The Lost Scribe: Where Is Brad?!

Bradscribe Has Vanished… 

UNBALANCED: "Why did he leave...?"
UNBALANCED: “Why did he leave…?”

Wake! For the Sun, who scatter’d into flight 

The Stars before him from the Field of Night, 

Drives Night along with them from Heav’n, and strike

The Sultan’s Turret with a Shaft of Light” – Omar Khayyam.

He was blogging along merrily as usual until – all of a sudden – readers drifted away and the Stats plummeted. It is hard to believe how one so cosmic – so totally with it – could have just upped and left… 

But Kismet decreed that if there were to be no readers, there would be no incitement to write. For the time being, at least. Thus, these unforeseen circumstances provided an ideal time to recharge his creative battery, and prepare for a stupendous comeback, when he would – like Ant-Manbecome bigger and better than before. 

And so, the past few weeks presented the opportunity for him, and his fabulous wife, to detach themselves – albeit briefly – from the technological trappings of the “modern age.” And escape, literally, into the Middle of Nowhere. To seek out the Centre of Knowledge. 

They “got away from it all” – yay, Mr. and Mrs. B got off the grid. 

No surprise, really. It’s as if he has completely fallen off this quadrant… 

Most likely, he skedaddled to the Outer Rim – even his ol’ mate: Maz said: “There, you can disappear…”

Some say there were rumours – nay, stories – of him traipsing off on some foolhardy pilgrimage across the galaxy to the Mojo Temple, to rediscover what he had lost…  

THE WANDERER: "Seeking out the poorer quarters Where the ragged people go, Looking for the places Only they would know."
THE WANDERER: “Seeking out the poorer quarters, Where the ragged people go, Looking for the places
Only they would know.”

“He probably enjoyed being a man of mystery. He embraced the allusions in his life just as much as those that appeared in the many stories he wrote” – J J Furie. 

STARDATE: 04.05.2559.

They left the land-speeder halfway up the mountain – the gradient seemed far too steep to climb. Sure, it was really hot, but still too early in the morning for the sun to have reached its searing zenith.

Out there – in the back of beyond – you would be lucky to have any electricity, let alone a reliable internet connection. Among a cluster of wooden chalets at the summit, the guru awaited their arrival. She had sought his counsel many moons ago; he had read several of his inspirational articles in the papers – this monk seemed like the right Ajarn [teacher] to visit at the right time… 

There was no time to linger and inhale the incense in the Inner Sanctum. 

All three talked for ages. The Scribe had countless questions on philosophy and spirituality – too many for that session – so promised to return one day soon… 

And before the westerner departed, the easterner asked him if he would – at some point – consider becoming a monk…

As the sun gradually diminished that evening, the world-weary wordsmith reclined to view the glorious blood-red and orange sky – it’s not every evening you can watch something as awesome as that back in the Western Regions.

And he beamed heartily at the Field of Night, safe in the knowledge that most of his stress had dissolved…

And all those pursuers were far, far away…

BRAD'S ARMY: He fights the dreaded Zandokan Shokk Troopers... so you don't have to.
BRAD’S ARMY: He fights the dreaded Zandokan Shokk Troopers… so you don’t have to.

“I don’t pretend we have all the answers. But the questions are certainly worth thinking about” – Arthur C. Clarke.

Meanwhile, halfway across the galaxy… 

The elite division of Shokk Troopers stood aside, allowing the dreaded Dark Lord: Zegreatme to stride forth.

The denizens of that spaceport dared not look directly at his visor, for fear that – with one flick of his glistening bionic hand – he would order their instant execution… 

The Zandokans stopped outside the Ravenous Greedo Cantina – yeah, this looked like the sorta crummy dive that blogger would frequent. The Troopers burst in, laser-rifles at the ready; the Dark Lord drummed his talonic fingers on the hilt of his laser-sword impatiently as he surveyed a cluster of i-monitors along the far wall. 

His agents detected high levels of chocolate cream around one console, indicating that quite considerable cake consumption had occurred in this vicinity, very recently. 

And the nacho crumbs proved to be a dead giveaway…

Their sensors revealed a half-completed Captain America: Civil War review saved in the hard drive. The Dark Lord face-palmed, knowing only too well that the Scribe had fled not long before their Imperial Skorpion Kruiser had landed…

“Vhere ees Bred now?!” he growled.

Gesturing manically to his minions to get back outside and question each and every passerby, stopping any denizen to ask them THAT question proved to be a futile move.

For the frightened locals just stared in bewilderment and uttered the same response:

Bradscribe…?! I thought he was a myth…”

NOT AS BRAD AS IT SEEMS...: "And why do we fall? So we can learn to pick ourselves up..."
NOT AS BRAD AS IT SEEMS…: “And why do we fall? So we can learn to pick ourselves up…”

“Nothing has such power to broaden the mind as the ability to investigate systematically and truly all that comes under thy observation in life” – Marcus Aurelius.

Bradscribe will return…

 

………………………………?? 

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Homecoming Scream!: Is Comic Book Movie Fatigue Setting In?!

Tell me, do you despair? You will… 

SPIDER-MAN AGAIN: Why?! How about Spider-Woman? After sex, the female spider EATS the male - who wouldn't pay good money to go watch THAT?!
SPIDER-MAN AGAIN: Why?! How about Spider-Woman? After sex, the female spider EATS the male – who wouldn’t pay good money to go watch THAT?!

“I’m not overly fond of what follows…” – Loki. 

Of all that’s sacred! Another one?! 

Still reeling with dismay from the announcement that the umpteenth Spider-Man movie is forging (or should that be spinning?) ahead, it’s even been given the title: Spider-Man: Homecoming. Now this is quite possibly the lamest tag EVER concocted; what a pun – alluding to Peter Parker’s high-school frolics as well as “coming home” to Marvel after enjoying box office success in the hands of Sony.  

Ahem, is there anyone celebrating this news?

Sure, the original Spider-Man movie with Tobey McGuire was an enjoyable outing. Good to see Sam Raimi on top of his game, but Willem Defoe as the Green Goblin stole the show and rightly so. When the inevitable Spider-Man II came out, it looked okay, but made me realise that there is more to life than sitting through sequels. By the time No. 3 came along, there was no incentive to go watch; many agreed – in fact, a universal arachnophobia had set in. And then for some ludicrous reason – which STILL  thwarts my investigative journalistic powers – with the dust barely settled on this non-starter, we were subjected to: the reboot. This time it was The Amazing Spider-Man. The obligatory Stan Lee cameo happened to be the only amazing aspect of this forgettable movie.

Sorry, Spidey, but Ant-Man was always more intriguing. Even when only seven years old – and in the prime of his comic-collecting duties – yours truly could never accept the Webslinger’s red and blue costume. Nah, Ant-Man had a cool helmet, and the ability to shrink to ant-size really appealed, especially as a viewing of Jack Arnold’s classic: The Incredible Shrinking Man (1957) at around that time had thrilled my infant mind beyond measure. 

But press me on the issue (hypothetically of course) of an Ant-Man franchise and yours truly would have to respectfully decline. Don’t get me wrong, last year’s Ant-Man movie was like a dream come true, but, bearing in mind the wonders that can be achieved now with modern sfx, the exploits of the tiniest Avenger really don’t suit the big screen.

PANDA-BOY BEGINS!: What?! Neither DC nor Marvel publish a book called Panda-Boy?! Honestly, if you wanna job done properly...
PANDA-BOY BEGINS!: What?! Neither DC nor Marvel publish a book called Panda-Boy?! Honestly, if you wanna job done well…

“Never rub another man’s rhubarb” – The Joker.  

Initially, the prospect of a Suicide Sguad movie did not instill too much confidence in me. So we’ve never heard of them before, but such was the case with Guardians of the Galaxy, and look what an awesome bundle of fun that turned out to be…

The astonishing success of Deadpool in February showed that cinema-goers want something different… something fresh. Hell yeah, Sguad is so fresh, it’s got the Fresh Prince playing Deadshot who, admittedly, is the only member of this mental mob of misfits one can identify from the comics. It is difficult to tell whether this will be a smash or a mere cult hit – talk so far has centred mainly, (worryingly), on the music used in the trailers, rather than the sort of action on offer.

The big news is that this pic will feature an exhilarating new version of the Dark Knight’s archnemesis: the Joker, played -with tattooes?! – by Jared Leto. Personally, Heath Ledger’s performance as the Clown Prince of Crime seemed so fantastic and fearsome, that any subsequent portrayal would seem misguided.

If, however, that is Leto in the Panda-Boy disguise in the above pic, then sure – what the hell! – let’s have a butchers… 

In Squad We Trust? 

We can find out if these bad’uns do good from 5 August. 

SEARCH & DISTRAUGHT: Argo-Man scours the blogosphere in vain for any favourable reviews...
SEARCH & DISTRAUGHT: Argo-Man scours the blogosphere in vain for any favourable reviews…

“Next time they shine your light in the sky, don’t go to it. The Bat is dead, buried. Consider this mercy…” – Superman.

So, most critics and bloggers unanimously agree that DC’s initial entry of their own Cinematic Universe is just a Dawn of Just Ass. Honestly, how can a movie featuring the two most iconic superheroes EVER turn out to be SUCH a phenomenal FAIL?!

Believe me, as someone who collected both Superman and Batman comics as a kid, the thought of seeing them finally spar against each other in one epic blockbuster was overwhelming to say the least! (Given the choice who to root for, it would be very difficult for me to pick a side). Unfortunately, we read the somewhat underwhelming reactions from reviewers and bloggers alike…

One of the few warmly-received aspects of Batman v Superman (or BS for short) was Ben Affleck’s seemingly definitive portrayal of the Dark Knight. Fans are rejoicing at the prospect of another solo Batflick written/directed by Benaffleck – the very same fans who, incidentally, were cursing the casting director when news of Dawn of Justice broke…

If this is the Dawn we’ve all been waiting for, a lie-in has never seemed a sweeter option. And if this “dark and gritty” approach is what we should expect when the DC Cinematic Universe expands, then all does not bode well for a Justice League movie. As a Brit, Brad finds himself rooting instead for the imminent Captain America movie (a character he’ll never tire of watching!) – where’s the Justice in that?

Civil War (released on 6 May!) is shaping up to be another cracker, but personally, the build-up has been marred with a tad too much speculation as to whether – uh-huh, him again – Spidey would make an appearance… in the latest trailer…  

Couldn’t care less? You bet…

Ooh, but Brad! Did ya see that cool thing Spidey did with his eyes?

Yeah… so what?

My attention falls instead on Black Panther. His appearance in the Marvel Cinematic Universe is about time and would be most welcome. And a standalone Black Panther movie? Sure: a previously unseen character, and an exploration of diversity – why not? 

But PLEASE – for the love of cake – DON’T give us ANOTHER Spider-Man cameo!!

avengers1-are-we-done-here

“Are we done here?” – Steve Rogers. 

Be sure to join me next time for more cynical banter an’ japes! Same Brad time, same Brad channel. 

And The Bradscribe Award For Best Sci-Fi Of The Year Goes To…

The Bradscribe Awards 2015: What Was Best: Maz, Max, Mish Or Machina?

uppity-waiter-007

The academy may pride itself on its history, but the world around it is changing, and unless it begins to reflect these changes, I can see the Oscars ceasing to be of any relevance to a growing and vocal new generation of artists who see it as a relic of the old world” – David Harewood.  

Hello and welcome to the Bradscribe Awards!

As we were blessed with a year brimming with various cinematic nuggets to choose from, it’s only fair to review it in our own lavish ceremony. And besides, many of you have been wondering – especially as this site has slagged off more than its fair share of crud these past twelve months – what actually managed to impress me during 2015!

One thing you can be certain about the Bradscribe Awards – activated to honour the criminally-overlooked field of science fictionthey are bright and visionary. And diverse. Nominees can be black, brown, blue or green. Or shiny and chrome. 

Also, there’s lots of cake on offer…

Why Don’t The Oscars Celebrate SF?

Sigourney-Weaver

“It is a genre that I think doesn’t get enough respect when you consider how many issues sci-fi brings up that we need to deal with” – Sigourney Weaver.

There seems to be an unwritten rule stipulating that science fiction – and fantasy, and horror, come to that – do not receive awards recognition in the main categories. Sure, the Academy recognises the technical achievements of this genre, but really, you can quite easily find some of the best scripts and acting in this continually innovative field.

In trying to sort this migraine out, trust longtime Bradscribe fave, Sigourney Weaver, to come to the rescue:

“The work being done in sci-fi is some of the most interesting, provocative work out there.”

Yet why should this genre tend to make little impact when Oscar season gets into full swing?

She has remarked how the Academy consists of “mostly people like me who are over a certain age” who tend to look for the “the more conventional movie.”

Uff, nuts to that. 

Part of SF’s wonder is its ability to offer more unconventional thrills. Rather than get stuck in the same mundane, formulaic soup – which, let’s be honest, too many mainstream dramas do – the genre is experimental and challenging, vital components sought, surely, by the modern movie-goer.

Before launching into the main ceremony, here’s a little sketch to get you warmed up. Hey, it was either this, or a flashy-but-ultimately-pointless song-an’-dance extravaganza: 

Without further ado, let’s get down to the essential categories:

Best SFX: Mad Max: Fury Road

Jurassic World just looked big; Star Wars: The Force Awakens looked impressive, but Namibia nabbed it.  

Best Music Score: Mad Max: Fury Road

This would have been set aside for John Williams – continuing the fine tradition of classic scores for Star Wars – but on first viewing, the new score was barely discernible. 

Best Original Screenplay: Ex Machina

Intellectually-stimulating sci-fi is what we crave at this site. Nominated for the Best Original Screenplay Oscar, how it did not win last night is my pet peeve of this year’s ceremony. 

Congrats to Alex Garland, who made his directorial debut with this instant classic. Here, honestly, this Award was as predictable as that Titanic boy getting the Best Actor Oscar… 

Best Adapted Screenplay: The Martian 

Drew Goddard worked wonders with Andrew Weir’s novel.

Rising Star Of The Year 

boyega-rising-star

“It’s important that the conversation carries on… Everybody should be the change they want to see and go from there, but keep talking, keep doing” – John Boyega. 

This Rogue Stormtrooper received most of the biggest laughs at the packed cinema this reviewer attended. While everybody is quite rightfully lauding Daisy Ridley as the new New Hope – an equally impressive entry to the SW galaxy, we should not overlook this young and promising boy from Peckham. The Oscars have, but Brad hasn’t…

*

Let’s assess candidates for the Woman Of The Year and Man Of The Year:

Woman Of The Year 

Always keen to catch strong and memorable women’s roles, especially in SF. However, there seemed to be fewer notable women’s roles on offer this year. Emilia Clarke should have brought in an exceptional Sarah Connor, but had weak material with which to work; and Bryce Dallas Howard made a mark only by outrunning a T Rex. In high heels. Never gonna let that lie… 

But who made it onto the final list? 

Honestly, Sigourney should be here – for old times sake – but Chappie was so underwhelming; even she couldn’t make it bearable. Instead, we have plumped for:

scarletwitchelizabetholsen-119892

5. Scarlet Witch 

It was great to see Wanda Maximoff on the big screen at last, but so frustrating that she had so little to do, and had barely any “character” to develop sufficiently. Oh well, hope she gets more (worthy) screentime in the forthcoming Captain America: Civil War… 

maz-kanata

4. Maz Kanata

Maz is over one hundred years old, and she had – until those First Order loons swept in and trashed the place! – her own swell pad at which anyone in the galaxy can hang out; even got her own awesome statue outside it(!). She happens to possess Luke’s lightsaber, and also counts Chewie as her boyfriend. Way ta go, girl! 

Furiosa

3. Imperator Furiosa

When Mad Max made his energising and explosive return to the big screen, little did anyone expect that Cherlize Theron would not only steal Immortan Joe’s War-Rig, but steal all the scenes in the year’s most explosive actionfest. Her presence was so seismic that the subtitle should have read: Furiosa Road. 

alicia-vikander

2. Alicia Vikander

As Eva: the AI centre of attention in Ex Machina this Swedish actress made an immediate impact. And held her own against the big boys in The Man From UNCLE. Already looking forward to her next projects.

Congrats to Alicia for confounding the run of play by snatching the Best Supporting Actress gong; but really, she deserved the Best Actress Oscar. For a vastly more impressive picture…

This girl should go far. We hope. 

1. Not surprisingly, the Real Greatest Woman of this – and, for that matter, every other – year just happens to be – unreservedly, wholeheartedly: Mrs. B, but seeing how we really should be talkin’ about movie stars (and me darlin’ still won’t reverse that online pics ban) let’s move swiftly on. 

But in case you’re still wondering, you can find the Woman Of The Year here:

And now, on to the:

Man Of The Year 

antman-poster

5. Ant-Man.

Always a personal fave comic character, it seemed inconceivable how the tiniest Avenger could transfer easily onto the big screen. Initially, Paul Rudd looked like a disastrous case of miscasting, but he helped make this little movie the surprise package of the year. 

andy-serkis-ulysses-klaw

4. Andy Serkis

The actor most synonymous with motion capture – who lit up the Bradmonitor when he first crawled onscreen as Gollum – not only brought us our new villain of the Dark Side: Supreme Leader Snoke, but a traditional live action nasty called Ullysses Klaw in Avengers: Age of Ultron. 

Always a treat to watch, Serkis is the only reason to look forward to yet another Planet of the Apes sequel. 

Kylo

3. Kylo Ren

The villain of the long-awaited new Star Wars episode, had to make a rather special impact. Fotunately, Kylo Ren did just that. How many times has Brad replayed that scene of him staggering through the dark forest, then energising his lightsaber? Guess that correctly, dear reader, and YOU can have a slice of cake… 

Best Supporting Actor Award for Adam Driver methinks?

Ultron-up

2. Ultron

“Look at me! Do I look like Iron Man?!”

Traditionally a formidable villain in the Avengers comic, a certain degree of trepidation led up to the release of Avengers: Age of Ultron. 

No worries! They got the look just right. Voiced malevolently by the Amazing Spader-Man, he turned out to be supercool as well as superbad! And he was blessed with oodles of great lines! 

In any other year, Ultron would have stolen this category, but there was one fella who managed to impress me even more, and that was: 

1. Oscar Isaac

Oscar-Isaac-2016-Golden-Globes

“There’s some stuff he’s got in his tool set which is properly rare. Fierce talent, that’s what you want – and that’s exactly what Oscar’s got. You don’t need to be a filmmaker to see it” – Alex Garland. 

You may be thinking this was staged so that yours truly could chortle: “And the oscar goes to Oscar!”

Ha ha, no really, ever since spotting him steal scenes from the Crowe way back in Ridley Scott’s otherwise lacklustre Robin Hood, Isaac has been carving a very special niche in modern movies. He gave one of the best performances of the year in Ex Machina, but Poe Dameron was woefully underused.

We just can’t wait to see him steal the show as the eponymous archvillain in X-Men: Apocalypse!

Right? 

Crud Of The Year 

cruise-th-only-good-bit-1495

“It was stupid. It was trash… It was not a flop that quietly came and went without anyone noticing. It got the disrespect it deserved” – Joe Queenan.

Gotta take the rough with the smooth, so they say, but even so…

It’s hard to believe, but 2015 still manage to serve up some particularly underwhelming duds. Rather than rant eloquently about the ever-dwindling standard of movie-making, let’s get these turkeys out of the way, sharpish:

Chappie; Fant4stic Four; Jupiter Ascending; Pixels; Terminator: Genisys;

Even presented with the offer of sitting through this abysmal cack for free, you still couldn’t entice me. Honestly, you would think Game Of Thrones adequately paid Peter Dinklage’s rent, so why did he have to get involved in this tragedy? 

Let’s cheer ourselves up with the:

Magic Moments Of The Year 

Well, bless my frickin’ quarnex battery! Here are the most awesome scenes to have graced our local popcorn parlours this past year:

5. 2015 Arnie vs. 1984 Arnie in Terminator: Genisys

You can’t beat nostalgia. A stylish nod to the classic scene from the original Terminator movie. If only the rest of the movie was as cool as this. One to search for on Youtube only.

4. T Rex vs. Indominus Rex from Jurassic World

This fourth installment of the Dinoland franchise may not have wrangled its way onto my Best of The Year list, but the climactic scrap between these two giants evokes the spirit of the original Jurassic Park. An extra slice of cake for that Mosasaurus 😉 If anyone can get near it, that is…

3. Kylo Ren stops a laser blast in midair

 So Snoke says Kylo needs to complete his training. If he can do that, his powers look pretty formidable to us!   

em5

2. That Ex Machina Dance 

Just when you think you’re gonna bust some heavy-duty grey matter getting to grips with the premise of top class AI drama: Ex Machina, so Professor Isaac – really unexpectedly – teaches us how to cut up the dance floor – yeah! This was destined to be THE Magic Moment Of The Year, until we gawped at: 

1. The Sandstorm from Mad Max: Fury Road

Let’s face it, all two hours of this exhilarating high-octane thrill-ride exudes movie magic of the highest calibre, but you can enjoy this classic scene right here: 

And now, the moment you’ve all been waiting for! The cake!

Best Movie Of The Year

So, what provided the most outstanding viewing experience of the year?

  • It was wonderful to be able to marvel at a new Star Wars movie, but although it was great to have new exciting characters and elements to savour, feelings that we were watching a retread of the 1977 original still filtered through.
  • The Martian certainly provided our happiest visit to the cinema together this past year.
  • Ex Machina is the solidly-written, well-crafted thought-provoking movie that the genre cries out for, but:

The frenetic energy, stunts, and sheer irresistible spectacle of Mad Max: Fury Road clinches it!

Last, but not least, is the:

Outstanding Contribution To Film

douglas-slocombe-4670

Douglas Slocombe was a British cinematographer of exceptional skill. Some of his film credits: Kind Hearts And Coronets (1949), The Lavender Hill Mob (1951), The Italian Job (1969) and the Indiana Jones trilogy, read like a list from the Bradscribe Hall of Fame. 

He passed away last Monday aged 103. As a tribute, here is perhaps his most iconic work: 

So, congrats to Max. Your cake is thoroughly well-deserved. 

While compiling this Post, we were delighted to learn last night that Fury Road secured a mightily impressive hoard of six Oscars: Costume Design; Editing; Make-Up; Production Design; Sound Editing; and Sound Mixing. 

But why stop there? Best Actress should have gone to Theron; moreover, Fury Road deserves Best Picture…

Officially the top cinematic sensation of 2015, show us your appreciation, Max: 

mad-max-thumbs-up

Oh, what a year! What a lovely year!

And they discovered water on Mars. Which was nice. 

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Anty Matter: Can Marvel’s Latest Blockbuster Succeed?

Little Big Man. Heroes Don’t Get Any Bigger? 

ant-man-marvel-movie

“The thing about Ant-Man: it’s different. There’s never been a superhero like that. These days, if you can come up with something that’s different and unique, and then do it well, which is the only way Marvel would do anything, you’ve got a great shot at getting a hit” – Stan Lee.  

Will the latest offering from the mighty Marvel Studios: Ant-Man – which opens internationally this Friday – be worth the ticket price? It seems that the last entry in Phase 2 of Marvel Studios’ grand cinematic strategy will star their smallest character in possibly their biggest gamble. 

As a keen follower of this hero back in the day, his sheer outlandishness was an intriguing plus, yet it is the one off-putting factor that has consigned Ant-Man to the lower confines of the Marvel canon, and has taken this long to get his own motion picture at all. 

This is a pity for the character of Ant-Man/Dr. Hank Pym, created in 1962 by writer Stan Lee and artist Jack Kirby, holds a special place in the Marvel lexicon. The scientist originally responsible for inventing – and first wearing -the amazing ant-suit, was one of the co-founders of the Avengers – extraordinary to think that he did not feature in either Avengers movie; he was also responsible for creating Ultron, not Tony Stark as Marvel’s last blockbuster erroneously portrayed.

Only now do the powers-that-be at Marvel believe that the level of special visual effects has reached a standard sufficient enough to create the story of a man who can shrink to ant-size and command armies of soldier ants through special receivers in a specially designed helmet.

How, on Earth, do you pitch something like that?!

Screen-Shot-Ant-Man 

“I think our first move should be calling the Avengers” – Scott Lang.  

After both powerhouses of Jurassic World and Terminator Genisys  failed to give me much satisfaction, Ant-Man looks far from revitalising my rapidly diminishing faith in the current spate of blockbuster movie-making. Just look at the pile of minus factors going against it. Apart from the aforementioned obscurity of the character, how significant will the late departure of original writer and director: Edgar Wright have on the fortunes of this film?

And as for the casting, well…! Michael Douglas?! As Hank?! How is that possible? What about Paul Rudd as Scott Lang? He is ideal for making entertaining lunacy like Anchorman, but judging from those (bland) trailers, he looks to be mismatched with this material. But then again: ask me who would make a better Ant-Man, and that would be a toughie. 

Both trailers seen so far hardly worked up any enthusiasm for the subject-matter. Rather than instill any sense of ant-icipation, this lacklustre fare is generating nothing but ant-ipathy…  

Perhaps more than any other Marvel character, this peculiar material has a particularly tough task in trying to translate to the big screen. Can it be done?  

Alan Mooreliving legend among comic book writers – stipulated that none of his work should be developed into movies. In one interview, when asked how he would adapt his own outstanding classic: Watchmen – voted as one of the greatest novels of all time – into a movie, he just replied without hesitation: “I wouldn’t.”

antman-poster

“This is not some cute tech like the Iron Man suit!” – Dr. Hank Pym. 

So what compelled me towards Ant-Man as a comic character worth reading? This is some question, considering that the similar, yet vastly more popular, Spider-Man never appealed to me. There was something really cool about Ant-Man’s helmet, whereas nothing amazing was to be had from Spidey’s curiously red and blue costume.

Ant-Man did not have his own series during my comic-collecting days, but would guest star in other titles. Unfortunately, none of those strips were kept for long, so it is difficult to recall which issues did grace my stash of comics, yet there was a single page which – after three decades – still remains crystal clear in my mind’s eye.

Lo and behold, an online search (for other comic art, incidentally) suddenly brought it up, and all the fond memories associated with this masterpiece (by the incomparable John Byrne; who else?) came flooding back.

For those of you taking notes, this is page 15 of Marvel Premiere #47 from 1979.

197904 Marvel Premiere 47 p15 John Byrne

“You think you can stop the future? You’re just a thief!” – Yellowjacket. 

Considering how we were subjected to an Amazing Spider-Man reboot even before the dust had been allowed to settle on Spider-Man 3, it is reassuring to learn that Marvel Studios is ready to tap into Marvel Comics’ rich and diverse pool of several thousand characters

Ant-Man  may not reach the same heights of last Summer’s deliriously fun smash: Guardians of the Galaxy, but at least it continues Marvel’s bold and warmly welcomed ploy of unleashing lesser-known characters upon a cinema-going public suffering from remake and sequel fatigue.

Some comics were never meant to be filmed, and should have stayed on the printed page – some may argue that Ant-Man is one of them – but let’s hope that the time and effort put into this movie will pay off.

Anyway, it can’t be as awful as Punisher: War Zone… can it? 

Ant-Man-Marvel-Comics-Lineup

“This ‘dorky looking helmet’ is the only thing that’s going to protect me from the real bad guys!” – Magneto.

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Cheers!