Posted: 17 August 2014
“I’m no Ripley. I had doubts that I could play her as strongly as she had to be played, but I must say that it was fun exploring that side of myself. Women don’t get to do that very often” – Sigourney Weaver.
In th the far reaches of the universe, “where no one in their right mind would go,” undeniably the strongest female character in SF – Warrant Officer Ellen Ripley – will return for one last time, insists Sigourney Weaver, the actress who portrayed her so memorably across four different movies. She believes that one last story about this bold and daring character deserves to be told, reiterating that by no means should it be set on Earth.
Considering how Ripley was killed off at the end of dreary Alien 3, and its lacklustre follow-up: Alien Resurrection did not add anything consequential to this waning franchise, the prospect of having the legacy of this great Power Loader-operating and flame-throwing heroine tarnished further does not sound so appealling.
And yet there are numerous strong and feisty females in SF, who – despite the genre for decades being predominantly the reserve of young white males – have thrived regardless and won their own fanbases. Even my own sciency-fickety scribblings are brimming with stern and headstrong women because – let’s face it – they were the ones always rejecting me in real life.
This Post will explore – in this bland and bloated age of sequels, prequels and reboots – which SF heroines of yesteryear should be brought back to the big screen… plus those who shouldn’t.
“Fifty-seven years ago I did his little Star Wars film… George is a sadist, but… wearing a metal bikini chained to a giant slug… I keep coming back for more” – Carrie Fisher.
In December 2015, Princess Leia will return – whether we like it or not. Sure, the original trilogy will always be fondly remembered, but those prequels were an abomination which can never be expunged, let alone forgiven.
Of course there is some curiosity as to what it would be like to have her back, alongside Han and Luke, but really…. it should all have ended back in 1983. So it is with a very heavy heart that this forthcoming trilogy will be regarded with an inevitable and uneasy sense of dread.
“Gort… Klaatu Barada Nikto” – Helen Benson.
Patricia Neal, as Helen Benson in Day The Earth Stood Still (1951) provided a strong and striking performance at a time when actresses in B-movies of that era were usually “required” to do no more than scream at any frightful thing that lumbered into view (usually from behind.) She was charged with saving the Earth from Gort, should anything happen to Klaatu (Michael Reeve).
Okay, so she did yell and carry out the ubiquitous horror cliche of stumbling over a deceptively flat piece of terra firma at a crucial stage during the suspense, but otherwise she was a remarkably confident woman – thank goodness – at the right time. She is certainly the sort of determined individual to have in the next Earth-threatening drama.
Hang on! Only just remembered!
A monumentally useless remake popped up in 2008 featuring Jennifer Connelly as Helen Benson. This affront to cultural sensibilities just serves to remind us that that heresy can be avoided if you have a decent script – not to mention a talented leading lady…
“I’m a New York City girl. Things are a little too quiet around here for me!” – Dale Arden.
Flash Gordon was one of the great influences of my early years, with the amazing Alex Raymond strip and the Universal serials from the 1930s, not to mention the immensely enjoyable (and endlessly quotable) 1980 feature film, but throughout his manic meddling on Mongo, he wouldn’t have got far without the doughty Dale Arden.
Is it time for a Flash reboot? Hell yeah!
But this time, there would be a tremendous opportunity to enhance the strong elements of Dale’s character and give her a hard-edged and courageous 21st century makeover.
“Have you ever retired a human by mistake?” – Rachael.
Whatever happened to Sean Young?
As Rachael the replicant in Blade Runner (1982), her soft demeanour provided a tender contrast to the other two violent artificial femmes. Somehow, in this perpetually dark and soggy dystopia of 2019, she brought an incongruous, yet oddly affecting, 1940s look to the film.
It’s too bad she won’t live, said Gaff, the origami guy in the fedora, yet it would have been so intriguing to see more of her. As rumours of a sequel gather pace, it is alarming to learn that Rachael somehow won’t have a part in it…
The number of times (mis)spent sitting through dull and uninspired SF movies and you wish someone as stylish as her could just glide in and brighten up proceedings…
…but then again, who does?