not shifted; it wasn’t until eventually watching a YouTube vid over and over again did the rudiments of blogging finally sink into my stubborn noddle.

And then… hey! Holy Danish inter-lockin’ blocks, Bradman!

Now yer ready, whaddya gonna write about?!

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“Ready are you? What know you of ready…? This one a long time have I watched. All his life has he looked away… to the future, to the horizon. Never his mind on where he was. Hmm? What he was doing. Hmph! Adventure. Heh! Excitement. Heh! A Jedi craves not these things. You are reckless!” – Yoda.

Brad won’t fail ya – Brad‘s not afraid. 

In the beginning, my Very First Post irresistibly concentrated on my unique background back then: living on the Gulf of Thailand. A world traveller with 5,000 Followers, producing Posts attaining 300 Likes each, Liked me straight away – instantly providing me with my own initial band of potential Followers to invite over to my site! It took only my second Post: Science Friction to collect NINE Likes – wow, methinks, this bloggin’ lark’s a doddle…

Even @ that initial stage, SF had not become my main focus, but after scant success with other Posts delving into various other beloved topics such as history, coffee and whatnot, SF became the official theme of this blog. Over 150 Posts – produced in three different countries – have carried the Brad Seal of Awe Since 2013. 

When my laptop’s screen went on strike last July, the remainder of ’16’s Posts had to be prepared @ a few Public Libraries in the local region.

One morning, while compiling one of my more ambitious Posts, one crusty, dreadlocked youngling – with skateboard in hand – leaned in, having recognised Arsene: our cute bunny forever immortalised as my Gravatar. 

“Hey, I really dig that site! It’s-” 

Upon seeing me activate my Dashboard, he gawped.

“Blimey Charley!” he chirped in amazement. “You- you’re Bradscribe?!” 

“What, didn’t think I wuz this ridiculously good-lookin’ in real life, huh?” 

After being evicted from the building (hey! you’re not allowed to natter in libraries) we skedaddled to the nearest coffee den.

“I wanna blog, man,” the rapscallion sniffed. “How can I be as successful as you?” 

“Well, two tips must ye learn to become a successful blogger… but first, m’young an’ eager padawan, help yerself to some ginger cake.”

Ah yes, the CAKE – hoo-boy, he LURVES a scrumptious slice a’ sveetness aound ‘ere, doesn’t ‘e, eh?!

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“Okay, first of all, you’re copying me from when I said I had a plan… And secondly, I don’t think you even have a plan!” – Rocket Raccoon. 

“No, really, kid – THESE are the TWO most important essential titbits I reckon ya need:

1). Be a friendly host

“Blog it and they will come!”

Nah, no matter how awesome your writing, there is no way to ensure that any readers will immediately swing by. Remember, MILLIONS of of blog posts are produced DAILY, so you have got to get out there and invite them over. 

And when other like-minded bloggers folla the courtesy of leaving a kind Comment, always reply: thanking them and generating a rapport. So they feel obliged to come back for more. The few times me Comments have appeared on newcomers’ sites, only to be ignored; not surprisingly, they vanished from the blogosphere soon after… 

ALWAYS reply, ya dig?! 

And:

2). DON’T pick yer nose while I’m explainin’ this to ya – jeez, man! 

Are ya done…? Good.

2). Be unique

A hefty proportion of those countless blog Posts are movie reviews – some are so formulaic it’s all too easy to get confused as to which blogger is which. Not only blog about what you love (and love whatchu blog), whatcha write should represent YOU as an individual: your thoughts, your interests, your personality.

In order to stand out from all those MILLIONS, it’s best ta produce something different – something distinctive. 

Be unexpected, unusual and – oh yes -unique. 

And if all else fails, it ‘elps ta offer them something irresistible. Hence, the cake…

“All the best to ya, kid. Good luck…”

mad-max-thumbs-up

“My name is Max. My world is fire and blood. Once, I was a cop. A road warrior searching for a righteous cause. As the world fell, each of us in our own way was broken. It was hard to know who had more cake… me… or everyone else…” – Max Rockatansky. 

As the rules for the Blogger Recognition Award stipulate no number of Nominees, we’ll go with my lucky number: 7.

So, all you lucky Nomineesmy (whisper it: all-female!) Magnificent Seven– time to stand and save a Mexican village from bandits and be recognised!:

boxofficebuzz

byhookorbybook

cafebookbean

livingabeautifullife

morganhazelwood

recoverytowellness

wordsforeverything

vqszmh4vcds7ecof1wr8

Cheers!

Rogue One: A Star Wars Story: A Bradscribe Review

State Your Elation For The Record:

This Rogue Is The One To Rave About!

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“The first thing that you have to do is get over the fact that you’re doing a scene with Darth Vader. That took me a little while, because I’m a first-generation fanboy” – Ben Mendelsohn.

One of the many disappointments with Star wars Episode III is that it denied our chance to see how the Rebel spies stole the Death Star plans.

For TOO LONG has yours truly revelled in the intrigue induced by the legendary scrawl:

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…and wondered how that premise would… (eventually?) make such a great movie…

And here it is! It only took three and a half decades for delivery.

Like the seemingly impossible mission for which this ragtag band a’ rebels volunteer, Rogue One: A Star Wars Story defies the odds to present such a welcome addition to the galaxy’s greatest saga.

Well! Where do we begin?!

A big fist-pump to this band of lovable rogues. They represent a superior Suicide Squad: more thrilling and thankfully less puerile. We do end up caring about their fate, which seemed to be the ultimate challenge here.

Quite frankly, Felicity Jones is a revelation as Jyn, galactic tearaway and daughter of Galen Erso, the reluctant creator of the Empire’s new superweapon. Admittedly, Jones looks an unlikely action star, but she pulls it off with aplomb. 

By far the best of the main bunch are Chirrut Imwe (Donnie Yenstill can’t believe he fits so well in this galaxy!) and Baze Malbus (Wen Jiang) – the fighters from Jedha. 

Love the relationship between Cassian and Kaytoo, although this charming lil plot device was crying out for further attention and development. Considering what an obvious win the reprogrammed Imperial droid turned out to be, he deserved greater opportunities to scene-steal. (If they couldn’t grant him more lines, at least give him that blaster!). 

Still reckon that Diego Luna makes a way cooler Star Wars name than Cassian Andor…

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“That’s right, I’m playing the male lead! I didn’t really think that would be such a big deal…” – Felicity Jones.

The main problem with SF these days is that sfx have reached such stupendous levels, other elements such as plot and character development sometimes tend to fail in comparison. But Rogue One overrides that problem – all elements fuse reasonably well to produce something that is undeniably enjoyable. 

Here, the effects are suitably grandiose and awe-inspiring, from the graceful flights of the supersleek spacecraft(s) to the simply stunning vistas of Jedha and Mauritiuis – (sorry!) Scarif.

What about the aliens? 

Sorely underused – a personal gripe. For my Rough Guidequite tactfully, details relating to Pao and Bishan were dropped. Naturally assuming that they might not receive too much screen-time, they didn’t even get a word in – not even an indecipherable one! Between them!

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“I’d have loved to have taken a Stormtrooper outfit but we weren’t meant to take anything. I got away with a couple of small things but I can’t tell you what” – Mads Mikkelsen. 

Of the Imperial personnel, Ben Mendelsohn is particularly impressive as Director Orson Krennic. 

It was wonderful to see that well-known (well-despised?) officer from A New Hope make a dramatic reappearance. Was expecting to burst into tears upon catching sight of this beloved actor, but, just when you think how sophisticated CGI has become – let’s face it – he doesn’t look natural! No real presence = no credible menace. Moreover, they did not get the voice right!

But what about Vader?!

Surely, this film could never have worked without everyone’s fave Sith Lord. The build-up to his long-waited “return” is tense; his first scene (shared with Krennic) presents him in typically moody and magnificent mode.

His second scene?

Deep breath: WHOA! He REALLY gets busy – showing a Dark Side darker than anyone had ever expected! This is REVENGE of the Sith right here! 

Aren’t we so grateful that James Earl Jones could lend his esteemed vocal talents to Star Wars once more!

Sadly, however, the rest of the Imperial Officers are just anonymous. 

Is it possible to have a Star wars movie without a John Williams score? Some fans may argue that Rogue One does not feel right, precisely because of that vital exclusion. The music here is rousing enough, especially the mystic twang played when the proceedings reach Jedha.

As these rogues are rougher, the action more gritty, the dogfights more spectacular, for me, Rogue One is bigger and better than The Force Awakens.

There have been a few five-star reviews appearing in the last two days. Obviously, those critics have enjoyed the exhilarating ride that uberfan Gareth Edwards (the force is strong with him!) has concocted here, but, to be fair, Rogue One: A Star Wars Story falls short of the brilliant standard of The Empire Strikes Back – a veritable 5* package if ever there was one. 

The power of what we are dealing with here may be immeasurable to some, but this first-generation fanboy is pleased (relieved!) to bestow upon it a solid:

4-out-of-5

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“For my 30th birthday, we visited the Skywalker home in Tunisia. I stood at the same spot where Luke watched the sunset. My girlfriend said: “For your 40th birthday, you won’t be able to top this!” For my 40th birthday, I was directing Rogue One…” – Gareth Edwards. 

Doctor Strange: The Bradscribe Review

Open Your Eye…

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“It’s Strange” – Doctor Strange.

“Maybe, who am I to judge?” – Kaecilius. 

When you’re strange, faces come out of the rain.

When Bennybatch is Strange, Marvel go ALL OUT to make the fourteenth – and latest – entry in their formidable Cinematic Universe: Doctor Strange, a spectacular and one-heckuva-trippy outing. 

Straight after the new, enhanced Marvel Studios logo is unveiled, we are led on a blistering ride of energy-harnessing and reality (re)shaping.

Benedict Cumberbatch is a long way from Holmes in the role of arrogant neurosurgeon Stephen Strange, whose self-centred world comes crashing down around him after losing the use of his hands in a horrific car accident. He is advised to travel to Nepal, where answers of a mystic kind can be attained… providing he foregoes his stubborn defeatist attitude that “this material universe is all there is.”

Cumberbatch has the right look, mood and elocution to create this extraordinary character – no wonder the studio upheld production until he had completed his Hamlet sting in London’s West End!

Having got over initial reservations concerning visuals designed TOO closely to the aesthetic originally concocted for Inception and The Matrix, such scenes as soaring through the multi-dimensional vortices and the confrontation with the dread Dormammu are suitably good fun.

“Have you seen THAT at a gift shop?”

Fortunately, complementing the impressive visuals is a really snappy script: bold, intellectual, coherent and invariably humorous. 

For a handy intro to this character, see here:

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“You’re a man looking at the world through a keyhole. You’ve spent your life trying to widen it. Your work saved the lives of thousands. What if I told you that reality is one of many?” – The Ancient One. 

Much controversy centred around Tilda Swinton’s casting as The Ancient One. Changing the ethnicity to Celtic (?!) was (ahem) strange, but when you consider that the original setting for all those mystic arts was switched from Tibet to Nepal so as to appease the Chinese box office, it all becomes so painfully politically “correct.”

By the Rings of Raggadorr, the Power of Yen conquers all it seems. Business is – annoyingly, regrettably – business. 

Wong (Benedict Wong)his forever-faithful, forever-making-tea manservant from the comics – has been upgraded to Head Librarian. Amazingly, the titular role and the librarian are both played by top British thesps who share the same forename: Benedict – how strange!

Kaecilius – as noted before, is a character NOT found in the comics. Maybe he is not given as many memorable dastardly moments as we would like, but hey! The fact that it is played to sinister perfection by Mads Mikkelsen, possibly my – and your! – fave villainous character actor provides enough reason to rejoice.

And when you’re starting to wonder how this visual treat ties in with the rest of the MCU, there IS the honorary Stan Lee cameo – that is hilarious! To help bring further MCU relevance to these proceedings, Wong helpfully states:

“The Avengers protect the world from physical enemies… we safeguard it against more mystical threats.”

Too right, Wong!

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“Steve Ditko is one of the greatest Marvel artists in history… We are now able to take his trippy comic panels and have the technology to put that into big 3-Dimensional space on a movie screen… it’s amazing” – Kevin Feige. 

Okay, let’s get the most annoying problem (which applies to too many movies these days, not just Doctor Strange) out of the way first.

As is all too painfully predictable in modern cinema these days, Rachel McAdams has woefully little to do here, worryingly described as the “love interest.” As is so often, her “appearance” is reduced to insipid underdevelopment. And Stephen shows little Interest anyway. Yet again, we are left wondering what necessitated her inclusion at all…

It would have been really groovy if Martin Freeman’s American character from Cap America: Civil War had made a cameo somewhere here! Talk about opportunity missed…

Once again – as expected, Vishanti be praised! – Marvel has produced another great hit. It’s well worth checking out. Remember to stay for the post-cred scenes; BOTH are impressive – one features a cameo from one of Marvel’s well-established heroes (Hint: he does NOT like tea!)

As for me, multiple repeat viewings are assured – while you go and enjoy this one, Brad will be pleasantly coming down. Preferably with tea.

No mushrooms! Just tea. With a little honey. 

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BRADSCRIBE VERDICT: 

4 Eyes of Agamotto out of 5 – hey, four Eyes is nothin’ ta snigger at!

The War Of The Words: Why Does No One Talk Much In SF Films Any More?

Direlogue!

The Quality and Quantity Of Good Movie Dialogue Is Declining! We Need To Talk About It… 

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“…Do I talk first or you talk first? I talk first…?” – Poe Dameron.  

Wouldn’t it be cool to watch SF movies where you can just listen and enjoy good lines instead of being bombarded by noisy, meaningless CGI buffoonery?

As a writer who has dabbled in the art of good chatter – even trying (struggling!) to compile suitable quotes for my Star Trek review last week – it cannot have escaped your attention that there is decidedly less dialogue to get excited over these days.

Any writer of quality fiction/scripts/plays will tell you: there is nothing like good dialogue to drive any scene.

However, it should be pointed out that in  Mad Max: Fury Road – undoubtedly the Best Film of 2015 – the titular Road Warrior himself managed to grunt only 52 lines of dialogue; back in March, this year, Superman in Batman v Superman: Dawn of Justice seemed to phone in his scenes with a measly 43 lines.

Where can we listen to cool and catchy prattle beyond the stars these days? 

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“George, you can type this shit, but you sure as hell can’t say it” – Harrison Ford.  

On our Third Stone From the Sun, today, about 7000 languages are spoken (Goodness knows how many other thousands of languages have died out in the last few centuries!).

Imagine that!

7000 ways to say: “Hello!” and 7000 ways to ask: “Got any cake?”

And yet…!

An intriguing paradox is lodged at the core of human communication: if language evolved to allow us to exchange information, how come most people cannot understand what most other people are saying?

No matter how globalized the 21st century would appear, there are numerous far-out, obscure – dare one say it: alien – places in this world where a dash of basic local lingo is essential in order to just get by.  

In the realms of science fiction, a dazzling coterie of pseudo-technical jargon has gradually arisen to aid in the hopefully-convincing creation of alien worlds and “futuristic” technologies.

This leads us to the now-legendary quote (above). George Lucas had immersed himself into this far far away sci-fi set-up to such an extent, that an outsider like Harrison Ford was easily stumped by having to spout it.

There is a very telling reason why less dialogue in modern movies is becoming the norm. 

The Chinese sector has taken over the American market as the largest box office territory in the world. Not only does less dialogue mean less subtitles/dubbing for them, but – alarm bells among screenwriters everywhere – Chinese cinema-goers are attracted primarily to the spectacle. 

Apparently, the (Western) world is not enough. 

We have reached the stage (regrettably) where the movie industry is geared towards doing good business, rather than making fine art.

For movies to make a profit (as substantial as poss, of course) they need to do well in Asian cinemas, not just in American. This should go towards explaining why major blockbusters are released in places like Thailand and Singapore (my former stomping grounds) well before the “official” dates in the US and UK…

Dialogue seems to have lost its power to influence – how and where can memorable lines fit into a world where people spend more time sending texts of abbreviated jargon, and emojis and Instagram encourage more image-based communication?

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“Can you speak? Are you programmed to speak?” – Harry Booth.  

How aliens communicate is a source of constant fascination in SF films. Star Trek is synonymous with species which are nearly all carbon-based bipeds. As a result, they invariably speak as humans – for the sake of not bamboozling TV audiences with distracting subtitles! – in perfectly-rendered English (preferably with American accents).

For the movies, the Klingons had their own language – specially created (Trekkies can even get their own Klingon phrasebook for pity’s sake!)

Of increasing concern is the prevalent problem of character under-development. How many times have we complained about that? Dialogue provides an important key to our understanding of a particular protagonist or, for that matter, antagonist. 

With the notable reduction of spoken lines in blockbusters, we are almost forbidden to learn their intentions or directions. Presumably, our attention must(!) be focussed on the digitally-enhanced action and explosions; if we want to learn what they’re thinking, we’ve gotta go and buy the novel/comic book that this spectacle is based on.

Let the cynicism flow through you… 

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“No, no, no, no. You gotta listen to the way people talk. You don’t say “affirmative,” or some shit like that. You say ‘no problemo.’ And if someone comes on to you with an attitude you say ‘eat me.’ And if you want to shine them on it’s ‘hasta la vista, baby’” – John Connor. 

Luke who’s talking…

In Star Wars: the Force Awakens, some fans were disappointed that the pivotal character remained mute in such a climactic, yet brief, screen time. Having been in that incredibly annoying situation myself where the right, poignant words for a crucial character just won’t come together, this is grudgingly possible to understand. 

Honestly, no matter how many alternate approaches or drafts are churned out, saying nothing at all can be the best, (safest) and most effective outcome.

Harrison Ford’s enervated Sam Spadesque narration for the original version of Blade Runner is partly what drew me into that “flawed classic.” After those “explanatory notes” were totally eradicated from the “Final Cut” the film is now regarded as a masterpiece.

My plans of breaking into screenwriting seem to be dwindling to the same extent as the very requirement for fine lines itself!

Judging from the upsurge in quality TV drama serials, good dialogue is allowed to flourish on the small screen, where the action and spectacle of the big screen is diminished, and more hours to fill provides opportunities for developing characters.

There, good scripts still matter.

The power of the spoken word, when crafted well, determines whether the captivated viewer comes back for the next episode(s).

So, rather than look for Brad on the big screen, you’ll be more likely to find my niftiest nuggets on Netflix.  

“To make anything work, you gotta find the right words.”

Now ya talkin’!

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“Come on guys, can we talk this over? …Good talk” – Iron Man. 

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