Rogue One: A Star Wars Story: A Bradscribe Review

State Your Elation For The Record:

This Rogue Is The One To Rave About!

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“The first thing that you have to do is get over the fact that you’re doing a scene with Darth Vader. That took me a little while, because I’m a first-generation fanboy” – Ben Mendelsohn.

One of the many disappointments with Star wars Episode III is that it denied our chance to see how the Rebel spies stole the Death Star plans.

For TOO LONG has yours truly revelled in the intrigue induced by the legendary scrawl:

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…and wondered how that premise would… (eventually?) make such a great movie…

And here it is! It only took three and a half decades for delivery.

Like the seemingly impossible mission for which this ragtag band a’ rebels volunteer, Rogue One: A Star Wars Story defies the odds to present such a welcome addition to the galaxy’s greatest saga.

Well! Where do we begin?!

A big fist-pump to this band of lovable rogues. They represent a superior Suicide Squad: more thrilling and thankfully less puerile. We do end up caring about their fate, which seemed to be the ultimate challenge here.

Quite frankly, Felicity Jones is a revelation as Jyn, galactic tearaway and daughter of Galen Erso, the reluctant creator of the Empire’s new superweapon. Admittedly, Jones looks an unlikely action star, but she pulls it off with aplomb. 

By far the best of the main bunch are Chirrut Imwe (Donnie Yenstill can’t believe he fits so well in this galaxy!) and Baze Malbus (Wen Jiang) – the fighters from Jedha. 

Love the relationship between Cassian and Kaytoo, although this charming lil plot device was crying out for further attention and development. Considering what an obvious win the reprogrammed Imperial droid turned out to be, he deserved greater opportunities to scene-steal. (If they couldn’t grant him more lines, at least give him that blaster!). 

Still reckon that Diego Luna makes a way cooler Star Wars name than Cassian Andor…

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“That’s right, I’m playing the male lead! I didn’t really think that would be such a big deal…” – Felicity Jones.

The main problem with SF these days is that sfx have reached such stupendous levels, other elements such as plot and character development sometimes tend to fail in comparison. But Rogue One overrides that problem – all elements fuse reasonably well to produce something that is undeniably enjoyable. 

Here, the effects are suitably grandiose and awe-inspiring, from the graceful flights of the supersleek spacecraft(s) to the simply stunning vistas of Jedha and Mauritiuis – (sorry!) Scarif.

What about the aliens? 

Sorely underused – a personal gripe. For my Rough Guidequite tactfully, details relating to Pao and Bishan were dropped. Naturally assuming that they might not receive too much screen-time, they didn’t even get a word in – not even an indecipherable one! Between them!

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“I’d have loved to have taken a Stormtrooper outfit but we weren’t meant to take anything. I got away with a couple of small things but I can’t tell you what” – Mads Mikkelsen. 

Of the Imperial personnel, Ben Mendelsohn is particularly impressive as Director Orson Krennic. 

It was wonderful to see that well-known (well-despised?) officer from A New Hope make a dramatic reappearance. Was expecting to burst into tears upon catching sight of this beloved actor, but, just when you think how sophisticated CGI has become – let’s face it – he doesn’t look natural! No real presence = no credible menace. Moreover, they did not get the voice right!

But what about Vader?!

Surely, this film could never have worked without everyone’s fave Sith Lord. The build-up to his long-waited “return” is tense; his first scene (shared with Krennic) presents him in typically moody and magnificent mode.

His second scene?

Deep breath: WHOA! He REALLY gets busy – showing a Dark Side darker than anyone had ever expected! This is REVENGE of the Sith right here! 

Aren’t we so grateful that James Earl Jones could lend his esteemed vocal talents to Star Wars once more!

Sadly, however, the rest of the Imperial Officers are just anonymous. 

Is it possible to have a Star wars movie without a John Williams score? Some fans may argue that Rogue One does not feel right, precisely because of that vital exclusion. The music here is rousing enough, especially the mystic twang played when the proceedings reach Jedha.

As these rogues are rougher, the action more gritty, the dogfights more spectacular, for me, Rogue One is bigger and better than The Force Awakens.

There have been a few five-star reviews appearing in the last two days. Obviously, those critics have enjoyed the exhilarating ride that uberfan Gareth Edwards (the force is strong with him!) has concocted here, but, to be fair, Rogue One: A Star Wars Story falls short of the brilliant standard of The Empire Strikes Back – a veritable 5* package if ever there was one. 

The power of what we are dealing with here may be immeasurable to some, but this first-generation fanboy is pleased (relieved!) to bestow upon it a solid:

4-out-of-5

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“For my 30th birthday, we visited the Skywalker home in Tunisia. I stood at the same spot where Luke watched the sunset. My girlfriend said: “For your 40th birthday, you won’t be able to top this!” For my 40th birthday, I was directing Rogue One…” – Gareth Edwards. 

Doctor Strange: The Bradscribe Review

Open Your Eye…

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“It’s Strange” – Doctor Strange.

“Maybe, who am I to judge?” – Kaecilius. 

When you’re strange, faces come out of the rain.

When Bennybatch is Strange, Marvel go ALL OUT to make the fourteenth – and latest – entry in their formidable Cinematic Universe: Doctor Strange, a spectacular and one-heckuva-trippy outing. 

Straight after the new, enhanced Marvel Studios logo is unveiled, we are led on a blistering ride of energy-harnessing and reality (re)shaping.

Benedict Cumberbatch is a long way from Holmes in the role of arrogant neurosurgeon Stephen Strange, whose self-centred world comes crashing down around him after losing the use of his hands in a horrific car accident. He is advised to travel to Nepal, where answers of a mystic kind can be attained… providing he foregoes his stubborn defeatist attitude that “this material universe is all there is.”

Cumberbatch has the right look, mood and elocution to create this extraordinary character – no wonder the studio upheld production until he had completed his Hamlet sting in London’s West End!

Having got over initial reservations concerning visuals designed TOO closely to the aesthetic originally concocted for Inception and The Matrix, such scenes as soaring through the multi-dimensional vortices and the confrontation with the dread Dormammu are suitably good fun.

“Have you seen THAT at a gift shop?”

Fortunately, complementing the impressive visuals is a really snappy script: bold, intellectual, coherent and invariably humorous. 

For a handy intro to this character, see here:

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“You’re a man looking at the world through a keyhole. You’ve spent your life trying to widen it. Your work saved the lives of thousands. What if I told you that reality is one of many?” – The Ancient One. 

Much controversy centred around Tilda Swinton’s casting as The Ancient One. Changing the ethnicity to Celtic (?!) was (ahem) strange, but when you consider that the original setting for all those mystic arts was switched from Tibet to Nepal so as to appease the Chinese box office, it all becomes so painfully politically “correct.”

By the Rings of Raggadorr, the Power of Yen conquers all it seems. Business is – annoyingly, regrettably – business. 

Wong (Benedict Wong)his forever-faithful, forever-making-tea manservant from the comics – has been upgraded to Head Librarian. Amazingly, the titular role and the librarian are both played by top British thesps who share the same forename: Benedict – how strange!

Kaecilius – as noted before, is a character NOT found in the comics. Maybe he is not given as many memorable dastardly moments as we would like, but hey! The fact that it is played to sinister perfection by Mads Mikkelsen, possibly my – and your! – fave villainous character actor provides enough reason to rejoice.

And when you’re starting to wonder how this visual treat ties in with the rest of the MCU, there IS the honorary Stan Lee cameo – that is hilarious! To help bring further MCU relevance to these proceedings, Wong helpfully states:

“The Avengers protect the world from physical enemies… we safeguard it against more mystical threats.”

Too right, Wong!

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“Steve Ditko is one of the greatest Marvel artists in history… We are now able to take his trippy comic panels and have the technology to put that into big 3-Dimensional space on a movie screen… it’s amazing” – Kevin Feige. 

Okay, let’s get the most annoying problem (which applies to too many movies these days, not just Doctor Strange) out of the way first.

As is all too painfully predictable in modern cinema these days, Rachel McAdams has woefully little to do here, worryingly described as the “love interest.” As is so often, her “appearance” is reduced to insipid underdevelopment. And Stephen shows little Interest anyway. Yet again, we are left wondering what necessitated her inclusion at all…

It would have been really groovy if Martin Freeman’s American character from Cap America: Civil War had made a cameo somewhere here! Talk about opportunity missed…

Once again – as expected, Vishanti be praised! – Marvel has produced another great hit. It’s well worth checking out. Remember to stay for the post-cred scenes; BOTH are impressive – one features a cameo from one of Marvel’s well-established heroes (Hint: he does NOT like tea!)

As for me, multiple repeat viewings are assured – while you go and enjoy this one, Brad will be pleasantly coming down. Preferably with tea.

No mushrooms! Just tea. With a little honey. 

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BRADSCRIBE VERDICT: 

4 Eyes of Agamotto out of 5 – hey, four Eyes is nothin’ ta snigger at!