“Everything Is Blue”: A Celebration Of One Of The UK’s Finest Writers

Sophisticated Suspense.

Swamp_Thing_Vol_2_56 (1)

“Why shouldn’t you have a bit of fun while dealing with the deepest issues of the mind?” – Alan Moore.  

“My killers dislocated my electroskeleton…

Bent the clear note of my being out of pitch…

Out of harmony with the earth…

Barred from my planet’s emerald heart…

And unwilling to burn…

The turquoise ferns and duck-egg pebbles…

The aquarium light filtering through clouds of bleached cobalt…

“Everything is blue.”

Seeing as it’s his birthday today, this Post has been set aside to honour Alan Moore, acclaimed creator of such classic comic literature as Watchmen, The League of Extraordinary Gentlemen,  From Hell and V For Vendetta; we shall focus instead on Swamp Thing, because that is where my startled discovery of his great talent was made.

Originally created as a simple eight-page modern gothic tear-jerker by Len Wein and Berni Wrightson for House of Secrets #92, in 1972, scientist Alex Olsen was “killed” in a chemical explosion, his flaming body hurling into the bayou, only to be soon resurrected as a mossy and morose muck-monster. 

Each edition of Moore’s Swamp Thing offered individual brilliance, but for me, none more so than Issue 56 (dated Jan 87).

Can remember reading this one for the first time; entitled: “My Blue Heaven” it was more a case of bewilderment, than being gobsmacked. Rather than displaying the traditional lurid coloured inks of say, Superman or Wonder Woman, this particular issue told a unique story utilising an ingenious monochromatic technique, adding instant mood and atmosphereevery panel was blue. 

Didn’t know what to make of it initially, but one thing was clear: here in my hands lay an example of a drastically different form of graphic art, and all my comic-reading years had never prepared my senses to savour a script quite like this. 

alan-moore-001

Happy Birthday To The Wonderful Wizard of Northampton!

Moore, Veitch, Alcala - Swamp Thing, My Blue Heaven

“Forever.

I will spend forever here…

An immortal wandering endlessly towards eternity…

Across a monochrome landscape…

One color, ome word.

So many shades…

The color of saxophones at dusk…

Of orbiting police lights smeared across tenement windows…

Of loneliness…

Of melancholy.

The blues.”

When planning a movie adaptation of Watchmen, Terry Gilliam (who Moore revealed would have been an excellent choice to direct a Watchmen movie) asked: “How would you make a film of Watchmen?” 

“Well, frankly,” Moore replied, “If anyone had bothered to consult me, I would have said ‘I wouldn’t’.”

Moore had written Watchmen expressly to explore the possibilities of the comic book medium, utilising narrative devices that deliberately set out to be unfilmable. So with this title, Moore could really experiment with ways in which a superior sophisticated graphic novel could be presented.

What Moore could you want? Who better than the beloved bewhiskered Brit to take this tragic figure but present him optimistically as a creator of his own realm?

Instead of wallowing in loneliness, the Thing creates his own doppelganger: “manipulating… two sets of muscles… I stand and walk toward myself… We touch… marveling to find not the cold hardness of mirror glass… but another palm, cool and dry.” 

Thus unfolded a dream-like narrativestrange: most certainly; compelling reading: oh yes…

And for company, he (re)creates Abby, his long-lost love:

“…As the flowers blossom… in a pale mane from her scalp… I am breathless. 

“Oh, she is beautiful… and I am lost.”

Blue

“We kiss… then kiss again…

Embracing, we sink to our knees,

Through the dreamlike phosphorescence…

Of air too rich in rare gasses, 

We tumble… a kinetic progression…

Of stop-motion glimpses…

Sensual and inevitable in their sequence…

A blue movie.” 

Swamp Thing helped pave the way for DC Comics to handle more mature topics in an increasing number of titles specifically aimed at a much older readership. Amidst other bold and brilliant titles branded as: “Suggested For Mature Readers,” Swamp Thing did his own distinct and bizarre thing on a monthly basis.

For four years, Moore took this unlikely titular vegetable hero and revealed it to be just a tragic “shambling mound of foliage” that has merely acquired the consciousness of the dead scientist (now referred to as Alec Holland). This inspired the kind of extended, positively surreal, character study that Moore relishes.

Ultimately, the Swamp Thing must banish all thought of ever having been human in the first place, let alone trying to devise the bio-restorative formula to regain that glimmer of humanity. Thus, the creature must – over several episodes – contemplate not only the worthlessness of its existence, but decide what it should do with itself from then on.

Where else could you find a comic book where the central character foregoes living and merges with the mass-psyche of the earth itself, becoming a vegetable in all senses of the word?

swamp-thing-56-p14-panel

constantinea

“Like blue bile…

The scream floods from my throat…

And I turn and run…

Past cars that are gradually losing their shapes to the rain…

“I try… to hold the world together in my mind… 

“But it slithers from a grasp… made slippery by sap…

In despair… I let it die…

I let the buildings unravel…

And the children fall dead in the streets…

I stop the hearts… of the perspiring old men…

I kill the world.

Blue murder.” 

John Constantine, the British occult mage/annoying smartass – whose character would about to be considerably expanded in his own highly successful, critically-acclaimed ongoing series called Hellblazer – made his debut in The Saga of The Swamp Thing #37. 

Here, he makes another distinctive cameo appearance – as this is Swamp Thing’s own dreamworld, so John is nothing more than an illusion, but still offering an annoying supporting role! Odd, yet compelling material. 

Finally, as this Post comes to it’s end, so we reach the final lines of Moore’s classic script:

“I leave… the world that I have made… behind me…

It shall remain here…

As a decayed monument… to the pain… of sundered romance… 

A bitter love letter… left tear-stained and crumpled…

In the obscure corner… of the universe…  

abby

“A blue valentine.” 

Advertisements

8 thoughts on ““Everything Is Blue”: A Celebration Of One Of The UK’s Finest Writers

  1. Greatest comic book author EVER, love Alan Moore (which you already realise, I’m sure) he gave the world Rorschach and for this I shall be forever in his debt. Great post my friend, Swamp Thing is also cool of course (Yep, even the movies!)

    • Thanks, Bruce!

      Yes, I know he’s your fave – actually I thot u wld b th 1st to drop by here!
      Rather than concentrate on Watchmen (th obvious choice!) I thot w shld give ol’ Swampy some love; let’s face it: is there anyone else in th blogosphere writing about him right now?

      Didn’t Rorschach come about cos Moore cldn’t get permission to write about DC’s Th Question?
      Yes, he’s my fave Watchman – thot Jackie Earle Haley did a mega job bringing him to life in th movie (altho Alan’s gonna hate me for saying that!)

      Cheers!

      • Yes indeed, we have Rorschach because DC wanted Moore to come up with original characters, The Question was the template for him, along with Captain Atom/Dr Manhattan and Blue Beetle/Nite-Owl. Haven’t seen any other pieces on his birthday, though I have an unfinished post about it, but it will end up being rather belated (and heavily Rorschach related, of course) Jackie Earle Haley was awesome, he really was born to play that role, such a likeness to the character and he nailed the portrayal… he is Rorschach!

      • Yes, fascinating how these projects come about.
        Wondered if u had planned a special Post about Moore – better late than never, amigo!
        Btw, when is YOUR birthday? Got that Wonder Woman Post on standby…
        Cheers!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s