Ex Machina: The Most Intelligent SF of 2015?

Just a machine? That’s like saying that you’re just an ape…

Ex-Machina-Gallery-01

“You just can’t differentiate between a robot and the very best of humans” – Isaac Asimov: I, Robot. 

If a Top 10 list of my most anticipated movies of 2015 was compiled then Ex Machina – described as a sleek and stylish SF thriller – would sit comfortably near the top. Among the latest crop of trailers for big blockbusters, it is comforting to note that small-scale productions like this are still developed. This movie looks like it will offer more cerebral and challenging visual feasts which, almost ironically, is what SF should be all about.

In a week where the new Ant-Man trailer failed to impress, Ex Machina offers some reassurance that 2015 is not all about Avengers and awakenings…

This British production (in collaboration with Film4) marks the directorial debut of Alex Garland – better-known as the screenwriter for The Beach (1999) and several Danny Boyle films including SF thriller Sunshine (2007), and will star only Oscar Isaac, Domhnall Gleeson… and Alicia Vikander who looks quite extraordinary in pre-release pics. 

Basically, this is a simple specimen with only three characters, and two of them will be appearing together again in Star Wars VII. So, at the very least, this film can be studied for what to expect from these “new faces” of the SW galaxy come December. 

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“I feel more attached to this film than to anything before” – Alex Garland.  

To see here the tremendous advances in the development of the AI subgenre, considering that during the 19th century, the creation of artificial beings could never be covered in fiction as it was deemed too blasphemous; come the 20th century, it was considered merely dangerous, but ever since Czech writer Karel Capek (1890-1938) introduced the term: ‘robot,’ in R.U.R. (1921), the theme has really taken off, with both friendly and fiendish artificial characters becoming some of the most popular icons of sci-fi heritage.

Just as SF seemed to have lost its affinity with non-violent, intellectual and well-crafted works, this little movie sprang from nowhere… and managed to create the sort of uplifting buzz which that Ant-Man trailer failed to induce at all!

Ex Machina is a psychological thriller in which a reclusive billionaire programmer: Nathan (Isaac) invites one of his employees: Caleb (Gleeson) to come to his hi-tech research facility and conduct a “Turing Test”: when a human interacts with a computer; if it exhibits artificial intelligence, unbeknownst to the human, then it has passed. Caleb is invited to test Ava, possibly the most sophisticated artificial intelligence yet devised.  

Bear in mind that although the trailer for Ex Machina looks intriguing, so did the one for last year’s Automata which garnered an unwanted pile of poor reviews. That SF thriller starring Antonio Banderas had some cool scenes to offer, and the poster, with its intriguing lost-droids-in-wasteland motif, looked promising enough…  

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“The sci-fi films that intrigue me have human questions behind the technology… and I think this is just full of that…” – Domhnall Gleeson.

What is most significant about this upcoming release is what Ex Machina does not offer: violence (no ubiquitous comicbook punch-ups), pointless CGI explosions (with any luck, aforementioned facility should remain intact); clanking, cliched automatons bellowing in deep, ridiculous voices; useless dialogue littered with too many expletives (often a bad sign for any writer), and forgettable starlets shouting annoyingly at each other.

Perhaps, at the very least, this movie will serve as the template from which the Three Laws of AI Movie-Making can be implemented…

There are high hopes in this camp for Ex Machina, but just remember this: if it should fail – with the tremendous rate at which technological advances are being made these days – we’ll be faced with the slightly deflating prospect of having engineered a fully-automated, self-aware human-like droid well before anyone has managed to craft an intelligent and engaging movie about one!

Ex Machina will be released in the UK next week, and will hit US screens in early-April. 

Lastly, it seems only fitting that the concluding thoughts should come from Asimov himself. Rather than prolong banal introspective tales about automatons turning against their creators, he endeavoured to question the attitudes towards artificial beings. If such machines can exhibit some discernible form of calm and collected intelligence, they have earned the right to be counted as good people for it is the capacity to do just deeds in life rather than mere flesh and blood which makes true humanity. 

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The Three Laws of Robotics

  • as first stated by Isaac Asimov in the short story: Runaround (1942)

 

postscript

a-big-thank-you

  • to all the fantastic Followers who gave me 10 Likes and some fabulous Comments for my last Post: Brad’s Guide To The Future – my 1st foray into double figures! This is really encouraging, and inspires me to strive further; this year should see big positive changes to this Blog; notice the video upload here – hopefully the first of many!

You are welcome to pop along here as well:

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Cheers!

 

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10 thoughts on “Ex Machina: The Most Intelligent SF of 2015?

  1. Excellent. Love your stuff. I’m going to be in the hospital starting Monday–total knee replacement and rehab. I’m not taking my laptop with me but I will have my phone. I won’t be posting but I will be catching up on everyone’s blogs that I follow. So, keep on writing. Lucy

  2. Thank you for your Comment!
    Yes, Ashley, thot u might be interested in this!
    Be sure to check out Isaac & Gleeson’s performances – a preview of what we can expect when they feature again in SW VII!

  3. I agree, this is my most anticipated movie at the moment! The trailer is great and what a cast! Domhnall Gleeson impresses me more and more every time I see him.

  4. Thanks for your Comment, Sherise.
    Let’s hope this movie meets our expectations – does look more promising than other new releases.
    First saw Gleeson in Frank and now he’s all over the place, which is good.
    Cheers!

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