Good! Let The VIII Flow Through You!: First Impressions Of The Last Jedi

Breathe. Just Breathe. Now Reach Out.

What Do You See?

Green Greedo: “I’ve been looking forward to this for a long time.”

Han Solo: “Yes, I bet you have...”

“When I read VIII, I told Rian, ‘I fundamentally disagree with virtually everything you’ve decided about my character’,” Mark Hamill said before embarking on filming Star Wars: The Last Jedi.

Although Mark swiftly changed his mind and had a blast resurrecting the character with which he will always be associated with, immediately, this statement turned out to be the most worrisome aspect of this latest instalment. If it was “shocking” for Mark to read what Rian had written, then how is it going to make us feel?!

Personal reservations about new characters and contentious plot developments for established characters – not to mention unease concerning where the last two episodes will lead – have somewhat lessened the eager anticipation which so many fans have revelled in and blogged about these past few months.

Nevertheless, it is thrilling to have NEW Star Wars magic within our grasp once more and, obviously, both of you are itching to read what this first generation fanboy has to say about it, so, away we go…

“It was incredible! The perception of these films is that they’re all planned out on a secret sheet of paper in advance, but that’s just not the case. I wasn’t given an outline of where it goes or even a list of things to hit. It really was just, ‘Okay, what’s next?'” – Rian Johnson.

“Who is Luke Skywalker now?” asked Rian Johnson as he set out to fulfil a dream and write the script for Star Wars: The Last Jedi.

“I grew up with an idea of who Luke was, so the real question was why is Luke on that island? Luke’s no coward… so there must be some reason he’s there that makes sense to him. That was the first nut to crack. The seed for the whole story was inside that shell. I just had to get to it.”

Caught up with Looper (2012) earlier this year, to get acquainted with Johnson’s directorial style. Fortunately, it is an intelligent and fantastic time travel SF thriller, and assured us that Star Wars VIII looked to be in more-than-capable hands.  

From a certain point of view, The Force Awakens was great fun, even though, yes, we didn’t need the rehashed New Hope tropes of another Death Star and “vital information” placed in a droid-unit etc. etc. Unfortunately, the film’s main hindrance lay in JJ Abrams direction. Solo’s demise seemed inevitable, but the whole confrontation between Han and Ben sorely lacked the dramatic heft it deserved.

And although John William’s score was suitably moving as Rey clambered up Skellig Michael to find Luke, this pivotal sequence still looked too bland. This former Archaeology student realised the problem – he instantly recognised the locationAdd an extra planet in a sky that maybe should have been tinted a wildly different colour. Maintain the impression that we are indeed in a galaxy far, far away and not just off the coast of Ireland, please… 

 

Also, savour again this classic, endearing moment from The Empire Strikes Back:

“Where’s my boyfriend? I like that Wookie” – Maz Kanata.

Let’s face it, Chewie would have stampeded up those Skellig steps faster and more enthusiastically than Rey – not mope around outside the Falcon! Half-expected him to do so, as well! How long is it since he last saw Luke?! Besides, he had just lost his scruffy-lookin’ best buddy, but Abrams NEVER allowed him the screen-time to grieve! 

Would not be surprised to discover that our fave Wookie will be similarly underused in The Last Jedi. 

Come ON – let the Wookie scene-steal!

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Thankfully – judging from early reviews, this movie seems to be a positive upgrade, but just poses so many questions: 

Will Rey turn to the Dark Side?

Will Kylo learn the difference between right and Ren? 

Will General Hux really get the most laughs?!

Will this episode answer ANY of these questions (and plenty more too innumerable to type)..?! 

Hello… …?

“Episode eightgosh… The first film didn’t even have a number…” – Anthony Daniels. 

 

“It’s the first time I’ve been on set not yet knowing what the character’s gonna look like. I mean, talk about secrecy!” – Andy Serkis.  

For me, it has reached the point where speculation surrounding “Supreme Leader” Snoke supersedes everything else, including that other Starkiller-sized mystery of the galaxy: Rey’s parentage. There is an overwhelming urge to suss out who this creep is – and where he came from. 

Presumably, he is very ancient, very powerful. One thing is certain: the name is bogus. Has to be. 

In The Force Awakens, listening to characters as diverse as Leia and Nux saying “Snoke” with a straight face was something else. 

However, does the REAL villain of this Episode lurk elsewhere..?

It is telling that Rian Johnson has mentioned how Snoke is the (ahem) snokescreen for where the true drama – and shocks – lie… 

The above poster is included here to emphasise the following point. Notice here how Luke is bathed in red: traditionally associated with the Empire. With evil. Also, see how large he looms, as Vader used to do on the OT posters…

Dark Side or not, what intrigues me the most about this episode is learning additional details about the background story of Luke’s quest for the first Jedi temple, and how he lost his padawan – his nephew – to Snoke, thus compelling our hero to retreat in shame(?) to a remote sector of the galaxy.

Tell me, OLD Luke, what brings you out this far… …? 

“Oh baby, would I love to play my own evil twin…We could watch this guy undermining the good guys secretly, maybe even killing a supporting character… And then, of course, the good Luke shows up” –  Mark Hamill. 

“Are they puffin-like? Are they pug-like…? One, in particular, befriends Chewie. I won’t spoil it, but if you think the ones you’ve seen in the trailer are cute, you have not seen anything yet” – Neal Scanlan. 

Difficult to see, the plot is. 

When you consider how Star Wars is now Disney property, it’s all too easy to fear the worst. Your correspondent, regrettably, can see it now: Jedi Master Luke and his plucky porg posse break into Snoke’s Throne Room. 

Epic lightsaber duel ensues.

(Hopefully it will NOT be as inspid and seven hours too frickin’ long as that soulless saber-swingfest from Episode III).

Just when the Leader looks to be too Supreme for his own good(bad?) Luke extends his robot hand and Force-propels Snoke back; at the last minute, the villain trips over a wall of porgs, and – like Maul and Sidious – hurtles to his doom down one of those expensive, albeit superfluous, CG-chasms.

Later, as the hangar explodes and disintegrates all around them, and they must go their separate ways, Porg Chief Berni Two-Socks (voiced by Joseph Gordon-Levitt, of course) looks up with those ubercute oversized black eyes, tears a-swellin’, and chirps:

“Gee, Mr. Luke, not bad fer a Longshanks! The boys are gonna miss ya, an’… aww shucks, Ah’m-a gonna miss ya too…”

Trust me, there will NOT be a dry eye in the (full) house…

Uff, typical Disney fluff! 

On second thoughts, methinks mayhap this grizzled ol’ nerfherder should DELAY his trip to the local popcorn parlour this week. And wait to be seriously disappointed in the comfort of his own Sanctum Sanctorum when XIII starts “streamin’ on Nitflex” (or whatever the younglings call that dashfangled gogglebox-contraption)…

“The Last Jedi felt more visceral. The first film felt like a dream” – Daisy Ridley. 

Before hitting Publish, it would be fitting to finish with a nice little anecdote from – oh yes – a long time ago when ONLY TWO Star Wars movies existed, but for me and my gang of mates, we were just DAYS away from the release of Return Of The Jedi. 

At the time, a British magazine called Voyager – concentrating on movies, model kits and space/astronomy news(!) – published an invaluable article discussing The Genesis Of “The Star Wars.” Reckoned it would be a great service to proclaim that instead of three movies we could – one day – enjoy all NINE episodes of The Journal Of The Whills.

They all looked at me as if Admiral Motti had just dissed The Force. 

Bumfluff growled and hissed bitterly: “Jeez, Brad, you’re so full o’ Bantha doo-doo it’s unreal!”

True story…

It would also be lovely to round off this post by stating that as we all prepare to watch The Last Jedi, it’s nice to know that Brad will be having the last laugh.

But will it – can it – really make for a joyous cinema experience? Yet again, yours truly just can’t bring himself to describe how difficult ’twill be to sit through the late, great Carrie Fisher’s last-ever screen performance.

Definitely, there are grim tidings ahead. Having lost Han Solo in VII, we must prepare for Leia’s fate in this episode, but also – although one does not like to dwell on such disconcerting matters too much – Luke will probably not see the end of IX…

 

WAIT a moisture-farmin’ minute here… 

What if Luke gets killed off in VIII?!?! 

What ELSE can account for Mark’s misgivings and the “considerable risks” rumoured to have been taken by Rian with this far, far away material?

Who else has a bad feeling about this?

We must be cautious…

Breathe. Just Breathe… …

 

“What a piece of junk!” – Luke Skywalker. 

How fitting that Episode VIII should be released in the year of Star Wars’ 40th Anniversary. 

Is it really FORTY YEARS since the world we thought we knew changed forever…?

“…A script arrived on my dressing table. When I opened it and found that it was science fiction I thought: oh crumbs, this is simply not for me…

“The dialogue was pretty ropey, but I had to go on turning the page… That is an essential in any script…” – Alec Guinness.

 

And The Bradscribe Award For Best Sci-Fi Of The Year Goes To…

The Bradscribe Awards 2015: What Was Best: Maz, Max, Mish Or Machina?

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The academy may pride itself on its history, but the world around it is changing, and unless it begins to reflect these changes, I can see the Oscars ceasing to be of any relevance to a growing and vocal new generation of artists who see it as a relic of the old world” – David Harewood.  

Hello and welcome to the Bradscribe Awards!

As we were blessed with a year brimming with various cinematic nuggets to choose from, it’s only fair to review it in our own lavish ceremony. And besides, many of you have been wondering – especially as this site has slagged off more than its fair share of crud these past twelve months – what actually managed to impress me during 2015!

One thing you can be certain about the Bradscribe Awards – activated to honour the criminally-overlooked field of science fictionthey are bright and visionary. And diverse. Nominees can be black, brown, blue or green. Or shiny and chrome. 

Also, there’s lots of cake on offer…

Why Don’t The Oscars Celebrate SF?

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“It is a genre that I think doesn’t get enough respect when you consider how many issues sci-fi brings up that we need to deal with” – Sigourney Weaver.

There seems to be an unwritten rule stipulating that science fiction – and fantasy, and horror, come to that – do not receive awards recognition in the main categories. Sure, the Academy recognises the technical achievements of this genre, but really, you can quite easily find some of the best scripts and acting in this continually innovative field.

In trying to sort this migraine out, trust longtime Bradscribe fave, Sigourney Weaver, to come to the rescue:

“The work being done in sci-fi is some of the most interesting, provocative work out there.”

Yet why should this genre tend to make little impact when Oscar season gets into full swing?

She has remarked how the Academy consists of “mostly people like me who are over a certain age” who tend to look for the “the more conventional movie.”

Uff, nuts to that. 

Part of SF’s wonder is its ability to offer more unconventional thrills. Rather than get stuck in the same mundane, formulaic soup – which, let’s be honest, too many mainstream dramas do – the genre is experimental and challenging, vital components sought, surely, by the modern movie-goer.

Before launching into the main ceremony, here’s a little sketch to get you warmed up. Hey, it was either this, or a flashy-but-ultimately-pointless song-an’-dance extravaganza: 

Without further ado, let’s get down to the essential categories:

Best SFX: Mad Max: Fury Road

Jurassic World just looked big; Star Wars: The Force Awakens looked impressive, but Namibia nabbed it.  

Best Music Score: Mad Max: Fury Road

This would have been set aside for John Williams – continuing the fine tradition of classic scores for Star Wars – but on first viewing, the new score was barely discernible. 

Best Original Screenplay: Ex Machina

Intellectually-stimulating sci-fi is what we crave at this site. Nominated for the Best Original Screenplay Oscar, how it did not win last night is my pet peeve of this year’s ceremony. 

Congrats to Alex Garland, who made his directorial debut with this instant classic. Here, honestly, this Award was as predictable as that Titanic boy getting the Best Actor Oscar… 

Best Adapted Screenplay: The Martian 

Drew Goddard worked wonders with Andrew Weir’s novel.

Rising Star Of The Year 

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“It’s important that the conversation carries on… Everybody should be the change they want to see and go from there, but keep talking, keep doing” – John Boyega. 

This Rogue Stormtrooper received most of the biggest laughs at the packed cinema this reviewer attended. While everybody is quite rightfully lauding Daisy Ridley as the new New Hope – an equally impressive entry to the SW galaxy, we should not overlook this young and promising boy from Peckham. The Oscars have, but Brad hasn’t…

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Let’s assess candidates for the Woman Of The Year and Man Of The Year:

Woman Of The Year 

Always keen to catch strong and memorable women’s roles, especially in SF. However, there seemed to be fewer notable women’s roles on offer this year. Emilia Clarke should have brought in an exceptional Sarah Connor, but had weak material with which to work; and Bryce Dallas Howard made a mark only by outrunning a T Rex. In high heels. Never gonna let that lie… 

But who made it onto the final list? 

Honestly, Sigourney should be here – for old times sake – but Chappie was so underwhelming; even she couldn’t make it bearable. Instead, we have plumped for:

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5. Scarlet Witch 

It was great to see Wanda Maximoff on the big screen at last, but so frustrating that she had so little to do, and had barely any “character” to develop sufficiently. Oh well, hope she gets more (worthy) screentime in the forthcoming Captain America: Civil War… 

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4. Maz Kanata

Maz is over one hundred years old, and she had – until those First Order loons swept in and trashed the place! – her own swell pad at which anyone in the galaxy can hang out; even got her own awesome statue outside it(!). She happens to possess Luke’s lightsaber, and also counts Chewie as her boyfriend. Way ta go, girl! 

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3. Imperator Furiosa

When Mad Max made his energising and explosive return to the big screen, little did anyone expect that Cherlize Theron would not only steal Immortan Joe’s War-Rig, but steal all the scenes in the year’s most explosive actionfest. Her presence was so seismic that the subtitle should have read: Furiosa Road. 

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2. Alicia Vikander

As Eva: the AI centre of attention in Ex Machina this Swedish actress made an immediate impact. And held her own against the big boys in The Man From UNCLE. Already looking forward to her next projects.

Congrats to Alicia for confounding the run of play by snatching the Best Supporting Actress gong; but really, she deserved the Best Actress Oscar. For a vastly more impressive picture…

This girl should go far. We hope. 

1. Not surprisingly, the Real Greatest Woman of this – and, for that matter, every other – year just happens to be – unreservedly, wholeheartedly: Mrs. B, but seeing how we really should be talkin’ about movie stars (and me darlin’ still won’t reverse that online pics ban) let’s move swiftly on. 

But in case you’re still wondering, you can find the Woman Of The Year here:

And now, on to the:

Man Of The Year 

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5. Ant-Man.

Always a personal fave comic character, it seemed inconceivable how the tiniest Avenger could transfer easily onto the big screen. Initially, Paul Rudd looked like a disastrous case of miscasting, but he helped make this little movie the surprise package of the year. 

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4. Andy Serkis

The actor most synonymous with motion capture – who lit up the Bradmonitor when he first crawled onscreen as Gollum – not only brought us our new villain of the Dark Side: Supreme Leader Snoke, but a traditional live action nasty called Ullysses Klaw in Avengers: Age of Ultron. 

Always a treat to watch, Serkis is the only reason to look forward to yet another Planet of the Apes sequel. 

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3. Kylo Ren

The villain of the long-awaited new Star Wars episode, had to make a rather special impact. Fotunately, Kylo Ren did just that. How many times has Brad replayed that scene of him staggering through the dark forest, then energising his lightsaber? Guess that correctly, dear reader, and YOU can have a slice of cake… 

Best Supporting Actor Award for Adam Driver methinks?

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2. Ultron

“Look at me! Do I look like Iron Man?!”

Traditionally a formidable villain in the Avengers comic, a certain degree of trepidation led up to the release of Avengers: Age of Ultron. 

No worries! They got the look just right. Voiced malevolently by the Amazing Spader-Man, he turned out to be supercool as well as superbad! And he was blessed with oodles of great lines! 

In any other year, Ultron would have stolen this category, but there was one fella who managed to impress me even more, and that was: 

1. Oscar Isaac

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“There’s some stuff he’s got in his tool set which is properly rare. Fierce talent, that’s what you want – and that’s exactly what Oscar’s got. You don’t need to be a filmmaker to see it” – Alex Garland. 

You may be thinking this was staged so that yours truly could chortle: “And the oscar goes to Oscar!”

Ha ha, no really, ever since spotting him steal scenes from the Crowe way back in Ridley Scott’s otherwise lacklustre Robin Hood, Isaac has been carving a very special niche in modern movies. He gave one of the best performances of the year in Ex Machina, but Poe Dameron was woefully underused.

We just can’t wait to see him steal the show as the eponymous archvillain in X-Men: Apocalypse!

Right? 

Crud Of The Year 

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“It was stupid. It was trash… It was not a flop that quietly came and went without anyone noticing. It got the disrespect it deserved” – Joe Queenan.

Gotta take the rough with the smooth, so they say, but even so…

It’s hard to believe, but 2015 still manage to serve up some particularly underwhelming duds. Rather than rant eloquently about the ever-dwindling standard of movie-making, let’s get these turkeys out of the way, sharpish:

Chappie; Fant4stic Four; Jupiter Ascending; Pixels; Terminator: Genisys;

Even presented with the offer of sitting through this abysmal cack for free, you still couldn’t entice me. Honestly, you would think Game Of Thrones adequately paid Peter Dinklage’s rent, so why did he have to get involved in this tragedy? 

Let’s cheer ourselves up with the:

Magic Moments Of The Year 

Well, bless my frickin’ quarnex battery! Here are the most awesome scenes to have graced our local popcorn parlours this past year:

5. 2015 Arnie vs. 1984 Arnie in Terminator: Genisys

You can’t beat nostalgia. A stylish nod to the classic scene from the original Terminator movie. If only the rest of the movie was as cool as this. One to search for on Youtube only.

4. T Rex vs. Indominus Rex from Jurassic World

This fourth installment of the Dinoland franchise may not have wrangled its way onto my Best of The Year list, but the climactic scrap between these two giants evokes the spirit of the original Jurassic Park. An extra slice of cake for that Mosasaurus 😉 If anyone can get near it, that is…

3. Kylo Ren stops a laser blast in midair

 So Snoke says Kylo needs to complete his training. If he can do that, his powers look pretty formidable to us!   

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2. That Ex Machina Dance 

Just when you think you’re gonna bust some heavy-duty grey matter getting to grips with the premise of top class AI drama: Ex Machina, so Professor Isaac – really unexpectedly – teaches us how to cut up the dance floor – yeah! This was destined to be THE Magic Moment Of The Year, until we gawped at: 

1. The Sandstorm from Mad Max: Fury Road

Let’s face it, all two hours of this exhilarating high-octane thrill-ride exudes movie magic of the highest calibre, but you can enjoy this classic scene right here: 

And now, the moment you’ve all been waiting for! The cake!

Best Movie Of The Year

So, what provided the most outstanding viewing experience of the year?

  • It was wonderful to be able to marvel at a new Star Wars movie, but although it was great to have new exciting characters and elements to savour, feelings that we were watching a retread of the 1977 original still filtered through.
  • The Martian certainly provided our happiest visit to the cinema together this past year.
  • Ex Machina is the solidly-written, well-crafted thought-provoking movie that the genre cries out for, but:

The frenetic energy, stunts, and sheer irresistible spectacle of Mad Max: Fury Road clinches it!

Last, but not least, is the:

Outstanding Contribution To Film

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Douglas Slocombe was a British cinematographer of exceptional skill. Some of his film credits: Kind Hearts And Coronets (1949), The Lavender Hill Mob (1951), The Italian Job (1969) and the Indiana Jones trilogy, read like a list from the Bradscribe Hall of Fame. 

He passed away last Monday aged 103. As a tribute, here is perhaps his most iconic work: 

So, congrats to Max. Your cake is thoroughly well-deserved. 

While compiling this Post, we were delighted to learn last night that Fury Road secured a mightily impressive hoard of six Oscars: Costume Design; Editing; Make-Up; Production Design; Sound Editing; and Sound Mixing. 

But why stop there? Best Actress should have gone to Theron; moreover, Fury Road deserves Best Picture…

Officially the top cinematic sensation of 2015, show us your appreciation, Max: 

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Oh, what a year! What a lovely year!

And they discovered water on Mars. Which was nice. 

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Rey Of Light: Who’s That Girl?

The Scribe Scrutinizes The Scavenger

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“People are getting tattoos! Of my face! Already! It seems insane to me” – Daisy Ridley.

“…The movie has a major problem in this central character. [Daisy] Ridley can barely act at all.” 

Eh? Come again?

“Her facial expressions are limited and repetitive, her interactions with her fellow stars unconvincing, her physical repertoire – running, fighting, shooting – awkward…”

So writes the obviously disgruntled film critic for the London Evening Standard who – like just about everybody else – awarded it four stars. Everybody knew that Star Wars: The Force Awakens was going to obliterate box office records around the world; some fans fretted over whether it would fail to satisfy their expectations; but hardly anyone – after this weekend – is none the wiser as to who Rey, the staff-wielding scavenger, really is.  

Finding out about Daisy Ridley is easy.

This 23-year-old Londoner – whose previous appearances include just bit parts in UK TV dramas such as Mr. Selfridge and Casualty – may have seemed like an ordinary bookworm and “Speed Garage enthusiast” up until last week, but now, of course, she has suddenly become one of the most famous women in the world. Also, she swears like a Stormtrooper, which makes her a natural successor to Carrie Fisher. 

By the way, major plot points will be included; but seeing how the latest widespread box office records indicate that everyone in the US, UK and the Outer Rim Territories have seen the movie, there is no longer any need to worry about dropping spoilers.

As my review pointed out, The Force Awakens is an undeniably exciting spectacle, and yet – as the days go by – key plot points and a rising pile of questions just baffle me even more, making me reconsider whether it is an episode to embrace wholeheartedly.    

Daisy, Daisy, give me your answer do: who is Rey?

“Well, Rey starts alone – and I did not mean ‘Solo’ when I said ‘solitary’,” she laughs.

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“I said: ‘Don’t go through the crew like wildfire.’ I also told her not to take any advice from me” – Carrie Fisher.  

“You start thinking: give her time, she’ll loosen up, it’ll get better. It never does.” 

Grief, this fella’s starting to annoy me…

“And she’s the heroine, the very heart of the film. So that doesn’t work.”

Yes, it does, dullard! Just take a look at all the other reviews: Ridley has instantly won over critics and fans alike. From the first few (captivating) moments we saw Rey, she was intriguing – we wanted to know her story, especially as her surname has been deliberately withheld. 

“People naturally assume that I am Han and Leia’s daughter,” Ridley has remarked, which – the more you read it – seems to imply that it is a misleading assumption… 

In the movie, SF’s most famous couple fret over their son, now ensconced in the First Order; tellingly, neither of them acknowledge Rey in any way to suggest that she is their child as well. Instead, should we be looking to the other Skywalker to discover her parentage?

As the film progresses, it is quite evident that there is more to this mere “scavenger” than meets the eye… Her skills are apparently limitless: just for starters she can climb (and rappel); not only can she pilot a ship, she can fix it as well! The most obvious giveaway that she is Han’s daughter is that she’s good with a blaster, but – hang on – on the other hand, she defeats Kylo Ren in a lightsaber duel and plays a faultless Jedi mind-trick on poor, unsuspecting Stormtrooper TK007 😉 which would suggest that she’s Luke’s girl…

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“The Force, it’s calling to you. Just let it in” – Maz Kanata.

Look at one of the movie’s best moments: Kylo Ren tries to summon Luke’s lightsaber – incidentally, how on Earth Takodana did such a revered artefact come into Maz Kanata’s possession? – but it whisks straight past him and into the hands of Rey. As the script notes reveal, Anakin/Luke’s lightsaber: “calls out to [Rey] wanting her to become its new master.” 

Moreover, that beloved overweight glob of grease: R2-D2 only powers up once Rey arrives at the Resistance base…

Expect Luke’s monologue from the second trailer (unused in the film, did you notice?) – most likely spoken to Rey – to form a vital crux of Episode VIII’s dialogue…

Ridley’s resistance to the media mind-probe these past few weeks has been particularly strong. She just emits that huge, full-beam, brilliant-white grin: “Is she an orphan? Who’s to say?” 

[cue coquettish wink]

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“[Rey] is an ordinary girl, in extraordinary circumstances” – J. J. Abrams. 

“This was the first day! And I honestly wanted to die. I thought I was gonna cry, I couldn’t breathe.”  

Why?! What happened?

“JJ probably doesn’t remember telling me that my performance was wooden,” Ridley explains. “And there was so many crew there… It was so hot… It was… awful.”

No worries: overall, she did a great job: “My experience has been incredible. I’ve felt supported and respected the whole way through.”

Seeing how it took only seven months and five auditions to win the role of the newest New Hope, it’s only fair that Daisy should get the final say:

“First and foremost for me, I want people to enjoy the film and think that I did a good job…”

Absolutely: “you have that power too.” 

“Beyond that, I don’t know… When I actually first heard about the job, it was months before I auditioned. And I got a funny feeling in my body.”

Ha, pun intended?

“It felt like the whole time – even though I thought I was doing a shit job in the auditions – there was something pushing me on, telling me this was going to happen. So it kinda feels like the wheels continue to turn.”  

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  • The first spinoff: Rogue One: A Star Wars Story, currently in production, is set to hit theaters on 16 December, 2016;
  • Rian Johnson’s Star Wars: Episode VIII is slated for release on 26 May, 2017;
  • Star Wars Anthology: Han Solo Movie arrives on 25 May, 2018;
  • Star Wars: Episode IX opens sometime in 2019;
  • Lucasfilm is also developing a Third Star Wars Spin-Off Movie, which is presumably set for release in 2020.

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“Classified? Me too…” – Rey ___??

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Star Wars: The Force Awakens: The Bradscribe Review

Episode VII: Luke Skywalker has vanished… 

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“The idea of being involved in it frankly felt dangerous” – J. J. Abrams. 

“Come on, baby, don’t let me down!” growls everyone’s favourite nerfherder during one of the many exhilarating moments in this record-smashing latest installment of the galaxy’s greatest saga. This perfectly sums up the expectations – not just of my humble self – but millions of fans as the weeks, then days, till release were agonisingly counted down.

No worries; fortunately for all of us, Star Wars: The Force Awakens is a triumph, and deservedly so. J. J. Abrams has crafted a superior space fantasy, offering so much more than just a fanboy pastiche – embellishing this blockbuster with plenty of brand new and intriguing delights, forging the franchise in a bold and promising direction. Give him a film project with ‘Star’ in the title and – yay – he will work wonders…

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“I’ll tighten those restraints, scavenger scum” – Daniel Craig. 😉

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“People were like: ‘Oh my God, you’re Rey Solo’ – this is what people do, they just assume I’m Han Solo’s daughter, it’s not even a question any more” – Daisy Ridley.

It’s fantastic to see the new generation of Wars stars: Ridley, Isaac and Boyega – and, what the heck, BB8 as well – establish themselves firmly and convincingly in this beloved galaxy. 

As the central character, newcomer Daisy Ridley more than holds her own as the resilient Rey. Most curiously, when we first see her, she is merely a scavenger, searching for scrap from the now-legendary Battle of Jakku (and selling it to Simon Pegg! 😉 and – bizarrely – squatting in the shell of a fallen AT-AT. Pretty soon, she’s – what the-?! – not only flying the Millennium Falcon, but perfectly adept at the Ways of the Force. Blimey, Charley! She’s just too good to be true…

In Finn (John Boyega), we have a completely different type of character: a stormtrooper who – after a change of conscience – wants to defect to the Resistance. Through a compelling plot development, he helps the escape of star-pilot: Poe Dameron (Oscar Isaac). The time is right for Star Wars to have a new cocky young flyboy, and Dameron certainly makes the grade. 

Must – at this point – express what a delight it was, at last, to meet the wonderful, yet enigmatic, Maz Kanata. She reminded me a lot of the old dears who sell jasmine garlands in downtown Bangkok. Her “castle” is the sort of blissed-out, rad dive this blogger would have loved to frequent during his college days.

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“I feel there’s a recklessness about him that’s maybe not normally associated with the Dark Side. You normally think of order, and structure… he’s just a little bit more unpolished” – Adam Driver. 

For me, by far the best, most tantalising new addition to the cast is Kylo Ren (Adam Driver). He not only looks right, but – by Jove! – he sounds menacing enough. Black-robed and badass: that’s how we dig it around here! Could it get any better? 

In time-honoured tradition of Star Wars – with his ragged crossbeam lightsabre and disconcerting mask – he has captivated and freaked out the entire fanbase in equal measure. 

Hey,  don’t mean to brag, but his true identity was sussed on this blog months ago. And what he does towards the end of this episode – with Rey, Finn and Chewie looking on in horror – actually came as NO surprise. At all. 

Before moving on: let it be known that Supreme Leader Snoke was superb and sufficiently sinister – another unforgettable contribution from Andy Serkis.  

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“I didn’t have the imagination to recognise the future potential for the character. I was only going to do three of them, so I wanted to use the character to supply some bass notes, some gravitas” – Harrison Ford.  

It was just amazing to see that wondrous piece of junk – not Han Solo, ha ha! – but his eternally supercool Corellian freighter which – inexplicably – just happens to be standing neglected on Jakku AND in the exact area from which Rey and Finn must make their escape?! How opportune… 

There is no dramatic build-up to the entrance of Han and Chewie together, but the lump in the throat is still inevitable. Funnily enough, after all these years, Han is STILL moody and obsessive over the Millennium Falcon, forever quick to remind anybody that it’s the ship that made the Kessel Run in less than 14 – sorry! – 12 parsecs. 

But when General Leia first steps into view after 32 years, quite frankly my tear-ducts burst. SO GOOD to see Carrie Fisher in a Star Wars movie again. 

As a HUGE fan of the X-wing Fighterit was, after all, my very first Star Wars toy – the sensational sequence featuring a whole squadron of them skimming the surface of that lake was irresistibly stupendous. The ensuing dogfight offered an enticing spectacle. This movie also honoured one of this franchise’s more stirring trademarks: TIE fighters chasing our heroes through ever-narrowing tunnels of vast installations.

Just can’t get enough of that wrecked Star Destroyer embedded in the sands of Jakku. 

Impressive. Most impressive.

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“In the street, they call out: ‘Hey, Princess!’ which makes me feel like a poodle” – Carrie Fisher. 

Yes, there are a few quibbles:

  • Having been enthralled at the prospect of Captain Phasma: a female stormtrooper, we looked forward to finding out what she would do. Bah! A couple of forgettable lines and nothing else hardly seems worth the bother…
  • Been waiting on tenterhooks to hear the new score by legendary composer John Williams. Don’t know about you, but there were no discernible epic tunes here.
  • The movie ends on Skellig Michael, a World Heritage site off the coast of County Kerry, Ireland. That’s the problem: without any CG tinkering whatsoever, it looks exactly like it was filmed… off the coast of County Kerry, and NOT in a galaxy far, far away…  
  • Seeing Joseph Gordon-frickin’-Levitt all greened-up, supposedly as Yoda? (!) at the Hollywood premiere on Monday night. Jeez, what a prat… 

Let’s not deny it: Star Wars: The Force Awakens is a successful re-engagement with the myth and magic that has made this the best-loved and most durable franchise.

Despite being several notches down from the glorious masterpiece that was The Empire Strikes Back, this is still a Magnificent Seventh Episode in its own right. 

And – oh yes – the Force IS strong with this one! 

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Grumble, grumble, disturbing lack of faith, etc, etc.