And The Bradscribe Award For Best Sci-Fi Of The Year Goes To…

The Bradscribe Awards 2015: What Was Best: Maz, Max, Mish Or Machina?

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The academy may pride itself on its history, but the world around it is changing, and unless it begins to reflect these changes, I can see the Oscars ceasing to be of any relevance to a growing and vocal new generation of artists who see it as a relic of the old world” – David Harewood.  

Hello and welcome to the Bradscribe Awards!

As we were blessed with a year brimming with various cinematic nuggets to choose from, it’s only fair to review it in our own lavish ceremony. And besides, many of you have been wondering – especially as this site has slagged off more than its fair share of crud these past twelve months – what actually managed to impress me during 2015!

One thing you can be certain about the Bradscribe Awards – activated to honour the criminally-overlooked field of science fictionthey are bright and visionary. And diverse. Nominees can be black, brown, blue or green. Or shiny and chrome. 

Also, there’s lots of cake on offer…

Why Don’t The Oscars Celebrate SF?

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“It is a genre that I think doesn’t get enough respect when you consider how many issues sci-fi brings up that we need to deal with” – Sigourney Weaver.

There seems to be an unwritten rule stipulating that science fiction – and fantasy, and horror, come to that – do not receive awards recognition in the main categories. Sure, the Academy recognises the technical achievements of this genre, but really, you can quite easily find some of the best scripts and acting in this continually innovative field.

In trying to sort this migraine out, trust longtime Bradscribe fave, Sigourney Weaver, to come to the rescue:

“The work being done in sci-fi is some of the most interesting, provocative work out there.”

Yet why should this genre tend to make little impact when Oscar season gets into full swing?

She has remarked how the Academy consists of “mostly people like me who are over a certain age” who tend to look for the “the more conventional movie.”

Uff, nuts to that. 

Part of SF’s wonder is its ability to offer more unconventional thrills. Rather than get stuck in the same mundane, formulaic soup – which, let’s be honest, too many mainstream dramas do – the genre is experimental and challenging, vital components sought, surely, by the modern movie-goer.

Before launching into the main ceremony, here’s a little sketch to get you warmed up. Hey, it was either this, or a flashy-but-ultimately-pointless song-an’-dance extravaganza: 

Without further ado, let’s get down to the essential categories:

Best SFX: Mad Max: Fury Road

Jurassic World just looked big; Star Wars: The Force Awakens looked impressive, but Namibia nabbed it.  

Best Music Score: Mad Max: Fury Road

This would have been set aside for John Williams – continuing the fine tradition of classic scores for Star Wars – but on first viewing, the new score was barely discernible. 

Best Original Screenplay: Ex Machina

Intellectually-stimulating sci-fi is what we crave at this site. Nominated for the Best Original Screenplay Oscar, how it did not win last night is my pet peeve of this year’s ceremony. 

Congrats to Alex Garland, who made his directorial debut with this instant classic. Here, honestly, this Award was as predictable as that Titanic boy getting the Best Actor Oscar… 

Best Adapted Screenplay: The Martian 

Drew Goddard worked wonders with Andrew Weir’s novel.

Rising Star Of The Year 

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“It’s important that the conversation carries on… Everybody should be the change they want to see and go from there, but keep talking, keep doing” – John Boyega. 

This Rogue Stormtrooper received most of the biggest laughs at the packed cinema this reviewer attended. While everybody is quite rightfully lauding Daisy Ridley as the new New Hope – an equally impressive entry to the SW galaxy, we should not overlook this young and promising boy from Peckham. The Oscars have, but Brad hasn’t…

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Let’s assess candidates for the Woman Of The Year and Man Of The Year:

Woman Of The Year 

Always keen to catch strong and memorable women’s roles, especially in SF. However, there seemed to be fewer notable women’s roles on offer this year. Emilia Clarke should have brought in an exceptional Sarah Connor, but had weak material with which to work; and Bryce Dallas Howard made a mark only by outrunning a T Rex. In high heels. Never gonna let that lie… 

But who made it onto the final list? 

Honestly, Sigourney should be here – for old times sake – but Chappie was so underwhelming; even she couldn’t make it bearable. Instead, we have plumped for:

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5. Scarlet Witch 

It was great to see Wanda Maximoff on the big screen at last, but so frustrating that she had so little to do, and had barely any “character” to develop sufficiently. Oh well, hope she gets more (worthy) screentime in the forthcoming Captain America: Civil War… 

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4. Maz Kanata

Maz is over one hundred years old, and she had – until those First Order loons swept in and trashed the place! – her own swell pad at which anyone in the galaxy can hang out; even got her own awesome statue outside it(!). She happens to possess Luke’s lightsaber, and also counts Chewie as her boyfriend. Way ta go, girl! 

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3. Imperator Furiosa

When Mad Max made his energising and explosive return to the big screen, little did anyone expect that Cherlize Theron would not only steal Immortan Joe’s War-Rig, but steal all the scenes in the year’s most explosive actionfest. Her presence was so seismic that the subtitle should have read: Furiosa Road. 

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2. Alicia Vikander

As Eva: the AI centre of attention in Ex Machina this Swedish actress made an immediate impact. And held her own against the big boys in The Man From UNCLE. Already looking forward to her next projects.

Congrats to Alicia for confounding the run of play by snatching the Best Supporting Actress gong; but really, she deserved the Best Actress Oscar. For a vastly more impressive picture…

This girl should go far. We hope. 

1. Not surprisingly, the Real Greatest Woman of this – and, for that matter, every other – year just happens to be – unreservedly, wholeheartedly: Mrs. B, but seeing how we really should be talkin’ about movie stars (and me darlin’ still won’t reverse that online pics ban) let’s move swiftly on. 

But in case you’re still wondering, you can find the Woman Of The Year here:

And now, on to the:

Man Of The Year 

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5. Ant-Man.

Always a personal fave comic character, it seemed inconceivable how the tiniest Avenger could transfer easily onto the big screen. Initially, Paul Rudd looked like a disastrous case of miscasting, but he helped make this little movie the surprise package of the year. 

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4. Andy Serkis

The actor most synonymous with motion capture – who lit up the Bradmonitor when he first crawled onscreen as Gollum – not only brought us our new villain of the Dark Side: Supreme Leader Snoke, but a traditional live action nasty called Ullysses Klaw in Avengers: Age of Ultron. 

Always a treat to watch, Serkis is the only reason to look forward to yet another Planet of the Apes sequel. 

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3. Kylo Ren

The villain of the long-awaited new Star Wars episode, had to make a rather special impact. Fotunately, Kylo Ren did just that. How many times has Brad replayed that scene of him staggering through the dark forest, then energising his lightsaber? Guess that correctly, dear reader, and YOU can have a slice of cake… 

Best Supporting Actor Award for Adam Driver methinks?

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2. Ultron

“Look at me! Do I look like Iron Man?!”

Traditionally a formidable villain in the Avengers comic, a certain degree of trepidation led up to the release of Avengers: Age of Ultron. 

No worries! They got the look just right. Voiced malevolently by the Amazing Spader-Man, he turned out to be supercool as well as superbad! And he was blessed with oodles of great lines! 

In any other year, Ultron would have stolen this category, but there was one fella who managed to impress me even more, and that was: 

1. Oscar Isaac

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“There’s some stuff he’s got in his tool set which is properly rare. Fierce talent, that’s what you want – and that’s exactly what Oscar’s got. You don’t need to be a filmmaker to see it” – Alex Garland. 

You may be thinking this was staged so that yours truly could chortle: “And the oscar goes to Oscar!”

Ha ha, no really, ever since spotting him steal scenes from the Crowe way back in Ridley Scott’s otherwise lacklustre Robin Hood, Isaac has been carving a very special niche in modern movies. He gave one of the best performances of the year in Ex Machina, but Poe Dameron was woefully underused.

We just can’t wait to see him steal the show as the eponymous archvillain in X-Men: Apocalypse!

Right? 

Crud Of The Year 

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“It was stupid. It was trash… It was not a flop that quietly came and went without anyone noticing. It got the disrespect it deserved” – Joe Queenan.

Gotta take the rough with the smooth, so they say, but even so…

It’s hard to believe, but 2015 still manage to serve up some particularly underwhelming duds. Rather than rant eloquently about the ever-dwindling standard of movie-making, let’s get these turkeys out of the way, sharpish:

Chappie; Fant4stic Four; Jupiter Ascending; Pixels; Terminator: Genisys;

Even presented with the offer of sitting through this abysmal cack for free, you still couldn’t entice me. Honestly, you would think Game Of Thrones adequately paid Peter Dinklage’s rent, so why did he have to get involved in this tragedy? 

Let’s cheer ourselves up with the:

Magic Moments Of The Year 

Well, bless my frickin’ quarnex battery! Here are the most awesome scenes to have graced our local popcorn parlours this past year:

5. 2015 Arnie vs. 1984 Arnie in Terminator: Genisys

You can’t beat nostalgia. A stylish nod to the classic scene from the original Terminator movie. If only the rest of the movie was as cool as this. One to search for on Youtube only.

4. T Rex vs. Indominus Rex from Jurassic World

This fourth installment of the Dinoland franchise may not have wrangled its way onto my Best of The Year list, but the climactic scrap between these two giants evokes the spirit of the original Jurassic Park. An extra slice of cake for that Mosasaurus 😉 If anyone can get near it, that is…

3. Kylo Ren stops a laser blast in midair

 So Snoke says Kylo needs to complete his training. If he can do that, his powers look pretty formidable to us!   

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2. That Ex Machina Dance 

Just when you think you’re gonna bust some heavy-duty grey matter getting to grips with the premise of top class AI drama: Ex Machina, so Professor Isaac – really unexpectedly – teaches us how to cut up the dance floor – yeah! This was destined to be THE Magic Moment Of The Year, until we gawped at: 

1. The Sandstorm from Mad Max: Fury Road

Let’s face it, all two hours of this exhilarating high-octane thrill-ride exudes movie magic of the highest calibre, but you can enjoy this classic scene right here: 

And now, the moment you’ve all been waiting for! The cake!

Best Movie Of The Year

So, what provided the most outstanding viewing experience of the year?

  • It was wonderful to be able to marvel at a new Star Wars movie, but although it was great to have new exciting characters and elements to savour, feelings that we were watching a retread of the 1977 original still filtered through.
  • The Martian certainly provided our happiest visit to the cinema together this past year.
  • Ex Machina is the solidly-written, well-crafted thought-provoking movie that the genre cries out for, but:

The frenetic energy, stunts, and sheer irresistible spectacle of Mad Max: Fury Road clinches it!

Last, but not least, is the:

Outstanding Contribution To Film

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Douglas Slocombe was a British cinematographer of exceptional skill. Some of his film credits: Kind Hearts And Coronets (1949), The Lavender Hill Mob (1951), The Italian Job (1969) and the Indiana Jones trilogy, read like a list from the Bradscribe Hall of Fame. 

He passed away last Monday aged 103. As a tribute, here is perhaps his most iconic work: 

So, congrats to Max. Your cake is thoroughly well-deserved. 

While compiling this Post, we were delighted to learn last night that Fury Road secured a mightily impressive hoard of six Oscars: Costume Design; Editing; Make-Up; Production Design; Sound Editing; and Sound Mixing. 

But why stop there? Best Actress should have gone to Theron; moreover, Fury Road deserves Best Picture…

Officially the top cinematic sensation of 2015, show us your appreciation, Max: 

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Oh, what a year! What a lovely year!

And they discovered water on Mars. Which was nice. 

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100th Post! Full Circle: “There’s Something Familiar About This Place”

What Can We Expect When The Force Awakens This Thursday? 

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“The secrecy has been beyond ludicrous. For heaven’s sake, it’s a movie. When I got the script it was typed in black on paper of the deepest red so you couldn’t photocopy it…” – Anthony Daniels. 

It’s May 1980.

A new Star Wars movie is just DAYS away. 

An all-consuming swirl of excitement and curiosity warps my infant mind. ‘CAN’T WAIT!!’ is the only – albeit frantic – message my brain will process. It’s impossible to do anything else. How can a second Star Wars movie hope to be (half) as good as the one all of us at school know and love?!

At the cinema, once the Battle of Hoth gets spectacularly under way, all our expectations are met. And then some, as we are thrilled by the AT-ATs, giggle at Yoda (before realising how powerful he was) and gawp at the climactic lightsabre duel. My generation cannot believe their eyes! Or their luck. 

(Fortunately, Dad took me to the cinema five times to help satisfy my cravings for fun, frills, fx and Fett. Actually, we managed to see The Empire Strikes Back only three times, including the much-heralded double-bill – the infamous FULL HOUSE sign was strategically placed outside the main doors twice).

This is not just a smash-hit movie, but a monumental phenomenon! No other movie matters. 

Now that the release of the Most Anticipated Movie of the Decade is imminent, there is an eerie sense of deja vu – the fanfare is cranked up to maximum; the teensiest gobbets of information are trundled out; photos of the stars suddenly become ubiquitous across all media; and – oh yes – the merchandise is being trundled out ad infinitum. Honestly, it feels like 1980 all over again. 

“I sense something. The presence I have not felt since…”

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“If you are telling a continuous story, as we are, then all the episodes have to fit together to form a cohesive piece, and this middle act – The Empire Strikes Back – has to be a slower and more sombre piece in a way…” – Gary Kurtz.  

“It is a dark time for the Rebellion,” so began the legendary scrawl for Episiode V. “Although the Death Star has been destroyed, Imperial troops have driven the Rebel forces from their hidden base and-” 

And you’re thinking: Hang on! Major Bummer! What – and how much(!) – did we miss?! One minute our heroes are receiving medals and the next… they’re hiding in an igloo on one forlorn side of the galaxy(!) How did that happen?! This infant and millions of others of course – demanded a full report. It felt like we had got into the cinema way too late…  

“There’s been an Awakening. Have you felt it?”

Yeah, fella, but – yet again – we feel as though we’ve joined this brand new Episode way too late. Not only have thirty years passed since we last saw our happy heroes in the forest of Endor, but thirty years have passed in this galaxy. In that time, the apparently epic Battle of Jakku was waged, the remnants of the Empire reformed – relatively swiftly – into the First Order i.e. it’s a dark time for the rebellion (now the “Resistance”) once more. So, that party with the Ewoks was all for nothing…

One of the more enigmatic figures to emerge has been Kylo Ren (played by Adam Driver). He’s not a Sith, but affiliated with a mysterious sect known as the Order of Ren. Ever since we first glimpsed him staggering through a snow-covered forest energising his fearsome, yet crude, red cross-guard lightsabre, SW fans have speculated who he might be, especially since seeing Vader’s battered helmet in his possession.

The most telling fact is that he works for a character known as Supreme Leader Snoke: “who is a powerful figure on the dark side of the Force,” yet to be revealed, but we know it will be the latest motion-capture performance by Andy Serkis (a personal fave at this blog), responsible for providing the sinister narration for SW:VII’s first trailer.

As a supercool bonus: we have the chrome-clad Captain Phasma (Gwendoline Christie) to savour as well! And watch out for Maz Kanata, (another CGI character played by Lupita Nyong’o): “a pirate who dwells in a castle populated by all manner of aliens and assorted scum.”  

Some intriguing aspects to look forward to…

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“I went up to Skywalker Ranch and they told me they were gonna do more Star Wars movies… So here I am. I got to write for Harrison Ford again after 30 years…” – Lawrence Kasdan. 

Inevitably, the background story of Anakin Skywalker – the Jedi who became a Sith Lord – received the prequel trilogy treatment. Naturally, as one of the original fans, there was a certain curiosity to find out how it all came together. But, oh boy… Talk about having a bad feeling…

There was absolutely no way multitudes of heartbroken fans like us could unlearn the travesty we learned back in 1999. Moreover, in 2002, Episode II did NOT correct the ills of its forebear: no! It succeeded in being an even more painful experience to endure.

This time, though, with reliable Star Wars aficianado JJ Abrams at the helm, particular attention to the visuals – and the script (so glad to see Lawrence Kasdan back onboard) – has been honoured; so far, the clips and stills look impressive – most promisingly, a return to the more practical special effects we know and love is assured.

The first trailer was good, but it wasn’t until the second trailer when my eyes widened – and my jaw dropped – as the camera panned along to this shot: 

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At this point came the realization that something quite special was in the works. Maybe, just maybe, the old magic will be invoked. And why not now? After all, 2015 has been the Year of Nostalgia; with dinosaurs and Terminators making a comeback, it seems fitting that we should be treated to the (ahem) return of the Jedi. 

So, huzzah, 35 years later, we have come full circle. Not surprisingly, advance ticket sales have broken all records. It would be amusing – not to mention, astounding – to learn that my ol’ popcorn parlour has had to dust down its FULL HOUSE sign…

For me, the excitement felt yesteryear may have faded – the memories of those wretched prequels still gnaw at my advancing cranium – but an unashamed desire to find out how the saga that not only captivated but redefined popular culture continues has shone through. 

At least, we all feel more confident now than we ever did back in 1999. And 2002 for that matter… 

It’s December 2015.

A new Star Wars movie is just DAYS away.

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No other movie matters…

 

IN OTHER NEWS:

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Yay! Made it to the Big 1-0-0! Couldn’t be happier!

Believe it or not: this is actually the first time that this blog has appeared during the month of December. The last two years the coming of December meant recharging my batteries over the festive period, but now – especially after having struggled through a rather uncompromising and uncreative November – the need to carry on writing grips me more than ever.

It would be nice to take this opp to express how awesome it’s been to meet so many other amazing bloggers on my wild yet wonderful jaunt through the blogosphere these past two years. 

THANK YOU SO MUCH.

Honestly, this blog would not/could not have made it this far without all your support.

So, what should we do next?

Something good?

Something Brad?

Bit of both…?

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A bit of both! 

 

Bradscribe will return.